Loading...
The URL can be used to link to this page
Your browser does not support the video tag.
Home
My WebLink
About
Agenda AIPP 021610
AGENDA CITY OF PALM BEACH GARDENS ART IN PUBLIC PLACES ADVISORY BOARD TUESDAY, FEBRUARY 16, 2010 AT 5:30 P.M. COUNCIL CHAMBERS I. CALL TO ORDER II. PLEDGE OF ALLEGIANCE III. ROLL CALL: ART IN PUBLIC PLACES ADVISORY BOARD Regular Members Alternates Diane Cappella Meriel "Honey" Bryan 1st Alternate Jennifer O'Brien Paul Kaufman 2nd Alternate David Porter (Vice Chair) Cable Neuhaus (Chair) Dianne Sacchetti Susan Tornabene Mark Giuliani Also in attendance: Kara Irwin, AICP Growth Management Administrator /Staff Liaison IV. ADDITIONS, DELETIONS, MODIFICATIONS V. APPROVAL OF MINUTES — October 20, 2009 & November 17, 2009 VI. ITEMS BY COUNCIL LIAISON VII. ITEMS BY STAFF LIAISON VIII. OLD BUSINESS • LAKE CATHRINE RFP IX. NEW BUSINESS • PUBLIC WORKSHOPS 1. DOWNTOWN AT THE GARDENS 2. 9/11 MEMORIAL ART PLAZA • RFP 2009 -010 ARTISTIC BUS SHELTERS X. COMMENTS BY THE PUBLIC XI. COMMENTS BY THE BOARD XII. ADJOURNMENT 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 CITY OF PALM BEACH GARDENS ART IN PUBLIC PLACES ADVISORY BOARD REGULAR MEETING OCTOBER 20, 2009 The regular meeting was called to order at 5:30 p.m. by Vice Chair Cable Neuhaus. I. CALL TO ORDER II. PLEDGE OF ALLEGIANCE III. ROLL CALL PRESENT: Vice Chair Cable Neuhaus, Diane Cappella, David Porter, Susan Tornabene, Dianne Sacchetti. ABSENT: Jennifer O'Brien. ALSO PRESENT: Council Member, Council Liaison Eric Jablin (arrived 5:46 p.m.); Resource Manager, Alternate Staff Liaison Allyson Black. IV. ADDITIONS, DELETIONS, MODIFICATIONS None. V. OFFICER APPOINTMENT David Porter nominated Cable Neuhaus for Chair. Susan Tornabene seconded. Motion passed 5 -0. Diane Cappella nominated David Porter for Vice Chair. Cable Neuhaus seconded. Motion passed 5 -0. VI. APPROVAL OF MINUTES David Porter made a motion to approve the August 18, 2009 minutes. Susan Tornabene seconded. Motion passed 5 -0. David Porter made a motion to approve the September 15, 2009 minutes. Diane Cappella seconded. Motion passed 5 -0. VII. ITEMS BY COUNCIL LIAISON None. VIII. ITEMS BY STAFF LIAISON Resource Manager, Alternate Staff Liaison Allyson Black reported Ordinance 35, 2009 was approved by City Council; Frenchman's Crossing will be on the November 5, 2009 City Council agenda; presented pictures of Legends in the Gardens — Walgreens; and agreements have been sent to the Bus Shelter semi - finalists. IX. OLD BUSINESS Chair Neuhaus acknowledged Ellen Dukes' resignation from the Art in Public Places Advisory Board effective September 30, 2009. a. Lake Catherine Conceptual Design, Draft Call to Artist and Palm Beach Gardens History was discussed. Public Comment Don Kiselewski, Holly Drive, Palm Beach Gardens. City Clerk Patricia Snider announced the next Art in Public Places Advisory Board and Parks and Recreation Advisory Board joint meeting will be held on Monday, December 7, 2009 at 6:00 p.m. in Council chambers. ART IN PUBLIC PLACES ADVISORY BOARD PAGE 1 MIMIC 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 X. NEW BUSINESS a. 911 Memorial /Art Piece for Fire Station 3 Presented item: City of Palm Beach Gardens Deputy Fire Chief C.R. Brown. David Porter made a motion for approval to go forward with the 911 Memorial Art Piece. Diane Cappella seconded. Motion passed 5 -0. b. Revised Art Ordinance Presented item: Resource Manager, Alternate Staff Liaison Allyson Black. XI. COMMENTS BY THE PUBLIC Adam Kornberg, 1437 Rudder Cove, Wellington. XII. COMMENTS BY THE BOARD None. (The remainder of this page intentionally left blank.) ART IN PUBLIC PLACES ADVISORY BOARD PAGE 2 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 XIII. ADJOURNMENT David Porter made a motion for adjournment. Diane Cappella seconded. Motion passed, 5 -0. The meeting adjourned at 6:36 p.m. The next regular meeting will be held November 17, 2009. APPROVED Cable Neuhaus, Chair David Porter, Vice Chair Diane Cappella Jennifer O'Brien Dianne Sacchetti Susan Tornabene Mark Giuliani ATTEST Donna M. Cannon Municipal Services Coordinator NOTE: These minutes are prepared in compliance with 286.011 F.S. and are not verbatim transcripts of the meeting. A verbatim audio recording is available from the Office of the City Clerk. All referenced attachments on file in the Office of the City Clerk. ART IN PUBLIC PLACES ADVISORY BOARD PAGE 3 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 CITY OF PALM BEACH GARDENS ART IN PUBLIC PLACES ADVISORY BOARD REGULAR MEETING NOVEMBER 17, 2009 The regular meeting was called to order at 5:30 p.m. by Chair Cable Neuhaus. I. CALL TO ORDER II. PLEDGE OF ALLEGIANCE III. ROLL CALL PRESENT: Chair Cable Neuhaus, Diane Cappella (arrived 5:36 p.m.), Mark Giuliani, David Porter, Susan Tornabene, Dianne Sacchetti, Meriel Bryan (1st Alternate sitting for Jennifer O'Brien). ABSENT: Jennifer O'Brien. ALSO PRESENT: Alternate Staff Liaison Allyson Blank. IV. ADDITIONS DELETIONS MODIFICATIO Administer Oath of Office to New Board Members City Clerk Patricia Snider swore in new boar hers k Giuliani, 1 st Alternate Meriel Bryan, and 2nd Alternate Paul Kaufman. V. APPROVAL OF MINUTES None. VI. ITEMS BY COUNCIL LIAISON None. VII. ITEMS BY STAFF LIAISON Resource Manager, Alternate Staff Liaison Allyson Black reported on the 50th anniversary celebration; Public Workshops being held in November and December; approval of Frenchman's Crossing art; Legends of the Gardens art and Bus Shelter semi - finalist agreements. The Art in Public Places Advisory Board and Parks and Recreation Advisory Board joint meeting will be held December 7, 2009 and the next regular meeting of the Art in Public Places Advisory Board will be held in February. VIII. OLD BUSINESS Lake Catherine RFP Discussion ensued. David Porter made a motion for approval of the RFP with the modifications as discussed. Dianne Sacchetti seconded. Motion passed 7 -0. Public Comment: Paul Kaufman, 211 Via Condado, Palm Beach Gardens. IX. NEW BUSINESS Comment bv: David Porter. X. COMMENTS BY THE PUBLIC None. XI. COMMENTS BY THE BOARD Comment by: Cable Newhaus, Dianne Sacchetti. (The remainder of this page intentionally left blank.) ART IN PUBLIC PLACES ADVISORY BOARD 11.17.09 PAGE 1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 XII. ADJOURNMENT David Porter made a motion for adjournment. Dianne Sacchetti seconded. Motion passed, 7 -0. The meeting adjourned at 6:32 p.m. The next regular meeting will be held February 16, 2009. APPROVED Cable Neuhaus, Chair David Porter, Vice Chair Diane Cappella Jennifer O'Brien Dianne Sacchetti Susan Tornabene Mark Giuliani ATTEST Donna M. Cannon Municipal Services Coordinator NOTE: These minutes are prepared in compliance with 286.011 F.S. and are not verbatim transcripts of the meeting. A verbatim audio recording is available from the Office of the City Clerk. All referenced attachments on file in the Office of the City Clerk. ART IN PUBLIC PLACES ADVISORY BOARD 11.17.09 PAGE 2 CITY OF PALM BEACH GARDENS MEMORANDUM DATE: February 5, 2010 TO: Art in Public Places (AIPP) Board Members FROM: Allyson Black, Resource Manager A4�1 THRU: Kara Irwin, AICP, Growth Management Administrator SUBJECT: Public Workshop: Downtown at the Gardens Resolution 19, 2005 approved three (3) pieces of art work for the Downtown at the Gardens commercial development. The three pieces were "Palace" which was approved to be placed by the east valet, the "Pool" which was approved by the south valet and "The Water Bridge" which was placed in middle of the south court. Over the years, "The Water Bridge" was a continual maintenance issue and was constantly under repair. When Downtown at the Gardens changed ownership and Berman Enterprises became the owners, "The Water Bridge" was perceived as a liability issue. The piece was removed without notification to the City. Code Enforcement was informed of this incident and issued a Correction Request. The 1% art requirement for Downtown at the Gardens was $320,000. Downtown at the Gardens, under Menin Development, spent a total of $360,000 for the three art pieces. "The Water Bridge" was estimated to cost $105,000 but since they spent $40,000 over the requirement, the deficit Downtown at the Gardens faces in order to comply with the 1 % art requirement is $65,000. There will be a public workshop involving the public art for Downtown at the Gardens at the February 16, 2010, AIPP Board Meeting. Please see the attachments for information relating to the proposed location for the art and information relating to the project. Kevin Berman, Berman Enterprises, will giving a presentation and answering any questions regarding the petition. Should you have any questions or comments or require additional information, please do not hesitate to contact me at 799 -4199. Attachments: Downtown at the Gardens Lower Level Site Plan Proposed Location Map Carousel Design Information Carousel Works Information Carousel Works Reference List Ul PC� 11� O O r rY N N N O O son M s G N O DO U. IQ N 16.11 cn coo ' O C • oc) N + O rn D �K ��, O . o C/) 6 �, �� ��6� d� ° o C) � � D O \ '4 Cn G) t� ' • m CL 39.73' C Cn CD _ i ° cz • 01-1 1 N � o � O \ Cn ° o d' ,O o • 22.88' 0 O O z m �d O 'd) ��Nd CDm °o°<r CL 0-) ,s0 60 'o � I •N. �d1 d o� Aso rn W J � 000 O m j Tr i bo J Ci. D m rn m m W �I D O [/�) \V V C� i N O_ O e] CaJoe voaks Carousel Design Overview A Carousel Works carousel consists of three components the Frame, Fagade & Figures /Chariots. We work with each of these elements to create a one -of -a -kind carousel for each client. Frame The carousel Frame consists of the inner working of the carousel that supports the figures and creates the movement on the carousel. Facade The facade consists of the decorative panels that are used to hide the Frame components. These panels are created for aesthetics, so our designers can be extremely creative in their design to create a one -of- a -kind carousel for each client. The components are uniquely designed for each project based on the overall theme and design concepts including the structural shape, decorative details and hand - painted artwork: • Rounding Boards— structure shape, decorative details as well as hand - painted artwork. • Center Surround — decorative details, mirrors, may also be designed to host hand - painted artwork. • Lower Surround Mural— original 56' hand - painted sprawling mural or the mural may be broken up into smaller sections if the client prefers. • Upper Surround — structural shape and decorative details. • Shields — these elements are customized to put the finishing touches of theme on each individual carousel design and may also be designed to host hand - painted artwork. Figures & Chariots Figure Design - Each and every figure /chariot is hand - carved and hand - painted so the design and creation of each figure is original. Our carvers begin with a basic figure silhouette and can create elaborately designed trappings (the harness, saddle, straps, blankets, etc.) or create a simple design depending on each individual client's wishes for their project. Next our artists hand -paint each figure uniquely to work with the overall color scheme to bring them to life. Vie aiq Artistic 1285 Jack Pollock Pkwy Mansfield, OH 44905 Ph 800.785.8283 Fax 419.524.9603 Email: info @)carouselworks.com Website: www.carouselworks.com Me woks Carousel Works is the world's largest manufacturer of wooden carousels as well as being the premier choice for the restoration of antique carousels. Our 22,000 square foot facility in Mansfield, Ohio, encompasses all aspects of carousel construction, design, and restoration in- house. Our twenty -eight experienced and talented employees specialize in all aspects of carousel manufacturing ranging from design, hand - carving, woodworking, pattern making, casting, engineering, machine shop techniques, artistic painting, sculpture and management under one roof. This has allowed us to develop into the type of carousel manufacturing facility that hasn't existed for over sixty years. Our work has appeared in numerous articles and publications, including Architectural Digest. In addition, the Carousel Works has been featured on various television shows including Mister Rogers Neighborhood and Extreme Makeover: Home Edition. Origins Art Ritchie and Daniel Jones began Carousel Works in 1986 with one goal — to revive one of America's valuable treasures, a tribute to both craftsmanship and artistic innovation —the art of making wooden carousels. The company began by completing full carousel restorations and carving new individual figures for private owners, but always with the goal of building a new wooden carousel. At that time, the last wooden carousel to be built was in the depression -era early 1930s. In 1991, they reached their goal when they installed the first new hand - carved wooden carousel since that time with the Richland Carousel Park in Mansfield, Ohio. Art Ritchie — Co -Owner Art Ritchie is a Master Carver and has been a professional woodcarver for over thirty -five years. He began in the mid -1970s specializing in hand - carved wooden signs, furniture, relief carvings and individual carousel figures and is now one of the world's most renowned wooden carousel artists. Art's current focus is on the overall design of the new carousels, he is constantly creating new and innovative designs to make each carousel project uniquely its own. Daniel Jones — Co -Owner Daniel Jones has been a Master Carpenter for over forty years. He also began his career in the 1970s specializing in the architectural restoration of antique homes. Dan now oversees the entire Restoration Department and also creates the structural facades for the new carousel projects. Carousel Works Page 2 Carving & Woodworking Department Key StaffMembers: Don Blakley — Carving Department Supervisor Don began as an apprentice carver at the Carousel Works twenty years ago under Master Carver, Art Ritchie, when he was still in high school. Now himself a Master Carver, he is in charge of supervising the Carving Department, training new apprentice carvers while also carving the new figure patterns and also focusing on carving the most ornate, detailed figures. Donna Grantham - Lead Carver Donna has been specializing in carousel figure carving at the Carousel Works for fifteen years. She also has a background in Commercial Art & Design. Tim Gorka - Lead Carver Tim has been a professional woodcarver for twenty -eight years and joined our staff full -time in 2006. In addition to figure carving, Tim also focuses on the design and carving of the carousels' stationary chariots. In addition to his extensive woodworking background, he also has extensive qualifications in sculpture and painting. Aaron Schroeder — Carver /Metal Sculpture Aaron holds a Master of Fine Arts in Sculpture and in addition to an expansive background in wood working, has created numerous kinetic metal sculptures throughout the country. In addition to carving, Aaron's skills have allowed us to expand our designs to incorporate more kinetic sculpture movement into our overall carousel designs. Tonya Johnson — Carver Tonya specializes in carousel figure carving and has been with Carousel Works for fourteen years. Rick Beam — Carver Rick has been with Carousel Works for over twenty years, the majority of which he spent specializing in antique figure restoration. He has now transferred into the carving department where he is using his years of expertise and talent to carve new figures. Ryan Jones — Figure Fabrication Ryan specializes in fabricating the figure blocks so that the carver can create the desired design. He has over ten years of experience with the company and does an excellent job of creating the medium for the figure sculptures. Carousel Works Page 3 Art Department Key StaffMembers: Marilyn Ritchie —Art Department Supervisor Marilyn is one of the most premier carousel artists in the world. She has been with Carousel Works for over twenty -three years. In addition to overseeing the Art department, she is also responsible for the coordination of all the artwork on the carousel, working with each client to determine an overall color scheme for the project as well as training new artists in the nuances of carousel art. Leslie Chaffin — Mural Artist Leslie was trained at the Otis Art Institute and has been a professional artist for thirty -two years, eighteen of those years have been with Carousel Works. She designs and creates original hand - painted artwork for the carousels. Martha Fort — Mural Artist Martha also uses her vast experience and skills to design and creates original hand - painted artwork for our carousels. She holds a BFA specializing in watercolor and has also taught art at the college level. Karen Beck — Figure & Facade Artist Karen has a degree and extensive background in Interior Design and in addition to working in our art department, also owns a private interior design /faux painting business for over fifteen years. She specializes in laying out the color design and finishes for the carousel fagade as well as figure painting. Eric Tomlinson — Figure & Facade Artist Eric is one of our newest artists. He holds a BFA in Sculpture and previously worked for the Columbus Museum of Art upon graduation before joining our staff in the art department. Jason Kaufman — Figure Artist & Sculpture Molds Jason specializes in figure art as well as the creating of our various sculpture casting that are used as additional decorative pieces on the carousel fagade. He has a BFA in Sculpture & Glassblowing and also recently opened his own gallery, Kenosis Gallery for Experimental Art. Carousel Works Page 4 Artistry in Wood.. . -,q I a3 t 'A F., 0 Carousel Works Page 5 vp IL LIN I Ito A? 1410 -A AM, Carousel Works Page 6 f� Or 0 3 r F , G s� R• V� F � ' n Carousel Works Page 7 ✓'r Artistic Painting - Bringing the Figures to I W AM l ' oil ASO r� I Carousel Works Page 8 \11�4 AV go 00 Carousel Works Page 9 Fine Art - Original Artwork to Enhance the Beauty..... Bit 1 r � 1� I Carousel Works Page 10 ji, L-9�) wVP �i7 WT- AL- Carousel Works Page 11 A F i Carousel Works Page 12 Carousel Works Page 13 dw Ca,,.�����,sel works 1285 Jack Pollock Pkwy Mansfield, OH 44905 Ph 800 - 785 -8283 or 419 -522 -7558 Email: sales@carouselworks.com www.carouselworks.com Li - F-"�' REFERENCE LIST Complete project reference list — projects over $100,000.00 Carousel Works, Inc. New Carousels in progress..... Carousel: Royal Caribbean Contact: Denise Key- Tielebein - ProjectAnalyst New Building & Fleet Design (786) 264 -0858 Miami, FL Project: (2) 24' Carousels Traditional Themed CWI is creating 2 tradition al- them ed carousels for Royal Caribbean's new Genesis class of ships - the Oasis of the Seas (Spring 2009) and the Allure of the Seas (Spring 2010) Carousel: Bay Creek Carousel Contact: Dick Foster - President (757) 491 -1240 Virginia Beach, VA Project: 52' Carousel Coastal /Golf Resort Themed (Fall 2009) Carousel: Los Angeles Zoo Carousel Contact: Connie Morgan - President (323) 644 -4701 Los Angeles, CA Project: 54' Carousel Conservation Themed (Winter 2010) Carousel: Hudson River Pier 62 Carousel Contact: Mark Boddewynn (917) 661 -8740 New York, NY Project: 36' Carousel Traditional Themed (Spring 2010) Carousel: Calgary Zoo Contact: Don Peterkin (403) 232 -9344 Calgary, Alberta, Canada Project: 36' Carousel Conservation Themed (Spring 2010) Carousel: Akron Zoo Carousel Contact: Linda Criss (330) 375 -2550, ext. 8964 Akron, OH Project: 36' Carousel Conservation Themed (Summer 2010) Carousel Works - Complete Reference List Page 2 Carousel Works, Inc. New Wooden Carousels Year Installed: 2009 Carousel: Silver Beach Carousel Contact: Suz Schalon -President (616) 318 -9555 St. Joseph, MI Project: 52' Carousel Traditional Themed Carousel: Kansas City Royals Carousel Contact: Jill Mitchell - Sr. Project Manager (816) 924 -6763 Kansas City, MO Project: 24' Carousel Kansas City Royals Baseball Themed Carousel: Sacramento Zoo Carousel Contact: Jim Schnormeier - Asst. Director (916) 808 -7381 Sacramento, CA Project: 36' Carousel Endangered Species Themed Year Installed: 2008 Carousel: Utah's Hogle Zoo Conservation Carousel Contact: Doug Lund - Asst. Director (801) 584 -1709 Salt Lake City, UT Project: 46' Carousel Conservation Themed Year Installed: 2007 Carousel: Binder Park Zoo Conservation Carousel Contact: Gregory Geise - Director (269) 979 -1351, ext. 130 Battle Creek, MI Project: 42' Carousel Endangered Species Themed Carousel: Kansas City Zoo Carousel Contact: Randy Wisthoff - Director (816) 513 -5702 Kansas City, MO Project: 42' Carousel Endangered Species Themed Carousel Works - Complete Reference List Page 3 Carousel Works, Inc. Year Installed: 2006 Carousel: Brookfield Zoo Carousel Contact: Stuart Strahl, PhD - Director (708) 485 -0263 Brookfield, IL Project: 62' Carousel Endangered Species Themed Year Installed: 2005 Carousel: Beardsley Zoo Carousel Contact: Greg Dancho - Director (203) 394 -6565 Bridgeport, CT Project: 36' Carousel Jungle Themed Carousel: Henry Vilas Zoo Conservation Carousel Contact: Jim Hubing - Director (608) 266 -4733 Madison, WI Project: 36' Carousel Conservation Themed Carousel: Bronx Zoo Insect Carousel Contact: Sean McAllister (718) 741 -8295 Bronx, NY Project: 54' Carousel The first and only all insect carousel Carousel: Nashville Zoo Conservation Carousel Contact: Cindy Stitely (615) 833 -1534, ext. 129 Nashville, TN Project: 42' Carousel Conservation Themed Year Installed: 2004 Carousel: Houston Zoo Carousel Contact: Rick Barongi - Director (715) 513 -6500 Houston, TX Project: 54' Carousel Endangered Species Themed Carousel: Jackson Zoo Carousel Contact: Susan Dobbs (601) 352 -2582 Jackson, MS Project: 36' Carousel Endangered Species Themed Carousel Works - Complete Reference List Page 4 Carousel Works, Inc. Year Installed: 2003 Carousel: Toledo Zoo Carousel Contact: Dave DiCola (419)385 -5721 Toledo, OH Project: 52' Carousel African Jungle Themed Carousel: Erie Zoo Carousel Contact: Cynthia Kreider - Director (814) 864 -4091, ext. 226 Erie, PA Project: 36' Carousel Conservation Themed Carousel: St. Louis Zoo Carousel Contact: Joan Sisco (314) 781 -0900 St. Louis, MO Project: 54' Carousel Conservation Themed Carousel: Miami Metrozoo Carousel Contact: Carol Kruse - Asst. Director Miami, FL Project: 36' Carousel jungle Themed Year Installed: 2002 Carousel: Memphis Zoo Carousel Contact: Connie Bellett (901) 725 -3458 Memphis, TN Project: 36' Carousel Asian Themed Carousel: Birmingham Zoo Carousel Contact: Jeff Cook (205) 879 -0409 Birmingham, AL Project: 42' Carousel Endangered Species Themed Carousel Works - Complete Reference List Page 5 Carousel Works, Inc. Year Installed: 2001 Carousel: Denver Zoo Carousel Contact: Craig Piper - President (303) 376 -4816 Denver, CO Project: 52' Carousel Conservation Themed Carousel: Lincoln Park Zoo Carousel Contact: Neal David (312) 742 -2315 Chicago, IL Project: 52' Carousel Conservation Themed Carousel: Bear Mountain State Park Carousel Contact: Carol Ash - NYState Park commissioner (518) 474 -0443 Bear Mountain, NY Project: 42' Carousel Rustic Themed Year Installed: 1999 Carousel: Willowbrook Park Carousel Contact: Jona Carmona -Graf (708) 760 -6666 Staten Island, NY Project: 46' Carousel Traditional Themed Carousel: Oklahoma City Zoo Carousel Contact: Mark Campbell - Director (405) 424 -3344 Oklahoma City, OK Project: 46' Carousel Conservation Themed Year Installed: 1998 Carousel: Zoo Atlanta Carousel Contact: Dennis Kelly - CEO (404)624 -5864 Atlanta, GA Project: 42' Carousel Endangered Species Themed Carousel Works - Complete Reference List Page 6 Carousel Works, Inc. Carousel: Milhous Group Carousel Contact: Robert or Paul Milhous (561) 988 -2114 Boca Raton, FL Project: 52' Carousel Traditional Themed Carousel: The Heritage Carousel Contact: J.C. Brenton (515) 237 -5121 Des Moines, IA Project: 36' Carousel Traditional Themed Year Installed: 1997 Carousel: Riverbanks Zoo Carousel Contact: Satch Krantz - Director (803) 779 -8707 Columbia, SC Project: 42' Carousel Conservation Themed Year Installed: 1994 Carousel: Ft. Wayne Children's Zoo Carousel Contact: Jim Anderson -Director (260) 427 -6805 Ft. Wayne, IN Project: 42' Carousel Conservation Themed Carousel: Kentucky Horse Park Carousel Contact: Robert Hinkle (859) 259 -6805 Lexington, KY Project: 42' Carousel Equine Themed Carousel: Chapel Hill Mall Carousel Contact: Bryan Lutz (330) 633 -7100 Akron, OH Project: 36' Carousel Traditional Themed Carousel: Richland Carousel Park Contact: Mayor Lydia Reid (419) 755 -9626 Project: 52' Carousel Traditional Themed Mansfield, OH Carousel Works - Complete Reference List Page 7 Carousel Works, Inc. Restoration Projects Carousel: Nunley's Carousel Year: 2007-2009 Contact: Gary Grasso, R.A. (516) 571 -6888 Kevin Mulligan, P.E. (516) 571 -9611 County of Nassau Dept. of Public Works 1194 Prospect Avenue Westbury, NY 11590 Project: 100% of project completed by Carousel Works 100% of band organ restoration by Stinson Band Organ Company Nunley's Carousel consists of the complete rehabilitation of the Stein and Goldstein Carousel. The carousel is a 16- section machine, with three (3) figures abreast and a 42- foot diameter platform. The restoration requirements for both the figures and facade, and the frame and mechanism are stringent with respect to maintaining the period look and design of the artistic pieces. In addition to restoring the entire carousel frame, we will also be bringing the drive unit and electrical systems up to code, as well as updating the carousel to meet with the Americans with Disability Act and Code standards. Included in restoring the existing facade, this carousel restoration also involves seventy -two (72) new original murals and scenery panel paintings to be created by our in -house artistic muralist that will depict the history of the carousel and the Nassau County area where the carousel will be located. A complete rehabilitation of all the figures and chariots, including full documentation of the original color scheme and a complete new suggested color palette for each figure is also part of the restoration plan. All original pieces not used on the carousel will be returned to the client for their historic value. This carousel was re- installed in April 2009. Carousel Works - Complete Reference List Page 8 Carousel Works, Inc. Carousel: Central Park Carousel Year: 1994 - present Contact: Sal Napolitano (212) 879 -0244 (Carousel) (718) 822 -8094 (Office) Central Park Carousel 830 Fifth Avenue New York, NY 10018 Project: 100% of project completed by Carousel Works The Central Park Carousel is the rehabilitation of a Stein and Goldstein Carousel originally built in 1908. This restoration project was completed in three (3) phases. 1994 - We completed a restoration of the carousel frame (complete mechanism), which included the Top Bearing, Cheese Bearing, and Jumper System. 1999 - During this phase, we replaced the existing drive system with a new Drive Unit. 2004 - Present - Since the carousel was operational at the time of restoration, the Central Park Carousel Conservancy decided to approach the figure and chariot restoration by restoring a few of the figures at a time so the carousel can remain open to riders. For this stage of the restoration, we are restoring eight (8) of the figures at a time and returning them to the carousel and then obtaining eight (8) additional figures to be restored. We have completed and returned thirty -six (36) of the figures to date, and are currently in the process of restoring eight (8) additional figure at our facility. This carousel is a 16- section machine, with four (4) figures abreast and two (2) chariots. Carousel: George Schott Year: 2000 - present Contact: George Schott (207) 754 -3630 Lewiston, ME Project: 100% of project completed by Carousel Works Mr. Schott is a collector of antique figures created by masters M.C. Illions, Carmel and Loof£ Mr. Schott has entrusted Carousel Works, Inc. to faithfully restore and paint all of the eighteen antique figures he has acquired over the past several years. Carousel Works - Complete Reference List Page 9 Carousel Works, Inc. Carousel: Hempstead Lake State Park Carousel Year: 2004 Contact: Jack Heinlein (631) 669 -1000 New York State Office of Parks, Recreation & Historic Preservation Empire State Plaza - Agency Building 1 Albany, NY 12238 Gary Grasso, R.A. (516) 571 -6888 (Gary is now employed with the County of Nassau Dept of Public Works, but he was also involved with this carousel restoration.) Project: 100% of project completed by Carousel Works The Hempstead Lake State Park Carousel Restoration project consisted of the complete disassembly, storage, transportation, and restoration of the mechanism, facade, and figures and re- assembly of an antique, portable carousel. The thirty -two (32) wooden figures and two (2) chariots were carved by M.C. Illions & Sons, and the mechanism and frame were built by William F. Mangles. In addition to the wooden Illions figures, this carousel also contained eight (8) cast aluminum figures manufactured by Allen Herschell Co. The carousel is a 14- section machine, with three (3) figures abreast and a 36 -foot diameter platform. The restoration requirements for both the figures and facade, and the frame and mechanism were stringent with respect to maintaining the period look and design of the artistic pieces. In addition to bringing the drive unit and electrical systems up to code, this carousel restoration also required the construction of replica pieces for almost all of the facade work due to the extremely poor condition of the original pieces. We also converted one (1) of the chariots to meet with ADA standards. All original pieces not used on the carousel were returned to owner for their historic value. This restoration was completed and the carousel installed in the early part of 2004. Carousel: The Columbus Zoo Carousel (originally the Scioto Ranh Park Carousel) Year: 2000 Contact: Wayne Rogers (614) 645 -3438 Maintenance Supervisor, Columbus Zoo 9990 Riverside Drive Powell, OH 43065 Project: 100% of project completed by Carousel Works 100% of band organ restoration by Stinson Band Organ Company Carousel Works - Complete Reference List Page 10 Carousel Works, Inc. The Columbus Zoo Carousel Restoration project consisted of the complete disassembly, storage, transportation, and restoration of the mechanism, facade, and figures and re- assembly of an antique carousel. This classic 1914 Mangels - Illions carousel consists of fifty -two (52) horses and two (2) chariots. The figures were originally painted in the "Coney Island" style. The frame and mechanism were built by William F. Mangles. In addition to the carousel figures and frame, this project also contained the restoration of a Wurlitzer 153 band organ. While the Stinson Organ Company of Bellefontaine, OH restored the band organ mechanism; Carousel Works, Inc. provided the paint and restoration for the band organ facade. The carousel is an 18- section machine, with (3) figures abreast and a 48 -foot diameter platform. In addition to bringing the drive unit and electrical systems up to code, this carousel restoration also required the construction of replica pieces for almost all of the facade work due to the extremely poor condition of the original pieces. All original pieces not used on the carousel were returned to owner for their historic value. This restoration was completed and the carousel installed in the summer of 2000. Carousel: Eden Palais Carousel (World's Largest Carousel) Year: 1994 -2001 Contact: Robert Ridgeway (708) 63 9-3 76 9 789 Plum Tree Road Barrington, IL 60010 Project: 100% of project completed by Carousel Works This carousel restoration project for a private owner, Mr. Jasper Sanfilippo, encompassed the rehabilitation of part of the Eden Palais Carousel that was built in France during the 1890's. This restoration consisted of the rehabilitation to the primer stage of twenty -four (24) horses, five (5) gondolas, and the show front facade (94ft X 30ft dimension). Carousel Works - Complete Reference List Page 11 Carousel Works, Inc. Carousel: Cass County Carousel Year: 1994 -1995 Contact: Bridgette Eberhardt (269) 574 -8725 Project: 100% of project completed by Carousel Works The Cass County Carousel located at Riverside Park is a Dentzel Carousel with all standing figures. This project consisted in the complete restoration of the figures, facade and frame. Carousel: Public Museum of Grand Rapids Carousel Year: 1993 Contact: Gary Fraser (616) 456 -3764 Grand Rapids, MI Project: 100% of project completed by Carousel Works The Public Museum of Grand Rapids Carousel project included the installation of a new Drive Unit and bringing the electrical components up to code. Carousel: Henry Ford Museum Carousel Year: 1993-1994 Contact: Mary Fahey (313) 271 -1620, ext. 600 Dearborn, MI Project: 100% of project completed by Carousel Works The Henry Ford Museum Carousel Project consisted of the complete restoration of fifteen (15) figures, including full documentation of original color. This Herschell- Spillman Carousel is a 12- section machine, with three (3) figures abreast - the carousel hosts thirty (30) figures and two (2) chariots. Carousel: Indianapolis Children's Museum Year: 1992 Contact: Bob Sutton (317) 334 -3618 The Children's Museum PO Box 3000 Indianapolis, IN 46206 Project: 100% of project completed by Carousel Works The Indianapolis Children's Museum Carousel restoration project consisted of transporting a previously disassembled carousel to our facilities, the total restoration of the frame and mechanism, and the re- assembly of the carousel at the museum. Carousel Works - Complete Reference List Page 12 Carousel Works, Inc. Carousel: The Battleship Cove Carousel Year: 1990 -1991 Contact: Steve Parr (508) 324 -2000 Fall River Office of Economic Development One Government Center Fall River, MA 02722 Project: 100% of project completed by Carousel Works The Battleship Cove Carousel restoration project consisted of transporting a previously disassembled carousel to our facilities, the total restoration of the mechanism, facade, and figures and the re- assembly of the carousel into a new facility, which happened to be the second floor of an existing building. This carousel was the Philadelphia Toboggan Company Carousel No. 54, originally installed at Lincoln Park in North Dartmouth in the 1920s. It consisted of forty -eight (48) horses, the twenty -eight (28) inner and middle row horses are jumpers, and two (2) chariots. This restoration also included the oil paintings, glass shields, rounding boards, ceiling panels, step -ups, the remainder of the decorative enclosure, and bringing all the electrical components and drive system up to code. This carousel is an 18- section machine, with three (3) figures abreast and a 48 -foot diameter platform. This frame consists of a wooden center pole supported and braced by wood mudsills and braces. Carousel: Santa Monica Pier Carousel Year: 1990 -1991 Contact: Elaine Mutchnik (310) 656 -1698 Santa Monica Pier Restoration Corporation 201 Santa Monica Pier Santa Monica, CA 90401 Project: 100% of project completed by Carousel Works The Santa Monica Pier Carousel was built by the Philadelphia Toboggan Company (PTC #62) in 1922. In 1990 -1991 we completed a total restoration of all the forty -three (43) figures and two (2) chariots. Carousel Works - Complete Reference List Page 13 Carousel Works, Inc. Carousel: Bushnell Park Carousel Year: 1989 Contact: Bushnell Park Foundation (860) 232 -6710 31 Pratt St, 3rd Floor Hartford, CT 06103 Project: 100% of project completed by Carousel Works The Bushnell Carousel Restoration project consisted of the complete disassembly, storage, transportation, and restoration of the mechanism, facade, and figures and re- assembly of the carousel. This classic 1914 Stein and Goldstein is an 18 section carousel consisting of forty -eight (48) horses and two (2) chariots. The frame and mechanism were built by William F. Mangles. In addition to the carousel figures and frame, this project also contained the restoration of a Wurlitzer 153 band organ facade. This restoration was completed and the carousel installed in 1989. Carousel: Ross Park Zoo Carousel Year: 1988 -1989 Contact: Dee Janis (607) 724 -5461 Ross Park Zoo 185 Park Avenue Binghamton, NY 13903 Project: 100% of project completed by Carousel Works The Ross Park Zoo Carousel restoration project consisted of the complete disassembly, storage, transportation, and restoration of the mechanism, facade, and figures and re- assembly of the carousel. The facade restoration included 16 scenery panels (with new paintings), 16 Rounding Boards, 16 Rounding Board Shields. The figure restoration included sixty (60) figures and two (2) chariots. This restoration of this classic Allen Herschell carousel was completed and the carousel installed in 1989. Carousel: Conneaut Lake Park Carousel Year: 1987 Contact: Kris Wilson (330) 549 -5589 Conneaut Lake Park R.D. 4, Box 283 Conneaut Lake, PA 16316 Project: 100% of project completed by Carousel Works Carousel Works - Complete Reference List Page 14 Carousel Works, Inc. The Conneaut Lake Carousel Restoration project consisted of the restoration of the carousel frame, center surround, and scenery panels. The project also included restoration of twenty -six (26) horses and eight (8) new wooden horses that were carved in the Mueller style to fit the theme of the carousel. Carousel: City of Bridgeport Year: 1998 -1999 Contact: Greg Dancho (203) 394 -6575 Connecticut's Beardsley Zoo 1875 Noble Avenue Bridgeport, CT 06610 Project: 100% of project completed by Carousel Works The carousel restoration project for the City of Bridgeport, CT consisted of the rehabilitation of thirty -seven (37) horses, two (2) chariots, and twenty (20) top scenery panels for the carousel located at the Beardsley Zoo. Carousel: Bland's Park Carousel (Now DelGrossos Amusement Park) Year: 1987 Contact: Peter Gardella (814) 684 -3538 DelGrosso's Amusement Park Old Route 220 Tipton, PA 16684 Project: 100% of project completed by Carousel Works The Blands Park Carousel Restoration project consisted of the restoration and painting of Bland's Park's thirty -six (36) Herschell- Spillman carousel horses and two (2) chariots. Carousel: Riverside Park Carousel Year: 1986 -1987 Contact: Unknown (The park has been sold to Six Flags) Project: 100% of project completed by Carousel Works The Riverside Park Carousel restoration consisted of the rehabilitation of the Illions figures and chariots up to the primer stage. This project required us to strip the figures, document the original colors, repair broken joints and cracks and seal the figures in primer. Carousel Works - Complete Reference List Page 15 Carousel Works, Inc. Carousel: Lake Compounce Carousel Year: 1985 -1986 Contact: Paul S. Serff - President (512) 4 76-44 72 (During this restoration project, Mr. Serff was the President of Hershey Entertainment Co. and our contact for the entire project.) Texas Travel Industry Association 812 San Antonio St. - Suite 401 Austin, TX 78701 Project: 100% of project completed by Carousel Works The restoration of the Lake Compounce Carousel consisted of the complete restoration of the figures, facade, and frame of the Looff & Carmel carousel originally built in 1912. No mechanical restoration was needed. Carousel Works - Complete Reference List Page 16 CITY OF PALM BEACH GARDENS MEMORANDUM DATE: February 4, 2010 TO: Art in Public Places Board Members FROM: Kate Wilson, Planner t THRU: Kara Irwin, AICP, Growth Management Administrator VV SUBJECT: Public Workshop: 9/11 Memorial Art Plaza On November 5, 2009, the City Council approved up to $60,000 of art impact funds to be used for a City of Palm Beach Gardens' 9/11 Memorial Art Plaza. On February 16, 2010, the Art in Public Places Board (AIPP) will have a public workshop on the conceptual design of the 9/11 Memorial Plaza, and an update will be provided on the project's current timeline. The project was initially brought before the AIPP board on October 20, 2009, to request the art impact funds. At that time, staff informed the board that Mark Fuller had volunteered his services for the project; however, no design concepts were presented. The subject site, known as Fire Station No. 3, is 7.64 acres, and is located on the north side of Northlake Boulevard approximately one -half (' /z) mile west of Military Trail (see attached Location Map). The plaza will be centered around a piece of steel obtained from the World Trade Center. The City has been approved to receive a steel piece, at no charge, from the September IIt" Families' Association. However, at this time, the type, style, or size piece the City will be receiving is not known. The plaza has been designed to reflect the shape of the Maltese cross, which is a widely recognized symbol for fire departments, using paver bricks. Elevated bench features are situated along the outer edges of the cross for seating. Approximately six (6) glass panels, on which victim's names will be engraved, are proposed within the plaza area. Outside the plaza area, a four (4) foot landscape berm is proposed to provide elevated visibility of the memorial. Additional landscaping will be provided around the site to provide shade. Lastly, lighting will be incorporated into the design to highlight the steel piece and the glass panels. At this point, numerous key players have come forward to volunteer their services for this project. Mark Fuller, MT Fuller Arts, Anne Booth, Urban Design Kilday, Studios, and Dan Clark, Clark and McCarthy Engineers, have all volunteered numerous hours to work with staff throughout the planning and designing phases of the project. Additionally, some of the necessary materials have been donated. We anticipate more labor and/or material donations in the coming months. Staff will be present to answer any questions regarding the petition. Please contact Kate Wilson, Planner, at 799 -4235, if you have any questions or require additional information prior to the meeting. Attachments: Application, Artist Resume, Location Map, Proposed Site Plan, Conceptual Drawings CITY OF PALM BEACH GARDENS DEVELOPMENT APPLICATION Planning and Zoning Division Growth Management Department CITY OF PALM BEACH GARDENS 10500 North Military Trail Palm Beach Gardens, FL 33410 (561) 799 -4243 Fax (561) 799 -4281 Request: Planned Community Development (PCD) Planned Unit Development (PUD) Amendment to PCD, PUD or Site Plan Conditional Use Amendment to the Comprehensive Plan Administrative Approval Administrative Appeal Project Name: 9/11 Memorial Art Plaza Owner: City of Palm Beach Gardens Applicant (if not Owner): Applicant's Address: Agent: Contact Person: Chris Brown ❑Annexation QRezoning OSite Plan Review F_]Concurrency Certificate QTime Extension OMiscellaneous �ther AIPP Date Submitted: Telephone No. E -Mail: cbrown @pbgfl.com Agent's Mailing Address: 10500 N Military Trail, Palm Beach Gardens, FL Agent's Telephone Number: 561- 799 -4300 Petition Number: Fees Received (Application $ Receipt Number: FOR OFFICE USE ONLY Date & Time Received: Engineering $ 1 N/A Architect: Dan Clark Planner: Anne Booth, Urban Design Kilday Studios Landscape Architect: Urban Design Kilday Studios Site Information: Note: Petitioners shall submit electronic digital files of approved projects. See attachment for details. General Location: Palm Beach Gardens Fire Station No. 3 Address: 5161 Northlake Blvd. Palm Beach Gardens, FL Section: 52 Township: 42 Property Control Number(s): 52- 42- 42- 14 -13- 001 -0000 7.67 Acreage C Flood Zone 42 Range: _ Current Zoning: P/I Requested Zoning: N/A Base Flood Elevation (BFE) — to be indicated on site plan Current Comprehensive Plan Land Use Designation: P Existing Land Use: P Requested Land Use: N/A Proposed Use(s) i.e. hotel, single family residence, etc.: N/A Proposed Square Footage by Use: N/A Proposed Number and Type of Dwelling Unit(s) i.e. single family, multifamily, etc. (if applicable): N/A Justification 2 Information concerning all requests (attach additional sheets if needed.) {Section 78 -46, Application Procedures, Land Development Regulations} 1. Explain the nature of the request: To construct an artistic 9/11 memorial plaza on the Fire Station No. 3 parcel. The plaza will include a piece of steel from the World Trade Center Building, glass panels memorializing names of victims, and various seating areas. 2. What will be the impact of the proposed change on the surrounding area? No impact will be had on the surrounding area. 3. Describe how the rezoning request complies with the City's Vision Plan and the following elements of the City's Comprehensive Plan — Future Land Use, Transportation, Housing, Infrastructure, Coastal Management, Conservation., Recreation and Open space, Intergovernmental Coordination and Capital Improvement. N/A 4. How does the proposed project comply with City requirements for preservation of natural resources and native vegetation (Section 78 -301, Land Development Regulations)? 3 N/A 5. How will the proposed project comply with City requirements for Art in Public Places (Chapter 78- 261, Land Development Regulations)? N/A 6. Has project received concurrency certification? N/A Date received: Legal Description of the Subject Property (Attach additional sheets if needed) Or see attached deed for legal description. Location The subject property is located approximately 0.5 and Northlake Blvd mile(s) from the intersection of Military Trail , on the ❑northf7ast0outhaest side of Northlake Blvd (street /road). Statement of Ownership and Designation of Authorized Agent Before me, the undersigned authority, personally appeared Chris Brown who, being by me first duly sworn, on oath deposed and says: 51 1. That he /she is the fee simple title owner of the property described in the attached Legal Description. 2. That he /she is requesting 9/11 Memorial A l PP in the City of Palm Beach Gardens, Florida. 3. That he /she has appointed Chris Brown to act as authorized agent on his /her behalf to accomplish the above project. Name of owner: City of Palm Beach Gardens Signature of Owner 10500 N Military Trail Street Address P. O. Box 561 - 799 -4134 Telephone Number E -mail Address Sworn and subscribed before me this My Commission expires: By: Name /Title Palm Beach Gardens, Fl, 33410 City, State, Zip Code City, State, Zip Code Fax Number day of G1 Notary Public Applicant's Certification I /We affirm and certify that I /we understand and will comply with the land development regulations of the City of Palm Beach Gardens, Florida. I /WE further certify that the statements or diagrams made on any paper or plans submitted herewith are true to the best of my /our knowledge and belief. Further, I /we understand that this application, attachments, and application filing fees become a part of the official records of the City of Palm Beach Gardens, Florida, and are not returnable. Applicant is: awner ❑Optionee OLessee Agent Ocontract Purchaser Signature of Applicant Chris Brown Print Name of Applicant 10500 N Military Trail Street Address Palm Beach Gardens, Fl, 33410 City, State, Zip Code 561- 799 -4300 Telephone Number Fax Number cbrown @pbgfl.com E -Mail Address 11 About MTFuller Mark Fuller (MTFuller) is an environmental graphic and industrial designer, and has been participating in the Public Art forum since 1992. He is a creator of dynamic site specific exterior sculptural installations for a wide variety of projects, and has been established in West Palm Beach, Florida since 1986. His work has primarily been oriented towards creating sculptural identity elements that help to establish a strong sense of place. In addition to his public art, his design experience includes urban street furniture such as seating elements, bollards, lighting fixtures, tree grates, and telephone kiosks. His Art In Public Places installations have included kinetic constructions, compression- tension cable structures, and static free - standing elements. While the style of Mark's work is not characterized by a specific 'look'; it is highly stylized by his research into the unique function, architecture, environmental and cultural aspects that surround each project . As a result, the visual characteristics of Fuller's installations flex and change with appropriate sensitivity for the project at hand. His works are site - specific, and generally laced with symbolic or abstract reference that links it solidly to its environment. His most recent works explore the use of cutting edge high - technology in the realm of solar - generated electric power, LED luminaries, and the recycling of various glass waste materials. With an interest to promote 6greeni and low carbon footprint ideology, Mark continues to move forward developing appropriate eco- conscious fabrication methods and techniques . His projects have been referenced by a spokesperson for the National Endowment For The Arts as "a good example of what public art can be ". Experience with, and accessability to high -tech fabrication methods and finishing technology allow him to effectively determine appropriate production methods to accommodate budget, schedule, and function requirements. His projects often incorporate diverse fabrication methods utilizing polymer -based mouldings, cast stone fabrications, specialized epoxy- polyester hybrid coatings, and aero -space quality precision metal fabrications. Immediate access to state -of- the -art industrial lasers, CNC computerized machining, robotic welders and large format image reproduction has enhanced MTFuller's ability to streamline the process from conceptual ideation to reality. Art Installations The Tipping Points - Village of Royal Palm Beach, Florida (2009) StentTower- Tenet Healthcare; Palm Beach Gardens Hospital, Palm Beach Gardens, Florida (2009) Lotus Agikam - City of Lauderhill, Lauderhill, Florida (2009) Cambier's Quilt - City of Naples, Naples, Florida (2009) ArcSolar- Doubletree Hotel, Palm Beach Gardens, Florida (2008) Triads - Store Inc, Palm Beach Gardens, Florida (2008) The Last Pasture - The Sembler Company, Boynton Beach, Florida (2008) Waterhole #3 - Boynton Town Center, Boynton Beach, Florida (2008) Eight Horses - The Sembler Company, Boynton Beach, Florida (2008) Gimme Shelter- Pinellas County Cultural Affairs, Art & Design, Seminole, FL (2008) Light Swimming - Palm Beach County Arts Council, Delray Beach, Florida (2008) The Fish - Channing Corporation, Palm Beach Gardens, Florida (2006) The Obelisk - The Sembler Company, Palm Beach Gardens, Florida (2006) Stack145 - Legacy Place, Palm Beach Gardens, Florida (2006) The Four Benches - The Sembler Company, Palm Beach Gardens, Florida (2006) I'll Be Right Back - The Henry Skokowski Memorial Trust, City Hall, Palm Beach Gardens, Florida (2005) Butterfly Grove - PGA Commons, Palm Beach Gardens, Florida (2005) Track 2; 1 -9 - The Pinellas Trail; Pinellas County Arts Council, St. Petersburg, Florida (2004) Magician's Birthday - Suntrust Bank, Palm Beach Gardens, Florida (2003) WTC -9111 Memorial - The City of Hoboken, New Jersey (2002) Flock - The City of Mercer Island, Mercer Island, Washington (2001) Square Peg- Round Hole - Interim Services Corporate Headquarters, Ft. Lauderdale, Florida (2000) Mood For Wind & Water I,ll,lll - Channing Corporation, Palm Beach Gardens, Florida (2002) Chameleons, Fish, & Sailfish - 1 -95 Sound Barriers, FDOT, Palm Beach County, FL (2001) Tensegrity - Discovery Museum of the Desert, Palm Desert, California (1999) Marlin Palms - The City of West Palm Beach, West Palm Beach, Florida (1995) Fish Out Of Water- The City of West Palm Beach, West Palm Beach, Florida (1993) s � � ��, � � � �� L SI►d Q(�■ �� � 1I�I�I�I�I�� � r A� IN 16ZI.— ip ►e� , t. ar�� SI► '`I .ae ?Ee::e� 33=oeEeeee•:. � •�. �� R. 2 H11 will 11111N., I1G_i:�•..i.�1 • • ,,'sEeE ?i�:aie ::i:3eE:9 �. • c • • r!!1 � � p�w� •%'fo •.a..: V\ • � �!/! p� •. /Il b\ ls to - CROSSWALK ��� 'IIIIII : • .. _ . • . ���,�,� .� / ���s(�1 IIIIII IIIi, IIIIII/ � '•�I/IIIIII/IIIII � ' � �� - • ���� And._ •.... -- - -- UNDERGROUND STORMWATER DRAINAGE PIPE ' RELOCATED MONUMENT SIGN LOCATION V `,:1 O O � d G � m € r � 07 a m NORTH H - SIOEWALKd 0 5' 10' 20' SP of # :da, urban \ FIRE STATION BUILDING design \\ kilday STUDIOS Urban Planning & Design \\ ENTRY FLAGPOLE Landscape Architecture ENTRY Communication Graphics The Lofts at City Place \ �\ \ 477 S. Rosemary Ave., Suite 225 West Palm Beach, FL 33401 P 561 - 366 -1100 \ F 561 -366 -1111 �\ _ www.udkstudics.com ``` tl SIDEWALK T— -! c, \ L4 /� � � -_ PAVER WALK SIDEWALK All Wean. M•IPn•,amnP•'naMa, •ntl Pon• r•Pr•,.1nwn yd4 w+ig.n nwn.e ny .ntl m•Pr•I»Dram.awsr.r,rWww. \ d ./ ,/ / /" % - /. P�rolad.Thaaltleaa, tleagnaana gem•MM�• '\ O / % ,/ % / / -. ar Plan shall nIX b• us•tl by. m asdP..d N arty Person, Prm, a corporatlai wMlqut Me written p•rmlaabn Ntle dwiyw. '" �/ \ " /' / ; D•b: 01.10.10 Drawn By: as /CAK PARKING / ciw.xae Y' as '" /; ,' % ,' /. % % / , : / submXhl Data: Oanm•nb \ / , ; / / / / E/XISTiNG / COCOPLiJM/ •` 01.03.10 IAS / HEDGE ,; , / / — EXISTING COCOPLUM - '�,_� SEATING AND HEDGE R€iAINING' WACIL ;SPECIMEN DATE: PALMS — ° UPU \ 12" AREA El DRAIN C� ..,., SOD — — — / 4 +/ 1BERM .: SI►d Q(�■ �� � 1I�I�I�I�I�� � r A� IN 16ZI.— ip ►e� , t. ar�� SI► '`I .ae ?Ee::e� 33=oeEeeee•:. � •�. �� R. 2 H11 will 11111N., I1G_i:�•..i.�1 • • ,,'sEeE ?i�:aie ::i:3eE:9 �. • c • • r!!1 � � p�w� •%'fo •.a..: V\ • � �!/! p� •. /Il b\ ls to - CROSSWALK ��� 'IIIIII : • .. _ . • . ���,�,� .� / ���s(�1 IIIIII IIIi, IIIIII/ � '•�I/IIIIII/IIIII � ' � �� - • ���� And._ •.... -- - -- UNDERGROUND STORMWATER DRAINAGE PIPE ' RELOCATED MONUMENT SIGN LOCATION V `,:1 O O � d G � m € r � 07 a m NORTH H - SIOEWALKd 0 5' 10' 20' SP of # T' �� IL �l THIS LAYOUT SHOWS 344 NAMES PER PANEL 86 NAMES PER COLUMN 48PT GOTHAM BOLD 2" MARGIN 50" 46" FRONT END 'T , hp 9""/// i4eawrial City of Palm Beach Gardens, Florida ' rvice+ wear re wr � �w _ �w�yG LrM� Br's � . � :�� � nr C�r'�� ��� �� raVlts+� Jsy ywM �`� �N �' M_ we +�W�� CYM� y� �rar .w� rr♦� <srn a fern a COY � Mrrr r.�r ncr �.+•� w�Yr M �� aT� w �arfry �.W`��rw rw Ma ar ar�.a u+ rw�Crr• IWSr N/Al�r�r• a��rya � <w ++r (r�sc lwY !ay" tia� �w � �� fr�n1 V � Taira arr�Yw ryas aaaws l.ar�ta.w � ww tir M��r V Mti G��r 1�� ►r Cr✓r Mu+ F���►r+ nrr�a�r�'seu Jrs_s�ew�r � tir�n u.n�w �aar�Crrs Yrr CwM� r�•�nr ��Gi Yw�[awa 'r'ra Ywr i�r �rM Mtr �WM+�M��<M► frr rra+ �N M [aM'+�y C,rA �y ur ( ray ar � M. 4.���rr.� tirar r�r ew�w (w � wys w.v.ls�r� brr wr Cww F►w w Mri heM +lawn 0`e �sr.� Yrr'� 1M��..�n <4b.rr 4. a �l � Mar Y}e rWw(w+ Iw�GrrAa awrnr Mss wa��♦ frwa s� u CM+. �� � M.v .rxyaar W� [M uMwr (a�a ti• M �.erw 4Y� aw Ca+N r«•. �wa� �rw� �rws�FyT Mry�rrra awnt,.nn lM Mr+C�+rwy ler M• r� aw.rr cry Owe Mr. Nr .w.r ice• er �qwp CMS VM > tey 1anNWf�ar� r��4trc�rr ar�Cwl' ti..f a r.n� arm w114. AM N� G'MS !� frwa i..w w•�+Nr�4rr 4+a�fawy Mbr� w[xy wwr lWrCh�n rM r+w r`wut �r tia [a�r�ww � O�w 9rw tin � +a tires �l . w.�a �r �w� wr 9A.�wl Mr W � ry u.w Mw lw Mme' rusr. 4ra� Q��rt lr.rq rrryr Gre�r� r•�Yr� yvCasW� _ _ '. M� cwa� hs lw�• <lwaar tiro C .i.r lam � wn�r twrwa awe ory � [riyl9Mr�rt ?. i.�a �4�aw� _w aria [�Y ow. Mw. r✓�w ry r� <^w� ��� r l +v Y�lrr �o'M w [�ylr N� arr W � '�� �frr l..w �� +wlr� (MV. >.ti lr�ay�[awlyl Hrer lstia �rlr. an. w�l�rvrlfva [rw Hlw trral aW��Yr(r�ry MN�4 —ti ram Err � Mr F�.r �aw�� 41x16 [��wa . MY `�-- ln'r� (.q .lqa 4M �r orr� �r rti� ly C�rr� M. rar <rMr �w�1w� s v M.n ^•y'. M Yr1. N �rF Lwn�r� r:y Mrttryr• �rrw -.s Hwy a fayiw �'r�a�r r�r ♦rw� �nry 4r r��rwrrl. <r�y iw� � G+w or .tea fw� or�� : MY� •tl� Cr rhrw�kwy lr+r��lnr � w +tir W.M lw. �"- Yre s ���� wr, rti� Msrly� r liM� wy� �a0a�� ti�lrr [r Aala� �^ wti�I <sw •rte w � «r '�Y'w cry +�M� c.r`i.u� ti..l ti� �+laaala Mi <r+W t� 4y ur+v Irq l lrti r� (��� C �Mr 1 M�• cMrw 4A� rr tiar.aFar 4wr� 4r+� ♦r�M44 �.r'i` (r y ���w. a:y:. w �,� )� c4 �rrw fwr w'•�W IrwtYM C +renew �� airr trti wy� atil [ti,w � >ao ^ -w�w�s �vf�c�r�r�� �w�nw fsr �:y`rr �wlwsarre�y _ 4 'rrM [arr lryrt � ry �. Mra ily ���_._. w. tyy 14�._ ..!� .) O Z W J Q LLJ W J <N g Z (n U-) 0 W Q \ U� a wQ q a CITY OF PALM BEACH GARDENS MEMORANDUM DATE: February 5, 2010 TO: Art in Public Places (AIPP) Board Members FROM: Allyson Black, Resource Manager , THRU: Kara Irwin, AICP, Growth Management Administrator SUBJECT: RFP 2009 -010 Artistic Bus Shelter Semi - finalists The Selection Committee for RFP# 2009 -010 "Call to Artist" Artistic Bus Shelters heard the oral presentations of the five (5) semi - finalist proposals on January 19 and 20, 2010. After careful consideration of each presentation, the Committee recommended rejection of all proposals. Please review the attached proposal information which was presented to the Selection Committee. The Art in Public Places Board will be discussing the proposals with the purpose of making a recommendation to the City Council on how the Board recommends moving forward. If you have any questions or concerns, please call Allyson Black, Resource Manager, at 799 -4199. Thank you. 0 0 A __0 03 10 -.I� 00 00 0 0 00 A 0 0 0 0 L 0 0 0 0 0 *(0) OCA off 0 0 1 0 0 \00 0 0 0 prepared by CARLOS ALVES N prepared for the City of Palm Beach Gardens PRESENTATION FOR Artistic Bus Shelters Proposal No. 2009-010 A", 1157 SW 6th Street Miami, Florida 33130 Studio: (305) 326 -0800 Fax: (305) 326 -0833 email: carlosalvesmosaics @mac.com web site: www.carlosalvesmosaics.com January 19, 2010 Robert Bruno, Purchasing Agent Palm Beach Gardens Art in Public Places 10500 N. Military Trail Palm Beach Gardens, FL 33410 Attn: Palm Beach Gardens — Artistic Bus Shelters Dear Mr. Bruno: Thank you for the opportunity to submit these additional materials as a finalist for the Palm Beach Gardens, Artistic Bus Shelters. As requested by the Palm Beach Gardens Art in Public Places council, I am presenting these materials today and look forward to our presentation with you on January 19, 2010. All the best, Carlos Alves OZ300080.09_w CARLOS ALVES N', 0-1 Table of Contents We Conceptual Approach 1 -5 Written Narrative, 6 -8 Itemized Budget, Proposed Timeline and Maintenance Guidelines Materials List CARLOS ALVES OZ300080.09 w N', k` 1) Conceptual Approach OZ300080.09_w CARLOS ALVES & Palm Beach Gardens, Artistic Bus Shelters 0%, 1 Custom Bike Rack 'Alocasia' Recylced Aluminum Roof With Solar Panels for LED Lighting Colored Concrete Bench With Mosaic Inlays Ol 5- Gallon Concrete Trash Receptacle With Mosaic Tiles Recycled Aluminum With Ceramic Finials Colored Concrete Pad 0%, 1 Custom Bike Rack 'Alocasia' tr - Beach Gardens, Artistic Bus Shelters COColored Concrete Pad Custom Bike Rack 0 Vine (a Mosaic Leaf Inlay Recylced Aluminum Roof With Solar Panels for LED Lighting Colored Concrete Bench With Mosaic Inlays and Finials Ol 5- Gallon Concrete Trash Receptacle With Mosaic Tiles 010' Recycled Aluminum COColored Concrete Pad Custom Bike Rack 0 Vine (a Mosaic Leaf Inlay Beach Gardens, Artistic Bus Shelters Recylced Aluminum Roof With Solar Panels for LED Lighting Colored Concrete Bench With Mosaic Inlays (l 5- Gallon Concrete Trash Receptacle With Mosaic Tiles ,' Recycled Aluminum With Glass Panels Colored Concrete Pad With Leaf Inlays CD Custom Bike Rack 'Mangrove' Palm Beach Gardens, Artistic Bus Shelters Recylced Aluminum Roof With Solar Panels for LED Lighting CO) Colored Concrete Bench With Mosaic Inlays Ol 5- Gallon Concrete Trash Receptacle With Mosaic Tiles QiIl Recycled Aluminum With Glass Panels 'Philodendron' Colored Concrete Pad i Custom Bike Rack Solar Panel - Alternative Location 2) Written Narrative, Itemized Budge[, Proposed Timeline, and Maintenance Guidelines Written Narrative As I am sitting in my garden and contemplating this project, the lushness of Palm Beach Gardens is the image that stayed with me. It is the basis of my concept design for the bus shelters you are planning along two of your major corridors (PGA Boulevard and Military Trail). This inspiration and my artistic style are the perfect complement to your desire to bring art to a functional part of your community. Since the series of bus shelters are for Palm Beach Gardens, my inspirations lean towards the idea relating to sitting in a garden. My benches feel organic —forms appearing to be growing out of the earth cast on concrete colored pods. Some of the seating areas will incorporate mosaic tiles, glass and recycled objects imbedded onto /into the durable weather - resistant, low maintenance concrete structures. The bevels will serve a dual purpose of being functional and aesthetic works of art. I envision the canopy to appear to be growing out of the seating structures. These abstract leaf -type shapes will be created using metal steel or aluminum with either glass panels or metal mesh welded onto the leaf -style shapes for shade. I designed these shelters for their aesthetics as well as functionality, providing both shelter from the elements while allowing air to flow through. The four designs are individual in their concept yet have a cohesive quality, so pedestrians can recognize their intended purpose. We intend to use recycled aluminum and glass and other materials. Our artwork has proved to be virtually maintenance free and able to resist the harsh Florida elements. The reinforced concrete bases - benches will be cast on site and some embellished with ceramic and concrete stain.. OZ300080.09_w 6 CARIOS AIVES Z011, ( 1@11 Budget Artistic Bus Shelters Opinion of Probable Construction Cost January -10 Prepared by: Carlos Alves Palm Beach Gardens ITEM DESCRIPTION SPECIFICATIONS QTY UNIT PRICE AMOUNT by Kimley -Horn (sub - ENGINEERING FEE consultant ) Lump Sum 1 $18,000.00 $18,000.00 ARTIST FEE Artist Lump Sum 1 $40,000.00 $40,000.00 Custom made, IRON WORK Including Bike Racks Lump Sum 1 $77,000.00 $77,000.00 Integrally colored concrete, different finishes including leaf CONCRETE PAD inla ys Lump Sum 1 $10,000.00 $10,000.00 GLASS PANEL Weather and wind WALLS resistant Lump Sum 1 $15,000.00 $15,000.00 CONCRETE Integrally colored with BENCHES mosaic inlays Lump Sum 1 $40,000.00 $40,000.00 SOLAR PANELS From vendor Lump Sum 1 $4,500.00 $4,500.00 TRASH Concrete with mosaic RECEPTACLES tile veneer Lump Sum 1 $4,000.00 $4,000.00 CERAMIC FINIALS Hand made Lump Sum 1 $3,500.00 $3,500.00 Per Palm Beach INSURANCE Gardens requirements Lump Sum 1 $4,500.00 $4,500.00 TRAVEL n/a Lump Sum 1 $3,500.00 $3,500.00 GRAND TOTAL $220,000.00 The Artist has no control over the cost of labor, materials, equipment, or over the Contractor's methods of determining prices or over competitive bidding or market conditions. Opinions of probable costs provided herein are based on the information known to Artist at this time and represent only the Artist's judgment as a design professional familiar with the construction industry. The Artist cannot and does not guarantee that proposals, bids, or actual construction costs will not vary from its opinions of probable costs. OZ300080.09_w 7 CARLOS ALVES 11�1 a Proposed Timeline Artistic Bus Shelters ■■■■■■■■■ ! ■i ■! ■ ■ ■ ■ ■! ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■■ ■! ■■■■■■■■■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■■ - ■ ` ■■■■■■■■■ ■■■■■■■■■■■■■■■■■■■■■■■ NONE NONE ■■■■■■■■ ■ ■� ■ ■ ■ ■ ■ ■ ■ ■E■■■ OMEN NOME OMEN M■■■ Com rete ... nemsary footings, , "'1'111'111 1111111 "'' 111111111'111'11 lights, plantings 1��� 111111111111111111111111111111 I HE ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■■ ■ ■ ■■ ■ ■ ■■ ■ ■ ■■ ■ ■ ■■ ■ ■■ Maintenance Guidelines The beauty of my hand -made tiles is that there is relatively little maintenance. I recommend that all tiles, as well as glass panels, be sponged down once a year with soap and water. All metal work is recycled aluminum and will require little or no maintenance. Concrete pads will require typical routine power washing every one to two years. Plants require little water once established and trimming one to two times a year. OZ300080.09_w 8 CARLOS ALVES 01111 ( @111 3) List of Proposed Materials ➢ Industrial thin -set (adhesive) ➢ Industrial Grout (colored) ➢ Recycled Aluminum ➢ Integral Colored Concrete ➢ Minimal Xeriscape Plantings (vines) ➢ Solar Panels (from vendor) ➢ Concrete Trash Receptacles ➢ Rebar ➢ Rebar mesh ➢ Hand -made and commercial tile OZ300080.09_w 9 CARIOS AIVES N111, ( 1@11 Palm Beach Gardens, Artistic Bus Shelters 0%, 1 Custom Bike Rack 'Alocasia' Recylced Aluminum Roof With Solar Panels for LED Lighting Colored Concrete Bench With Mosaic Inlays Ol 5- Gallon Concrete Trash Receptacle With Mosaic Tiles Recycled Aluminum With Ceramic Finials Colored Concrete Pad 0%, 1 Custom Bike Rack 'Alocasia' tr - Beach Gardens, Artistic Bus Shelters COColored Concrete Pad Custom Bike Rack 0 Vine (a Mosaic Leaf Inlay Recylced Aluminum Roof With Solar Panels for LED Lighting Colored Concrete Bench With Mosaic Inlays and Finials Ol 5- Gallon Concrete Trash Receptacle With Mosaic Tiles 010' Recycled Aluminum COColored Concrete Pad Custom Bike Rack 0 Vine (a Mosaic Leaf Inlay Beach Gardens, Artistic Bus Shelters Recylced Aluminum Roof With Solar Panels for LED Lighting Colored Concrete Bench With Mosaic Inlays (l 5- Gallon Concrete Trash Receptacle With Mosaic Tiles ,' Recycled Aluminum With Glass Panels Colored Concrete Pad With Leaf Inlays CD Custom Bike Rack 'Mangrove' Palm Beach Gardens, Artistic Bus Shelters Recylced Aluminum Roof With Solar Panels for LED Lighting CO) Colored Concrete Bench With Mosaic Inlays Ol 5- Gallon Concrete Trash Receptacle With Mosaic Tiles QiIl Recycled Aluminum With Glass Panels 'Philodendron' Colored Concrete Pad i Custom Bike Rack Solar Panel - Alternative Location a 11 17w llil ➢afj[C Artistic Bus Shelter Presentation 1 �_ 1 t� � �_ 1 f rJ t 4 b' j{,4`�h 4KtN? - M ��- +s- 'i'�fyj_rk 'f d'F'�t.Y• fib•• .. pn�l 'u• b Mrs: r 9 L c`ji� vw r If - I r f 1, ' Why Koda XT`? It is considered a "Green" Product • Made of 40% pre-consumer recycled content, it is the only architectural polyearbonate material available to use towards LEED MR 4.1 and 4.2 for recycled content. (think recycled water bottles) It is virtually unbreakable • 60x stronger than acrylic and 100x stronger than glass on impact • It withstands natural forces like severe wind and meets stringent state mandates for hurricane resistant glazing materials It is a new product that is designed for the outdoors • It is chemically resistant and has an abrasion resistant finish • It is a fireproof product • It is UV safe and will not yellow over time • It offers attractive protection in areas subject to high traffic, vandalism or burglary It is easy to clean/maintain • rinse with Luke warm water then remove dust and dirt with a soft cloth or sponge and a solution of mild soap with water, or a 50150 solution of isopropyl alcohol and water, rinse thoroughly with water and dry with a soft cloth • It can also be pressure washed with a 1500 psi or less and dried with a soft cloth The desil4n possibilities are limitless • The image or design desired is created and printed on a clear vinyl that is then encapsulated between 2 pieces of the polycarbonate kola Product Description 3form Koda xT panels provide color, durability and design freedom for the most extreme environments and applications. These panels exhibit the highest performance of any engineered resin panels. Selection of color, finish, and translucency coupled with endless shaping options, Koda xr is the perfect medium for your exterior architectural application. A product line developed specifically for exterior projects, Koda xT has the added benefits of being constructed from polycarbonate which is both environmentally responsible and high- performing. Koda xT has been engineered to incorpo- rate recycled content without compromising its overall physical properties. FEATURES AND BENEFITS o Form and shape to create eye- catching installations Qualification for LEED credits for building sustainability * Extremely tough, allowing for easy fabrication and maximum installed durability Extremely versatile, enabling designers to achieve full design potential * Lightweight, half the density of glass, making for easier installation and reducing structural support requirements Good chemical resistance which reduces potential harm incurred by cleaning agents AVAILABLE COLORS STANDARD Crystal dear Glass Green Travis White SPECIACfY COLORS 3form Koda XT can be combined with any of the 30+ C3 colors in as few as one panel. Use the C3 - Color Matching System to create over 10,000 custom colors. PANEL SIZES AND TOLERANCES 3form Koda XT panels are offered in 4' x 8' (1.2 m x 2.4 m). Custom lengths and widths up to 12' long and 6' wide are possible. All dimensions and squareness (standard with custom) are subject to a 3/16" (4,7 mm) tolerance. Standard thickness of Koda XT is 1/2" (12.7 mm). STANDARD COLORS NOMINAL MINIMUM MAXIMUM THICKNESS ALLOWANCE ALLOWANCE GAUGE GAUGE GAUGE 1/2" (12.7 mm) 0,427 110.85 mm) 0.500 (12.7 mm) SPECIALTY AND CUSTOM COLORS NOMINAL MINIMUM MAXIMUM .__ THICKNESS ALLOWANCE ALLOWANCE GAUGE GAUGE GAUGE 1/2" (12.7 mm) 0.451 (11.45 mm) 0.541 (13.74 mm) CUSTOM COLORS Koda XT can be customized to match nearly any translucent or transpar ent color (minimurns may apply) TEXTURES /PATTERNS /FINISHES Koda XT comes standard with a polished front and back finish. 3form provides the option of substituting between 5 standard finishes. In most cases, you can even pick different front and back finishes. Finishes include: Patent - Shiny, high gloss finish a Patina - Non- giare, slightly frosted finish © Sandstone - Grainy texture, slightly frosted look, highly durable Stucco - Pebble -like finish * Topo - Larger pebhle -like finish Sheet tolerance readings are based on an average of several measure- ments along both long edges of each panel. These measurements are taken 2 -3 inches (50 -75 mm) from the edges of the panel. Custom gauges of Koda XT are possible. Your 3form Sales Representa- tive can assist you with questions regarding custom gauges for your application. FLATNESS TOLERANCE Koda XT panels shall not have distortion in the form of a winkle, twist or- ,scallop along the perimeter of the sheet. overall warp extending across the sheet is per to a maximum of 9/32" (71 mm) for each 48" (1.2 m) or fraction thereof. Panel is to be measured when laying horizontally under its own weight on a flat continuous surface. 6 2 111431 11 11 :0119 I I.IAI iHll KI DA 111 1 V ! FLAMMABILITY & SMOKE TEST RESULTS - BUILDING CODE APPROVALS Koda XT panels have been independently tested and meet the criteria for approved interior finishes and "light transmitting" resin materials as described in the 2009 International Building Code ". ,TEST 31`01410 KODA XT RESULT ASTM D 635 name Spread Self enll h s3 PA S S C c I ASTM O 1925 Selt iynillon 1070 "F ater tl a 650 ° ASS Greater Temperature ASTM E84 -03 Fl—,, Spread, 1/4" II'�icl:i52ss 65 Class B 6 -75 I Smoke Developed 450 Class 6. _450 ASTM ES 1 03. Flame Spr ad. 1/2' thickness 96 (lass B: -6 -75 Smok. D -0.1ped 400 Glass B- 450 PANEL WEIGHT THICKNESS (INCHES) WEIGHT FLUX (LB /FT`) 1/2" (12.5 mm) 3.1 lb/ft' (15.1 EXPANSION /CONTRACTION ALLOWANCES Like all resin products, 3forrn Koda XT will expand and contract norni pally with fluctuations in temperature. The following formula provides allowances that should be made in framed or fitted applications: Longest length of panel (inches) x temperature change of the sheet (°F) x 0.00004 = Amount of Linear Expansion /Contraction (Inches) examplie: 48" x 90" panel that experiences a 50 °F temperature change will expand /contract: 96 inches x 50 degrees °F x 0.00004 in /in °F = 0.192 inches (expansion) Allowances should also be made in the following Situations. • Fastening points • Channel depths in frames • Holes for standoffs and other hardware • Meeting points for multiple sheets of 3form Koda XT ULTRAVIOLET EXPOSURE PERFORMANCE - 3form Koda XT panels Incorporate ultraviolet stabilization technologies that are proven to maintain the integrity of aesthetics and performance of the panels. The following charts provide an overview of the effective- ness of the UV stabilization 'technology that are incorporated with 3form Koda XT panels. Following 12,000 kJ of exposure (representing approxl mately 10 -years outdoor Florida exposure) it is shown that the 3form Koda XT with UV stabilization exhibits excellent performance. One important characteristic of a materials performance is the ability to maintain consistent aesthetics. The following chart demonstrates the performance of Koda XT compared to unstabilized polycarbonate. 3form Koda XT Color Stability - Light Transmission ,.Xenon Arc A—IN , ated Expo w e Testing) Another Important factor to consider is the ability of a material to main- tain its physical integrity after exposure to solar radiation. The following chart shows how the impact strength is maintained after Jong periods of intense accelerated exposure. 3form Koda XT Property Retention - Flatwise Impact (xenon Arc - celerated Exposure Tasting) _ DEFLECTION 3form Koda XT will exhibit different amounts of deflection given a variety of factors; fastening techniques, loads, panel thickness and panel dimensions to list a few. The 3form Technical Help desk can assist you with general deflection guidelines for your application using the Koda XT Deflection Charts technical white paper If your application has specific engineering requirements, please contact the 3form Product Technology team foi additional direction. COLD BENDING 3form Koda XT can be cold bent for simple bends and curved areas. As a rule, a minimum radius of 100 times thickness is acceptable for Koda XT. KODA XT THICKNESS IVIINIMUNI COLD BEND RADII 1/2" (12.7 Inm) 50" (1270 rpm) EDGE FINISHING Edges of 3form Koda XT panels are able to be machined or routed into a variety of different forms. In addition to a straight edge, edges may accept beveling, rounding, etc. Additional finishing, SUCh as sanding or polishing, can also be provided to some edges. 1—t7F xl RE"uH 6 �R REFINISHING 3form Koda XT finishes such as patent can have blemishes polished out; however, the majority of 3form products have a surface finish that would be ruined by buffing. "Stucco" is our most durable finish. This finish is recommended for any high- traffic areas. SOUND TRANSMISSION CLASS (STC) VALUES FOR KODA XT Measurement protocol: ASTM E 90 - Standard Test Method for Laboil tory Measurement of Airborne Sound Transmission Loss of Building Partitions and Elements KODA XT THICKNESS STC VALUES 1/2" (0.5001 34 - I. Selected Mechanical d Physical Properties PROPERTY' GENERAL Density water Absorption. TYPICAL VALUE j 0.11:6-- — .— — 0.236 (6 MM). .. (3 MM) I _ SI . U.S. ASTM METHOD St U:S. �! D 1505 173° Fl. 241, immersion Heat Deflection 1 0648.0 66PS1 Temperature _ __ _ - Continuous Max Use - "reinperature MECHANICAL le isile Stress Yield TIj D 33B Tensile Stress D 638 J Break Flongatlon D 638 Tensile Modulus 0 638 FIE-1.1 ModulUS D , 90 Flay al Sl ength D 7 ,0 Rockwell H dnes� U !85 Safety Glazing Al 97 ..1 l� Izod Impact Strength. D 256 ' 32`F I�rl�lotched ! Impact Strength, I D 481216, 32'F I1�Unnotcned Impact Neslstance -III" D 3763 s 32 °F Pt n w o, Energy I i a, x Load I 1,2001 ! 1.2 q. , '� 7200rJ ", 12yratt 0 -15° 0.15°% 1377"D 1 280 °F I – I 132 "C j 270 °F 132 °C 270 °F 62 MPa_ 1 9.000 Psi._ I _ 65.5 MPa 9,500 Psi 110% 110 - – 2,344 MP. 1 340,000,- 2,380 MPa 3 345-000 lod – – i i 93 MPa 1 13,F00 p 3,202,J/1, 60f"""' 1 – NoFailure No Failure >61 J . 15 It lbf ` Unless noted otherwise, all tests are run 23`C (73 °F) and 50% relative humidity, using specimens machined from extruded sheeting with a thickness as indicated.– NonUreak as defined in ASTM D 4812 using specimens having a thickness as indicated. Properties Chemical Resistance of o-n Koda XT to Select Compounds 6 DAY FULL IMMERSION TESTING @ 7WF (23 °C) Polymer materials are affected by chemicals in different ways. Factors that initiate a change in performance or appearance when exposed to chel-Ficals can be attributed to fabrication methods, exposure conditions, concentration of chemical substances or exposure duration of certain substances. Such factors can even influence the final affect of substances that 3form Koda XT is considered "Resistant" to by this method. Further details are explained below: FABRICATION Stresses generated from sanding, grinding, drilling, polishing, machining, sawing and/or forming (hot or cold). EXPOSURE Exposure duration, stresses imparted during the application life -cycle due to loads, temperature changes, heat, environments, etc. APPLICATION OF CHEMICALS Application from contact, rubbing, wiping, spraying, soaking, etc. Also having an affect is the relative concentration of the chemical In question. The following data is based on complete Immersion of Koda XT tensile bars in the chemical or reagent shown, Samples remained immersed and were stored at 23 °C (731F) for different periods of tune. Following the test period the samples were removed from immersion, weighed and measured. This table represents the changes in appearance of the Immersed samples over the testing period. The following table provides indicative performance of the chemical resistance characteristics of Koda XT tensile bars. The following codes are used to describe the chemical resistance characteristics: R = RESISTANT _ - - - -- Indication that 3form Koda XT is able to withstand the identified coin pound for Tong exposure periods (6 days, full immersion) LR = LIMITED RESISTANCE 3form Koda XT is only able to resist affect when in contact with this compound for short periods at room temperature, it is advised that further determination of the affect of the substance in your particular application be fLlrther tested. NR = NOT RESISTANT 3for11 Koda XT is not resistant to the compound. The material will swell, craze, haze, dissolve or experience some physical change when exposed to this substance. OCTOBER 15 2009 1 LWSPEC KODAXT I REV 001 r REAGENT RESULT" REAGENT RESULT 3form Koda XT, like all thermoplastic resin materials, should be cleaned periodically. A regular, quarterly cleaning program will dramatically help If a cleaning material is found to be incompatible in a short -term test, —... _. -_- I chlnalc _NR 'I Ideihylarr tE HA Meth o" Y IJR detergent in water. A 50:50 solution of isopropyl alcohol and water also —� works well. Rinse thorougl J(y with lukewarm water. Nltnc Ami 10 Water R n -pl p i U NR Ozo1 c -I ;a i� a NR Pa et( l ararrl ('G Iron R gasoline, lacquer thinner or other strong solvents. tyUroa cns Pno lh rcacld 1, in ware P Prup lc R Silo ie eil R Someti od Ca,b onate 10- in w t r R Sc JU n Ghlonc c 10; R Sod ui nyd oxlac 1 NR - �Slv {i 7 Soda n Nlrale 10 n WaVa R NR I Nilc Acid 10 ` in warei h 1,1whikioethanu - NR �Su Tet aaI wroethyle le N I u c.cthd. IJR Til i 'yl r h ephal. NF Tn tr yl ie Gly-I R Xl lcne NR � l Coated or painted parts are not suitable for pressure washing as finish may be stripped off. Pressure washing is not suitable for Koda XT panels that have been seamed or, edge sealed. If using detergent, use mild detergents only. Rinse sheet with light water spray after washing. DO WOv. • Concentrate spray in single position. • Use more than 1,500 psi pressure. • Position pressure nozzle closer than 8" (203 nmt) from panel. Proceed with pressure washing if test piece shows detrimental effects to panel. Pressure wash Koda XT panels that have been painted or coated to maintain coating integrity. If debris or dirt is not removed by pressure washing attempt to clean with manual procedures described in preceding section. Uecl'nhg Instrucclions impoRTAN'r 3form Koda XT, like all thermoplastic resin materials, should be cleaned periodically. A regular, quarterly cleaning program will dramatically help If a cleaning material is found to be incompatible in a short -term test, prevent noticeable weathering and dirt build -up, it will usually be found to be incompatible in the field. The converse, however, is not always true. Favorable performance is no guarantee that Rinse the sheets with lukewarm water. Rernove dust and dirt from Koda actual end -use conditions have been duplicated. Therefore, these results XT with a soft cloth or sponge and a solution of rnild soap and /or liquid should be used as a guide only and it is recommended that the user test detergent in water. A 50:50 solution of isopropyl alcohol and water also the products under actual end -use conditions. works well. Rinse thorougl J(y with lukewarm water. Always use a soft, damp cloth to blot dry. Rubbing with a dry cloth can scratch the material and create a static charge. Never use scrapers or squeegees on Koda XT. Also avoid scouring compounds, gasoline, benzene, acetone, carbon tetrachloride, certain deicing fluids, gasoline, lacquer thinner or other strong solvents. DO NOT: • Use a squeegee. • Strong solvents, highly alkaline or abrasive cleaning agents. • Clean in hot sun or elevated temperatures. • Rub with a dry cloth. PRESSURE WASHING Pressure washing can also be an effective way to remove miscellaneous debris from surfaces of 3form Koda XT installations. Pre -soak panels with a light water spray to loosen and remove incidental surface debris. It is recommended that the water pressure for cleaning Koda XT panels be 1,500 psi or less. 3form Koda XT is a tough material but can be dam- aged if high pressure is concentrated in a single position too long. Use a gradual sweeping motion over the application. Never concentrate water spray in a single position. Pressure nozzle should never be positioned closer than 8" (203 mm) from the panel surface. Test a portion of the sheet first before spraying- If test piece shows any sign of material fatigue, abrasion or delamination - discontinue pressure washing and proceed with manual cleaning instructions as described above. OG I 11BL11 1 , _ooE; 110AI -,PH- 11, Xi I REV 0111 65 c n, Serving you on inn since 1997 Search Advanced search Home (, "Cwl I Help I Shipping Optkms I VI New I Dit',Salp! I Bey €,gam Ba5errlent I ' Vr ffranty Relum'Poi €cp 1 N�� 1F:tkr.r Product Line. Index Page; 12v DC LED Light Bulbs aAj3 SBr,If1 v,,,IAI!tem'[num base Power LED Light Bulbs are a unique product. It is a light bulb but is hardwired to your 12vdc system. You can call it a fixture and that would be right too. Whatever it is called, it is a great product that produces excellent light color, radiation pattern and is simple to install. No driver, no resistor is required as the components to run on 12vdc are built in. If you do not have a 12vdc system a 1101120vac to 12v DC transformer /converter is required. The Power Bulb SBM3 and SBM6 are offered in white with either 3 chip LEDs producing 1 watt /25 lumen, or 6 chip LEDs producing 2 watts /50 lumen with actual output of 20+ and 40+ Watts of clear white light! Install the Power Bulb Si3M3 and SBM6 in existing 12vdc open fixtures, off -grid cabins /homes , or install them as is for extra lights where you need them. Just be sure they are used indoors or if outside, under the eaves or weather protected location. They have built in heat dissipation holes so moisture cannot make contact with the electrical circuit. Good in RVs, boats, planes, sheds, work benches, porch lights, truck berths and box, truck compartments. Use as a battery powered light for camping, fishing trips, back yard parties, emergency lights. Power LIED Light Buibs run on 10.8 - 13.2vdc battery power (boat, planes, autos) or via a battery /control box /solar panel system. If you use these on any vehicle that uses a alternator or generator, an in line resistor or voltage regulator of some type is required to maintain voltage to no more than 13.2vdc. Specifications: ® Power: 12 V (10 %Variation - 10.8 to 13.2v) Power CO;1Sumption: 300mA for 3 chip type LEDs, and C ^ ^n::;� . r r m:`; i . `; ; }< ! EDs ® Weight: 2.0 ounces J' SunWize OEIVl5 SunWize" OEM modules deliver top - quality performance for all photovoltaic applications including rural electrification, water pumping, telemetry, communications, and general battery charging. Ideal for AC and DC installations, SunWize OEM modules can be used in single - module and multiple - module systems. Each module consists of 36 solar cells connected in series providing maximum charging power. The glass surface allows maximum light trans- mission and is impact resistant to hailstone forces of a 1 " diameter hailstone at terminal velocity (5 ft -lbs). Single crystalline solar cells are encapsulated and bonded to the glass in multiple layers of ethylene vinyl acetate (EVA) and laminated with a white TedlarTm backing insuring long life in severe environmental conditions. Bypass diodes contained within the junction box insure reliable operation. Anodized aluminum tubular frames add strength and durability to the modules and are constructed to withstand constant wind speeds of 1 10 mph and gusts to 133 mph. Includes pre - drilled mounting holes. The weather resistant junction box accommodates all wiring methods including moisture-tight strain relief connectors and electrical conduit. SunWize modules are manufactured to comply with U.S. and international standards, and are factory tested to verify superior performance. SunWize modules are man- ufactured in accordance to ISO 9002 standards. OEM series modules are ISPRA certified to IEC 6121 5 standards and FM CSA approved for Class 1, Div. 2 hazardous locations. OEM series modules carry a 20 -year, 80% power output warranty. Model Rated Power (Watts) Rated Voltage (Vmp) Rate Current (imp) Open Circuit Voltage (Voc) Short Circuit Current (Isc) Dimensions (inches) Unit Weight (lbs.) OEM5 5 16.4 0.31 20.5 0.38 11.82 x 9.84 3 OEM10 10 16.4 0.61 21.0 0.70 15.15 x 14.76 4.5 OEM20 20 16.5 1.22 21.0 1.38 20.86 x 16.93 6.5 OEM40 40 16.7 2.40 21.0 2.68 38.38 x 17.13 12.5 Vmp - maximum power voltage (volts) ® Imp- maximum power current tamps • Voc -open cucun vuuaye tv Rb) - I- -gn- I - L 1-1- „ k F�j SunWize OEM10 SunWize OENf20 Buy it at www7he=Lightcom SunWize OEM40 MODULE DIMENSIONS (inches) I` A 1 34 °->. Imo- I 2.25' - 0.275 13 E� �D C OEM A B C D E 5 9.88 11.85 8.62 CL 9.84 10 14.80 15.19 13.54 CL 9.84 20 16.93 20.86 15.67 CL 9.84 40 17.16 38.30 15.90 9.84 23.62 SUNWIZe OEM Sedes Solar Modules Electrical Characteristics IV Curves Junction Box details 5.0 SW40 .88 [124] - I BYPASS DIODES (2) I I ® OUTPUT TERMINALS 3.34" [85} O Q 1 IINDING CWAP SCREWS ,,.! °+. POSITIVE _ I- TERMINAL "C ATED 4JEGATIVE ". \ e .88 HOLE (3) PLCS. \JUNCTION TERMINAL BOX SUPPLIED WITH 3 OPENINGS SUITAELE FOR '/2" NPT FITTINGS, 2 CLOSED WITH O O REMOVABLE SEALING PLUGS -- -- - - - - - O HOLE PLUG (2 OVER (5.16' x 3.5V) COVER LATCH /� (� 0.0 jj TOP 0.7 (3xj 18] I m 0.0 VOLTS 25.0 L - - -- J .45'1 (37] -2.74" [70] o,u[eslons IvCetmQ NOTE: IV curve is typical for all of the ODA modules. Refer to chart on Gage 7 for key data points on curve for the SW5, SW10 and SW20 modules. "'hEM Soi'ar Module Kits SunWize° OEM Solar Module kits include a solar module, the SunWize SW -I1_6 prewired voltage regulator with output cable, and a fixed 45° side -of -pole mount. Each kit is also available without the mount. The SW -IL6 is mounted in the module junction box. The waterproof controller features a multi- function LED indicator and fuse protection. SunWize single crystalline, high - efficiency solar modules are manufac- tured to exceed industry standards providing exceptional reliability and maximum power output. A twenty year warranty reflects the superior quality and assures long product lifer. i7e ., +urrif;:_!m side -of -pole mounts t include two clarnps fur nominai 2. S" ti trough 4 " ,Doles (6D 2.87 X through 4.5 "). OEM 5/10/20/40 kits include a 15 ft. (# 14 A\L /G) cable. Rated current and voltage at Maximum Power Point IMPPi Model Rated Power Rated Voltage Rated Current Open Circuit Short Circuit Dimensions Kit Weight (Watts) (Vmp) (imp) Voltage (Voc) Current (Isc) (inches) (lbs) OEM5 kit 5 16.4 0.31 20.5 0.38 11.82 x 9.84 7.0 without mount 5.75 0EM10 kit 10 16.4 0.61 21.0 0.70 15.15 x 14.76 8.5 without mount 7.25 OEM20 kit 20 16.5 1.22 21.0 1.38 20.86 x 16.93 12.5 without mount 10.5 OEM40 kit 40 16.7 2.40 21.0 2.68 38.38 x 17.13 18.5 without mount 16.5 Note modules, charge controllers and mounts can he purchased separately rt Buy d at www.TheLEDLight.com Serving you online since 1997 THE E L—ICjHTCOM Search Advencee! search Hrvme I ' Carl I', H� 1p I Shsppif' g Optiami 14re'hats. i' enaa I On 3,,ile! I Batgaifi , BaFiervient I Wavarity I Relurn Policy I, . Use the sun's natural and free energy to store power for back-up lighting when the grin source fails! o includes a 7 amp sealed lead acid battery - runs a 350mA light for 17 hours on a full charge • includes a Low Voltage Disconnect • includes a 10 amp fuse • includes a Sunlight 10 timer /controller: more reliable than a photo sensor • NEMA rated 3R Metal Box • includes Sunlight 10 Manual • Power Pack measures 8.125 x 8 x 4.5 in. See spec sheet below for solar panel dimensions e Power Park ship weight 12 lbs. Lights are not included and are sold separately. Here are some fixture suggestions: • LED Power Bulb #B3 • LED Flood t hfs • Microstars or Triclusters • NorthStars • North tar Brites or Glows • Can Power a 530mA light for up to 6-8 hours. Team MeMow Written Proposal Materials List Itemized Budget Team McMow PBG Art in Public Places Written proposal Team McMow became aware of this AIPP project while reading a newspaper article just days prior to the dead line for the proposal to be submitted. We believed with the artistic ability of the team already assembled and the success we have had working together on various projects we easily could create some stimulating concepts. Our relationship with Fiore Skylight Company from New Jersey was an added element that we believe gives us a more desirable finished product. Like many things that appear simple this project grew several sets of legs and morphed almost weekly and some times, day to day. We did submit a proposal to the AIPP for a concept using a re- design of a transit shelter frame that we added an artistic stained glass element to. We worked with Fiore to be sure we would be compliant with County, City and ADA codes. We were ecstatic to be notified that we were on the short list and were anxious to move up to the next level in the process. We received the audio disc from the committee and sent an email copy to the engineer and to Fiore's CEO, Richard Materio. We listened carefully to the comments given by the members about each proposal. Although we could not see the artistic designs submitted by each artist the committee was vocal about what they felt they wanted and the importance of certain elements of the art. The critique of the proposal submitted by Team McMow made a lot of sense to us and the suggestions really changed our scope. Still we struggled to create a code compliant artistic piece that would speak to the people of Palm Beach Gardens as well as to visitors and passing cars. We worked with a young architect and gave direction for a visual 3 -D model to be constructed. The model brought our visual concept to life. We could now discuss the construction challenges with the engineer. Quickly we learned that we had a cool design but were disappointed to find that it didn't readily lend itself to fabrication. Not only did we have to make design changes but we had to explore other materials for the "artistic" element we offered. We learned from the audio that the committee was concerned about the use of stained glass the ability for it to withstand not only impressive south Florida weather but vandalism and long term maintenance had to be addressed. A new product was brought to our attention by the model builder made by a company called 3 -Form. The material known as Koda XT is made for all weather external use. It is already being used in very harsh climates and the beauty for us is the ability to imbed our art into the material. It would not break, crack or fade and it is resistant to most possible acts of vandalism. Koda XT is the best way to create an artistic environment of stained glass without using glass at all. The Team finally found the product that would give us the look we wanted without compromise. Our goals never changed for the transit rider. We wanted them to feel they are invited into a natural environment safe and comfortable. The back panels of the shelter are created with Koda XT that Tricia Besley used individual pieces of stained glass photographing it on a light table. She designed the tree trunk and methodically placed the images into the Koda XT inch by inch. She did the same with the flowering canopies. This was a tedious approach but as you can see it turned out beautifully. We used this as an opportunity to include a learning experience for the public. Each canopy in the "walk in the Park" series is an indigenous flowering Florida tree. As an educational component to the project the name of the species of tree will be written onto a plaque embedded into the side wall of the shelter. In addition to the name of the tree information about each tree will also be embedded for the riders to read while they experience sitting under the full flowering canopy, and they never need watering. The exact bench material has not been decided yet but the two options we are considering are both 100% recycled material. Our project will be PE stamped by a Florida licensed engineer that has worked with us since the beginning of this project. He has experience working with installations of custom transit shelters for other Cities and has created them with Fiore Skylights. It is important to us that we have an engineer that understands and is willing to work with us to create an artistic approach with a sound structure. The ceiling panels, walls, and benches are created from recycled material. The power source for the lighting is located in the back ceiling panel. It is solar- photovoltaic system powered by the sun. Which we all agree we do have plenty of and when we don't the storage cells offer additional lighting options. All of the aluminum being used on the project will be powder coated with a custom color to represent as best possible bark of a tree trunk. All of the materials we propose are fabricated for long term usability and are resistant to both graffiti and damage done by vandalism. The bench is comfortable to sit but discourages lying down with an arm rest between each of the 3 seats. What we are most proud of is the fact that we able to offer you an artistic option for a transit shelter that does not compromise our artistic vision, building codes, construction or maintenance. It is a shelter that invites the transit rider into a natural experience with an almost intimate close view of nature. Team McMow has designed a transit shelter for the pleasure of fast moving traffic as well as treating the weary transit user to a fresh relaxing moment. Finally, after listening to the audio of the committee and realize that we have worked on several successful projects with Burckhardt Construction specifically with Vince Burckhardt. We met with Mr. Vince Burckhardt and he has agreed to be on Team McMow as our contractor. The proposal submitted by Mr. Burckhardt is completely thorough and includes all site work and has addressed the possible need of rails for ADA compliance on the 3 PGA sites. Our team has enjoyed exploring other options and mediums during this project. We feel we have grown from the challenge and have been rewarded by the knowledge we have gained about material, products and people. We applaud the Palm Beach Gardens Art in Public Places vision to include functional Art for use by mass transit riders. WE can only hope that this is as successful in real use as it feels to us it will be and other Cities, towns and states will feel compelled to off the same options to their transit systems. Team McMow thanks you for this opportunity. Team McMow Art Glass Shanon Materio Tricia Besley Phil Materio Richard Materio Nic Spinnelli Burkhardt Construction Q 0 0 0 C) uj F- O W C) O W a cB V G G UJ U- U) U) Q J Q0 O O 000000000000000NO coo O� ( Efl 00 OCO co 0 00 O bM} 0 C0 r EI? 00 O O OdtLO O OOO O O K? O O Cfl Ef5, O cfl O 00M00N�NNMO 69. 00 000(-0 0 00000 O Hi 0 M VD. 0 r Q:> 0 O d Ef} 0 CN d1 U!)- 0 r ( °O c 0 O t 0 0 0 0 0 0 0 0 0 0 O C:) O O WO O O O O O O O O O o o � M 0 O O Lo c!' 0 O 0 mot' 0 O 0 O 0 O 0 It Lo 1` O 0 0't O O ti tf7 0 0 0 r N Orr Cfl O O O r d r N N M M O N O (b (D� 6c)- L 6q EF} EF)- Ef} y} Uq- H} K} Va Gq ea T-- E f} 't to W a 0 U C_ U N V O 0 (n U) O L (D aU a cLa ( � m co ui m 1 O N L LL CQ -~ _ C O in E :3 _ 4) G W O 0 C O- N 0U) U t6 Q3 U m .� G O C O C (ii �_ �+ O Q 0 LL -C m W � U O M O M m C o� c M(n c a c Q — � m Team McMow Materials list Glass Samples (for coloring of panels) Adobe Illustrator Adobe Photoshop Calculations Submittal drawings 3 -Form Polycarbonate panels (Koda XT) Hardware for 3 -Form panels aka "Spiders" Bolts, nuts, gaskets, etc. (all hardware to be 304 stainless steel) Aluminum 6061 T6 & 6063T6 4" diameter tubing (wall thickness to be based on calculations) Bronze powder coating Photovoltaic Cells Welding materials Concrete Concrete pump and truck Anchors Rebar ADA railing Lift for install Traffic cones and barriers Permits Sod for restoration Table saw Router Drills LED Lights Back rest and seat out of recycled material DI I1 0 8 7 A rl n 0 r) Fiore Skylights, Inc. 100 East Evergreen Ave Somerdale, NJ 08083 800.346.7310 Fax: 856.346.9332 www fioreskylcghts. cons TITLE` UNLESS OTHERWISE SPECIFIED: F DIMENSIONS ARE IN INCHES TOLERANCES: TWO PLACE DECIMAL +.030 THREE PLACE DECIMAL ± .010 MATERIAL NAME DATE SIZE DWG. NO. REV ^ FINISH I J DRAWN Andy Rankin Cco 1081 O A DO NOT SCALE DRAWING PROJECT SCALE: l :32 SHEET 1 OF 1 IC 4 s 2 D s Project #0917, 19 January 2010 SCHEMATIC PROPOSAL (per Section 2 of the Draft Agreement.) By Winslow Elliott Wedin Artist (and also Architect) Schematic Proposal for: Site A - "Solar roof on Custom Trusses" 1)Conceptual Approach a. 3 -D model or drawings of Site A see attached 2) Written Statement a. How [the shelter design] relates to site (specific location): In this site conditions the ideal building orientation is with the long axis in the East west direction which provides the maximum solar gain. b .[How the shelter design} relates to site needs: Public access is from the existing sidewalk along one side to the paved floor of the shelter. This floor is gently sloped (less than 1:12) to where the bus will stop. We will have to determine if the bus(s) are the kneel down type and if the curb- if any, should remain. No peddling of water shall occur. c, The fabrication process (see also 2 -h below). In this Site A case, the shelter unit will be prefabricated off site in a location convenient to both the contractor and the designer to maximize efficiency of input in the fabrication process. We can assume almost a daily coordination in the critical design phase. The Artist will be working with the tile subcontractor selecting tile color and tile locations. d. Project Timeline: The time line is divided into four phases, the times are approximate. 1 Design Construction Documents (the detailed architectural plans and specifications) with continuous coordination with the engineer and the general contractor, (GC) - 60 days 2. Application to the City for permit by the general contractor (GC); - 30 days 3. Upon receipt of the City approval, Physical construction of the prefabrication phase and site preparation (grading, casting of concrete slab and footings; - 90 days and 4. Installation by the GC including shipping, attachment, cleanup and final inspection -15 days. e. Maintenance Guidelines: Based upon our approach of using high quality low maintenance materials and methods, a light washing (should we provide a water spigot ?) in dry and dusty times and the standard cleanup of public spaces (garbage, trash etc.. - we may provide a trash can receptacle ?) , there is little else to do. In the window Glass concept (site C), since all glass is of the Impact resistant - off -the- shelf standard color items, replacement is no different than for any window replacement work in a commercial building. f. Project budget including artist fees (see also 2 -q and 2 -r): The construction budget is $45,000 including a 10% contingency for each shelter and the Artists fee is $10,000 each inclusive, for a total of $55,000 each of 4 shelters. g. All materials: Materials for Site A will be a custom steel ftruss, powder coated, reinforced CMU, cement plaster with a ceramic tile coating and impact resistant glass (we may provide vision holes for security) all attached to a brick floor on a 4" concrete base and structural footing. the foof will be a light gage metal with an integral PV Solar collector. h. Fabrication (see also 2 -c): All fabrication shall be done at the contractor's facility with the exception of site specific finishes and attachments. j. Transportation (of the shelter facility to site) The pre fabricated shelter assemblies will be transported to the site by the contractor utilizing his equipment and unloaded at the secured site by his crew, ready for installation by his crew. k. On site project management: The contractor and his crew and the Artist will work together at the pre - fabrication site on a daily basis as required. The Artist and contractor will supervise site installation per construction documents and code. The engineer will assist as deemed necessary. The engineer has provided technical information incorporated into the construction documents. The work may be video or photographically documented. I. Site modification required: The site will be prepared for installation of the shelter and grades adjusted for proper drainage, bus loading requirements verified and concrete footing and foundation work completed. m. Installation Equipment [which will be required]: The Contractor shall provide all installation equipment, materials and traffic safety provisions (cones, barricades etc.) coordinating with local requirements. n. Engineering Fees: All engineering fees are included in the $55 000 budget p Insurance fees ( ?) The contractor will have proper insurance as required and is included in the $45, 000 budget. q. Artist travel to site. [the cost of]: The cost of the Artist traveling to the fabrication location and the site(s) are included in the $45,000 Budget. r. Per -diem expenses (for the Artist) The Artist's expenses are included in the $10.000 Artist fee., unless something is requested, out of the ordinary by the City. The Artist. will charge his standard rate of $150.00 per hour. s. Project documentation: The Artist will prepare. Plaques or signage. Included in the $45.000 budget, signed and dated. u. Contingency expenses: A contingency of $4,500 per shelter unit is included. in the $45,000 construction budget. v. Permit Fees. To the best of my experience, all city, county and /or state fees are waved on municipal projects. If this is not the situation, these fees shall be considered and extra. Extras are cost +25 %. 3) Material List a. Same as 2) g. above Materials will be unique for each of the four designs and be a combination of protected steel (powder coated, or if exposed a nonferrous metal) frame, reinforced portland cement plaster with a ceramic tile coating as designed, photo voltaic elements, lithium batteries and impact resistant glass all attached to a brick, tile or similar covered reinforced concrete base following all construction documents and all building codes. File: #0917, scheme prop, 19 Jan 10 Project #0917, 19 January 2010 SCHEMATIC PROPOSAL (per Section 2 of the Draft Agreement.) By Winslow Elliott Wedin Artist (and also Architect) Schematic Proposal for : Site B - "The Apse Shell Approach" 1)Conceptual Approach a. 3 -D model or drawings for Site B. see attached 2) Written Statement a. How [the shelter design] relates to site (specific location): In all four site conditions the ideal building orientation is with the long axis in the East west direction which provides the maximum solar gain. b .[How the shelter design} relates to site needs: Public access is from the existing sidewalk along one side to the paved floor of the shelter. This floor is gently sloped (less than 1:12) to where the bus will stop. We will have to determine if the bus(s) are the kneel down type and if the curb- if any, should remain. No peddling of water shall occur. c, The fabrication process (see also 2 -h below). In each case, the shelter unit will be prefabricated off site in a location convenient to both the contractor and the designer to maximize efficiency of input in the fabrication process. We can assume almost a daily coordination in the critical design phase. The Artist will be working with the tile subcontractor selecting color and locations. d. Project Timeline: The time line is divided into four phases, the times are approximate. 1 Design Construction Documents (the detailed architectural plans and specifications) with continuous coordination with the engineer and the general contractor, (GC) - 60 days 2. Application to the City for permit by the general contractor (GC); - 30 days 3. Upon receipt of the City approval, Physical construction of the prefabrication phase and site preparation (grading, casting of concrete slab and footings; - 90 days and 4. Installation by the GC including shipping, attachment, cleanup and final inspection -15 days. e. Maintenance Guidelines: Based upon our approach of using high quality low maintenance materials and methods, a light washing (should we provide a water spigot ?) in dry and dusty times and the standard cleanup of public spaces (garbage, trash etc.. - we may provide a trash can receptacle ?) , there is little else to do. In the window Glass concept (site C), since all glass is of the Impact resistant - off -the- shelf standard color items, replacement is no different than for any window replacement work in a commercial building. f. Project budget including artist fees (see also 2 -q and 2 -r): The construction budget is $45,000 including a 10% contingency for each shelter and the Artists fee is $10,000 each inclusive, for a total of $55,000 each of 4 shelters. g. All materials: Materials will be unique for each of the four designs., and will be a combination of steel frame, reinforced cement plaster with a ceramic tile coating and impact resistant glass all attached to a brick, the or similar on a 4" concrete base. h. Fabrication (see also 2 -c): All fabrication shall be done at the contractor's facility with the exception of site specific finishes and attachments. j. Transportation (of the shelter facility to site) The pre fabricated shelter assemblies will be transported to the site by the contractor utilizing his equipment and unloaded at the secured site by his crew, ready for installation by his crew. k. On site project management: The contractor and his crew and the Artist will work together at the pre - fabrication site on a daily basis as required. The Artist and contractor will supervise site installation per construction documents and code. The engineer will assist as deemed necessary. The engineer has provided technical information incorporated into the construction documents. The work may be video or photographically documented. I. Site modification required: The site will be prepared for installation of the shelter and grades adjusted for proper drainage, bus loading requirements verified and concrete footing and foundation work completed. m. Installation Equipment [which will be required]: The Contractor shall provide all installation equipment, materials and traffic safety provisions (cones, barricades etc.) coordinating with local requirements. n. Engineering Fees: All engineering fees are included in the $55 000 budget p Insurance fees ( ?) The contractor will have proper insurance as required and is included in the $45, 000 budget. q. Artist travel to site. [the cost of]: The cost of the Artist traveling to the fabrication location and the site(s) are included in the $45,000 Budget. r. Per -diem expenses (for the Artist) The Artist's expenses are included in the $10.000 Artist fee., unless something is requested, out of the ordinary by the City. The Artist. will charge his standard rate of $150.00 per hour. s. Project documentation: The Artist will prepare. Plaques or signage. Included in the $45.000 budget, signed and dated. u. Contingency expenses: A contingency of $4,500 per shelter unit is included. in the $45, 000 construction budget. v. Permit Fees. To the best of my experience, all city, county and /or state fees are waved on municipal projects. If this is not the situation, these fees shall be considered and extra. Extras are cost +25 %. 3) Material List a. Same as 2) g. above Materials will be unique for each of the four designs and be a combination of protected steel (powder coated, or if exposed a nonferrous metal) frame, reinforced portland cement plaster with a ceramic the coating as designed, photo voltaic elements, lithium batteries and impact resistant glass all attached to a brick, tile or similar covered reinforced concrete base following all construction documents and all building codes. File: #0917, scheme prop, 130ct09 Project #0917 -II, 22 October 2009 SCHEMATIC PROPOSAL (per Section 2 of the Draft Agreement.) By Winslow Elliott Wedin Artist (and also Architect) Schematic Proposal for: Site C - "The Colored Glass Shelter" 1)Conceptual Approach a. 3 -D model or drawings for: (each of all 4 Sites required) see attached drawing 2) Written Statement a. How [the shelter design] relates to site (specific location): The ideal building orientation is with the long axis in the East west direction which provides the maximum solar gain. Therefore, the PGA location is selected b .[How the shelter design} relates to site needs: Public access is from the existing sidewalk along one side to the paved floor of the shelter. This floor is gently sloped (less than 1:12) to where the bus will stop. We will have to determine if the bus(s) are the kneel down type and if the curb- if any, should remain. No peddling of water shall occur. c, The fabrication process (see also 2 -h below). In this case, the shelter unit will be prefabricated off site in a location convenient to both the contractor and the designer to maximize efficiency of input in the fabrication process. We can assume almost a daily coordination in the critical design phase. The Artist will be working with the glass and storefront subcontractor o produce an interesting series of shapes and color relationships. d. Project Timeline: The time line is divided into four phases, the times are approximate. 1 Design Construction Documents (the detailed architectural plans and specifications) with continuous coordination with the engineer and the general contractor, (G. C.) - 60 days 2. Application to the City for permit by the general contractor (G. C.); - 30 days 3. Upon receipt of the City approval, Physical construction of the prefabrication phase and site preparation (grading, casting of concrete slab and footings; - 90 days and 4. Installation by the G.C. including shipping, attachment, cleanup and final inspection -15 days. e. Maintenance Guidelines: Based upon our approach of using high quality low maintenance materials and methods, a light washing (should we provide a water spigot?) in dry and dusty times and the standard cleanup of public spaces (garbage, trash etc. - we may provide a trash can receptacle ?) , there is little else to do. In this window Glass concept (site C), since all glass is of the Impact resistant - off -the- shelf standard color items, replacement is no different than for any window replacement work in a commercial building. f. Project budget including artist fees (see also 2 -q and 2 -r): The construction budget is $45,000 including a 10% contingency for shelter and the Artists fee is $10,000 each inclusive, for a total of $55,000 each of 4 shelters. g. All materials: Materials are unique for each of the four designs Design "C" will be a combination of a welded aluminum frame with internal tension cables and impct resistant glass all attached to a metal tile or glass tile on a 4" concrete base with integral reinforced footing. h. Fabrication (see also 2 -c): All fabrication shall be done at the contractor's facility with the exception of site specific finishes and attachments. j. Transportation (of the shelter facility to site) The pre fabricated shelter assembly will be transported to the site by the contractor utilizing his equipment and unloaded at the secured site by his crew, ready for installation by his crew. k. On site project management: The contractor and his crew and the Artist will work together at the pre - fabrication site on a daily basis as required. The Artist and contractor will supervise site installation per construction documents and building code. The engineer will assist as deemed necessary. The engineer will have provided technical information to the Artist / architect incorporated into the construction documents. The work may be video or photographically documented. I. Site modification required: The site will be prepared for installation of the shelter and grades adjusted for proper drainage, bus loading requirements verified and concrete footing and foundation work completed. m. Installation Equipment [which will be required]: The Contractor shall provide all installation equipment, materials and traffic safety provisions (cones, barricades etc.) coordinating with local requirements. n. Engineering Fees: All engineering fees are included in the $55 000 budget p Insurance fees ( ?) The contractor will have proper insurance as required and is included in the $45, 000 budget. q. Artist travel to site. [the cost of]: The cost of the Artist traveling to the fabrication location and the site(s) are included in the $45,000 Budget. r. Per -diem expenses (for the Artist) The Artist's expenses are included in the $10.000 Artist fee., unless something is requested, out of the ordinary by the City. The Artist. will identify, obtain approval and charge his standard rate of $150.00 per hour for any extra services. s. Project documentation: The Artist will prepare. Plaques or signage. Included in the $45.000 budget, signed and dated. u. Contingency expenses: A contingency of $4,500 per shelter unit is included. in the $45,000 construction budget. v. Permit Fees. To the best of my experience, all city, county and /or state fees are waved on municipal projects. If this is not the situation, these fees shall be considered and extra. Extras are cost +25 %. 3) Material List a. Same as 2) g. above Materials will be unique for each of the four designs and be a combination of protected steel (powder coated, or if exposed a nonferrous metal) frame, reinforced portland cement plaster with a ceramic tile coating as designed, photo voltaic elements, lithium batteries and impact resistant glass all attached to a brick, tile or similar covered reinforced concrete base following all construction documents and all building codes. File: #0917, scheme prop, 220ct09 Project #0917,19 January 2010 SCHEMATIC PROPOSAL (per Section 2 of the Draft Agreement.) By Winslow Elliott Wedin Artist (and also Architect) Schematic Proposal for: Site D - The Structural Glass Shelter" 1)Conceptual Approach a. 3 -D model or drawings for: Site D see attached 2) Written Statement a. How [the shelter design] relates to site (specific location): In all four site conditions the ideal building orientation is with the long axis in the East west direction which provides the maximum solar gain. b .[How the shelter design} relates to site needs: Public access is from the existing sidewalk along one side to the paved floor of the shelter. This floor is gently sloped (less than 1:12) to where the bus will stop. We will have to determine if the bus(s) are the kneel down type and if the curb- if any, should remain. No peddling of water shall occur. c, The fabrication process (see also 2 -h below). In this case, the shelter unit will be pre- manufactured off site in a conveniently located Glass shop to both the contractor and the designer to maximize efficiency of input in the fabrication process. We can assume almost a daily coordination in the critical design phase. The Artist will be working with the glass subcontractor selecting color incerts and LED lighting. Much researsh must be conducted on the luminated graphics with an out door sign company d. Project Timeline: The time line is divided into four phases, the times are approximate. 1 Design Construction Documents (the detailed architectural plans and specifications) with continuous coordination with the engineer and the general contractor, (GC) - 60 days 2. Application to the City for permit by the general contractor (GC); - 30 days 3. Upon receipt of the City approval, Physical construction of the prefabrication phase and site preparation (grading, casting of concrete slab and footings; - 90 days and 4. Installation by the GC and the glass subcontractor including shipping, attachment, cleanup and final inspection -30 days. e. Maintenance Guidelines: Based upon our approach of using high quality low maintenance materials and methods, a light washing (should we provide a water spigot ?) in dry and dusty times and the standard cleanup of public spaces (garbage, trash etc.. - we may provide a trash can receptacle ?) , there is little else to do. In the window Glass concept (site C), since all glass is of the Impact resistant - off -the- shelf standard color items, replacement is no different than for any window replacement work in a commercial building. f. Project budget including artist fees (see also 2 -q and 2 -r): The construction budget is $45,000 including a 10% contingency for each shelter and the Artists fee is $10,000 each inclusive, for a total of $55,000 each of 4 shelters. g. All materials: Materials will be unique for This all glass scheme, and will be a combination of impact resistant structural glass LED lighting and Staainless steel connectors all attached to a tile covered floor on a 4" concrete base. h. Fabrication (see also 2 -c): All fabrication shall be done at the contractor's and / or glass suppliers acility with the exception of site specific finishes and attachments. j. Transportation (of the shelter facility to site) The pre fabricated shelter assemblies will be transported to the site by the contractor or glass fabricator utilizing his equipment and unloaded at the secured site by his crew, ready for installation by his crew. k. On site project management: The contractor and his crew and the Artist will work together at the pre - fabrication site on a daily basis as required. The Artist and contractor will supervise site installation per construction documents and code. The engineer will assist as deemed necessary. The engineer has provided technical information incorporated into the construction documents. The work may be video or photographically documented. I. Site modification required: The site will be prepared for installation of the shelter and grades adjusted for proper drainage, bus loading requirements verified and concrete footing and foundation work completed. m. Installation Equipment [which will be required]: The Contractor shall provide all installation equipment, materials and traffic safety provisions (cones, barricades etc.) coordinating with local requirements. n. Engineering Fees: All engineering fees are included in the $55 000 budget p Insurance fees ( ?) The contractor will have proper insurance as required and is included in the $45, 000 budget. q. Artist travel to site. [the cost of]: The cost of the Artist traveling to the fabrication location and the site(s) are included in the $45,000 Budget. r. Per -diem expenses (for the Artist) The Artist's expenses are included in the $10.000 Artist fee., unless something is requested, out of the ordinary by the City. The Artist. will charge his standard rate of $150.00 per hour. s. Project documentation: The Artist will prepare. Plaques or signage. Included in the $45.000 budget, signed and dated. u. Contingency expenses: A contingency of $4,500 per shelter unit is included. in the $45,000 construction budget. v. Permit Fees. To the best of my experience, all city, county and /or state fees are waved on municipal projects. If this is not the situation, these fees shall be considered and extra. Extras are cost +25 %. 3) Material List a. Same as 2) g. above Materials will be unique for this all glass designs and be a combination stainless steel brackets, nonferrous metal) frame, reinforced photo voltaic elements, lithium batteries and impact resistant glass all attached to a tile on reinforced concrete base following all construction documents and all building codes. File: #0917, scheme prop, 130ct09 . 161 PrA 5: Pi PLAN., D V..... ..... .y1 Zip E ELEVAILON-- IELtVATION El EVATI N Zt. IlLv go L-07 Artistic Bus Shelter Project RPF #2009 -010 Yellow Propos' T�-] Mailing: 1080 Gator Trail West Palm Beach Florida 33409 Studio: 1330 OldDixie Hwy. North Palm Beach Florida 33403 561.707.4688 mtfuller.id8 @gmail.com SOLAR ARRAY GAZEBO A, B, C, D: TYPICAL STRUCTURE EXPLODED VIEW --OAT FINISH kj / L\JIIIIIV\I � SKIN J .25" ALUMINUM ROOF FRAME .25" ACRYLITE SG HYBRID GLAZING 125" ALUMINUM GLAZING FRAME .125" PERFORATED ALUMINUM SEAT PLATFORM .25" FABRICATED ALUMINUM MOUNTING PLATE GAZEBO A: IIIIIIi- A ►11 I o SOLAR ARRAY • 14' 0" POWDERCOAT FINISH GAZEBO A: DETAILS "---0 + 'All Alb r GAZEBO A: i �• f yi-/�•�f w�R7TP'� '� t: •' BFI COMPOSITE VIEW IN CONTEXT v GAZEBO B: � 111 I • 10' 0" • 7 L, , f i, SOLAR ARRAY 40 M 4'-o - DETAILS GAZEBO B: IN o 3'0" 10 0„ s. 10. 2.5' - r_ I POWDERCOAT FINISH 090" ALUMINUM ROOF SKIN \.25" ALUMINUM BRACKET .125" ALUMINUM PLATE IMAGERY ON .25" ACRYLITE SG HYBRID PERFORATED SEAT PLATFORM 1 "AllL GAZEBO B: i f lit ,..� M i y - ' �� l �_. GAZEBO C: • 0- 0- 0- 1( GAZEBO C: DETAILS INISH 1 ROOF SKIN BRACKET PLATE IMAGERY "E SG HYBRID AT PLATFORM GAZEBO C: #� tog �� ,�� • kr It 1� Is WN GAZEBO D: Ilk • -+ 1p —. — lqm I no ffiroxim • • GAZEBO D: • SOLAR ARRAY JA � t i 4v v ♦o ♦♦ r, �# 3 0 2.5' DETAILS • • POWDERCOAT FINISH .090" ALUMINUM ROOF SKIN \.25" ALUMINUM BRACKET 1 1 .125" ALUMINUM PLATE IMAGERY ON .25" ACRYLITE SG HYBRID n� PERFORATED SEAT PLATFORM ----o —&--- Ai f..« mot,• � � ���, J. IT -A. 45; 1. PI w _ 's`. GAZEBO D: PGA BLVD LOCATION #5 PGA BLVD LOCATION #7 PGA BLVD LOCATION PLANS a PGA BLVD LOCATION #6 a a 0 PGA BLVD LOCATION #8 I MILITARY TRAIL LOCATION #7 • 'r MILITARY TRAIL LOCATION #3 MILITARY TRAIL LOCATION PLANS MILITARY TRAIL LOCATION #2 MILITARY TRAIL LOCATION #4 Mailing: 1080 Gator Trail West Palm Beach Florida 33409 Studio: 1330 OldDixie Hwy North Palm Beach Florida 33403 561.707.4688 mtfuller.id8 @gmail.com Relationship To The Site and Site Enhancements Whether separated from the roadway by the curb and existing sidewalk, or positioned parallel to the roadway in the grass area between the existing sidewalk and the curb, these structures provide direct pedestrian access into the shelter from both front or back side facing the sidewalk. This defines their relationship to the site. These shelters provide seating for two, and ample room for wheelchair accessibility and maneuvering. Optimal protection from the elements, while providing an increase (from traditional shelter designs) for breeze access, along with logical choices for ingress and egress, ease of maintenance, and dynamic visual charecteristics enhance the functionality of these proposed designs. With 24" roof overhangs, these designs provide more protection from the rain, more shade, and allows more breeze to enter the structure in any wind direction than traditional shelter designs, and offer the pedestrian a safe refuge from the elements 100% of the time. Fabrication Process From my engineered design and specifications documents, data programming necessary to precisely define all parts and components will be prepared to convert the design elements to X,Y,Z machine language where plate and sheet materials are patterned for the computerized laser, waterjet, and punchpress equipment. Structural tube members are cut and /or formed, drilled and tapped, PEM inserted as required. Once all items are cut, the parts are assembled to form a component with welding, application of any scheduled adhesives and various required stainless steel mechanical fasteners. All finish surfaces are sanded, solvent cleaned prior to the application of the final surface finish. Some parts may be finished prior to their being assembled in their relative component, while some components will be finished as a completed unit. The various components (corner units, roof structure, etc...) are designed to be preassembled in -shop, and assembled in `kit' form on site. Project Timeline Week 1 Site reviews, meetings, and program definitions: Weeks 2 - 5 Design development (modifications required) approval, preparation of final design fabrication drawings and documents, engineering, final client approval: Weeks 4 - 6 Data Programming, materials acquisition Weeks 4 - 22 Fabrication, fit -up & finishing: Weeks 15 - 17 Sitework: Weeks 16 - 25 Installation: Week 25 Complete Maintenance Guidelines Finished Metal Surfaces As needed, or on an annual basis: Wash all surfaces with mild soap and water mixture, rinse with clear water. Remove water stains by adding 10% volume of vinegar to the mix. Use no abrasives. Acrylic Windows Wash all surfaces with mild soap and water mixture, rinse with clear water. Remove water stains by adding 10% volume of vinegar to the mix. Use no abrasives. Dry with chamois. To polish, apply protective coat of NOVUS 1 acrylic cleaner as directed by manufacturer, hand -wipe lightly to remove any residue. Remove any surface scratches with NOVUS 2 and 3, as required. Grafitti Removal Applied Grafitti: Use no abrasives. Remove with with Goo -Gone. If unsuccessful, graduate to mineral spirits, isopropyl alcohol, acetone with dampened cloth. r'nr�� Process Procedures - Define communications protocol. Although there will typically be only one (1) individual in the city to whom all communications are directed, there will be other parties the city would either wish me to communicate with directly to expedite matters, or to simply keep informed of the project status. This could include various city department personnel, an Art In Public Places committee liason, a PalmTran liason, and other key decision - makers. All communications will be with me directly. -Meet with all designated planning team members to review the overall project, establish a realistic completion schedule, define a preferred hierarchy for installation by location, assign a specific design scheme to each location. - Establish precise installation locations with city /PalmTran; survey designated locations, locate underground utilities and obstructions, prepare site - specific foundation and sidewalk plans for each location. - Present updated Design Development package to decision - makers for review. This will include all proposed typical fabrication details, specifications and plans, and color /finish schedule. This will be an unsealed, engineer- reviewed package. - Revise design scheme(s) as deemed necessary by the review committee; prepare final engineering calculations; present /review with liason(s) as required for final approval. Prepare Final Design fabrication drawings, documents and specifications; final engineering stamp & seal, submit final engineered drawings for permitting. -Place order for any potential delivery - delayed items (solar arrays, controllers, hybrid polycarbonates) and materials, begin machine data programming for production, commence shelter component fabrications. - Submit periodic fabrication process update report with photos to city at typical development touchstones: >frameworks /element formation & cladding (In-shop inspection tour available to key personnel) >pre- finish shelter assembly & fit -up (In-shop inspection tour available to key personnel) > final surface preparation & finishing (In-shop inspection tour available to key personnel) -Plot and surface -mark footers and sidewalk profile outlines at each location and review with city for approval. File a M.O.T. plan for sitework as deemed necessary. Commence sitework as required to accommodate the projected installation schedule (permitting, inspections, construction, clean -up). Photography. -Alert city for each approach of projected installation window (2 weeks out) and file a M.O.T. plan for shelter installation. -Alert city 48 hours prior to definitive shelter installation day. - Installation. Photograph stages. - Complete installation & clean -up. Photograph. - Review /sign -off final installations, as completed, with city. Project Budget Studio rent, insurance $9,400 Materials $40,575 Fabrication $55,000 Transportation & freight $2,600 On -site Project Management $2,000 Site modifications and foundations $68,059 Installation, Installation Equipment $6,800 Engineering $5,000 Artist's Travel & Expenses $4,641 Documentation & Photography $2,500 Plaques & Signage $1,000 Contingency $5,000 Materials List .090 ", .125 ", .25 ", .5" Aluminum #5052 sheet and plate stock Vxl", Vx2", 2" x2", 1" x3 ",2 "x3 ",3 "x3 ",2 "x4 ",4 "x4 ",2 "x6" #6063 extruded aluminum tube w/.189" and / or .25" wall as required 18/8 stainless steel rivnuts, PEM inserts, threaded rod, hex -key button head screws, acorn nuts and washers, socket -head cap screws; 10 -24 ss nuts & bolts; 1/4 - 20 ss nuts & bolts; 1/2" ss nuts & bolts; 1/2 ", .625 ", .75" ss all- thread .25" Acrylite acrylic sheet (clear color, clear tint) .25" Acrylite Resist SG hybrid (clear) Lord Engineered Structural Adhesive #410 / 19 Epcon #6 epoxy GE Silicone II (clear, black) .25 ", .5 ", .625" plywood (fixturing) 2" x 4 ", 2" x 6" foundation framing 3000psi concrete #3, #5 rebar PPG acrylic polyurethane Matthews MAP Acrylic polyurethane Tiger- Drylac polyester & urethane powdercoat * UniSolar Ovonic membrane and/or PPV Modules (various), Nichia LED Artistic Bus Shelter Project RPF #2009 -010 Green Proposal Mailing: 1080 Gator Trail West Palm Beach Florida 33409 Studio: 1330 OldDixie Hwy. North Palm Beach Florida 33403 561.707.4688 mtfuller.id8 @gmail.com .m 0 0 c TOP 4'0„ 10,0„ LEFT END FRONT ONE: LAYOUT PLAN VIEWS nnn F-1 1-11-1 F-1 1-111 F-1 F-1 1-1 [C] n17 4'0" RIGHT END h I e r .r a MEL f ` � •I i a t. a :? �Apa � r vs i 416 Of j 4 p 00 Ir l / 1 + r �t r ' �w "A -""a w' r� IL dip i • _ Poo !�j r 1 _ o4b� 1 ' 11 �l�t � •_ . Y � i a 0 d a _El`r. Aii—loo, ONE: OPTIONAL END WINDOW) ) _..- 4 -.m Aii-00, :• TWO: 4'0" LEFT END O O N • .• LAYOUT PLAN VIEWS TOP 58 3'3" i i i i i i i i i i i i 10'0" FRONT 4'0" RIGHT END A I`1 i Y 10 V, 1 A Ao 1 s =f � r Ar �• Alm� TWO: (SHOWN WITH PGA BLVD. LOCATION #7 SITEWOPK) e' a r a r • JL r T i •�r _ i � r� F= 4b 000 .. q i 4 • Aii-00, — TWO: Jim . _ -A -TT T -- - — - i (SHOWN WITH PGA BLVD. LOCATION #7 SITEWORK) r s I too �. r i l +. � • lb - r � 4�1 . _sue- r> Iii-00, TWO: (SHOWN WITH PGA BLVD. LOCATION #7 SITEWORK) :• TOP OPTION: STRAIGHT WALL END 4'0" LEFT END THREE: LAYOUT PLAN VIEWS 10'0" 4'0" FRONT RIGHT END s ..� 1 Vol, - s � M �• _qqqftmw� 4p r • � _ - y it it AD „Olp "R, o 1/ • .1 '�11r I� I 1 i 0 I s � J I As � Y, Ir - r r � 1 .I J t. _ ! f w -.NIP �. `lb .r 1� '• irk ' 4. t A.,.. s.+�' • I IL f a '! C ir op i • . �a a s • Ad L" A r� a A 111 ®• .• • FOUR: 4'0" LEFT END ml I TOP 11'6" 11'0" LAYOUT PLAN VIEWS IN! 4'0" RIGHT END -,+ i u •• ' • • 4 • lip.,4 � v w r 1 -A oll • '. i •� a 4c �. t OW . r it- .. t ads ' • Fill A � t �J f • 4.9p fig 41K �• 1 s Y -s 14 _ ,..-fir � � • - ` i 40 -No FOUR: (OPTIONAL CLOSED FRONT LAYOUT) •. � .yam r• o `f r/ • � 1 IL 0 fa 10 r IL ,: OF-.gm" • . I , , `f J � ; tr t •. • Ow Ir -"-- e r , J a� N �' � f •s - i '► � i z4A " � 0 FOUR: (OPTIONAL CLOSED BACK LAYOUT) PGA BLVD LOCATION #5 PGA BLVD LOCATION #7 PGA BLVD LOCATION PLANS PGA BLVD LOCATION #6 At M PGA BLVD LOCATION #8 i Ii MILITARY TRAIL LOCATION #7 MILITARY TRAIL LOCATION #3 MILITARY TRAIL LOCATION PLANS ism . i- , MILITARY TRAIL LOCATION #2 MILITARY TRAIL LOCATION #4 ^^ 1L1 X NOMINAL EXTRUSIONS x X d. FRAMEWORKS FACE SKIN BOND IN FIXTURE URAL ADHESIVE FRUTS r ot 4 Mailing: 1080 Gator Trail West Palm Beach Florida 33409 Studio: 1330 OldDixie Hwy North Palm Beach Florida 33403 561.707.4688 mtfuller.id8 @gmail.com Relationship To The Site and Site Enhancements Whether separated from the roadway by the curb and existing sidewalk, or positioned parallel to the roadway in the grass area between the existing sidewalk and the curb, these structures provide direct pedestrian access into the shelter from both front or back side facing the sidewalk. This defines their relationship to the site. These shelters provide seating for two, and ample room for wheelchair accessibility and maneuvering. Optimal protection from the elements, while providing an increase (from traditional shelter designs) for breeze access, along with logical choices for ingress and egress, ease of maintenance, and dynamic visual charecteristics enhance the functionality of these proposed designs. With 24" roof overhangs, these designs provide more protection from the rain, more shade, and allows more breeze to enter the structure in any wind direction than traditional shelter designs, and offer the pedestrian a safe refuge from the elements 100% of the time. Fabrication Process From my engineered design and specifications documents, data programming necessary to precisely define all parts and components will be prepared to convert the design elements to X,Y,Z machine language where plate and sheet materials are patterned for the computerized laser, waterjet, and punchpress equipment. Structural tube members are cut and /or formed, drilled and tapped, PEM inserted as required. Once all items are cut, the parts are assembled to form a component with welding, application of any scheduled adhesives and various required stainless steel mechanical fasteners. All finish surfaces are sanded, solvent cleaned prior to the application of the final surface finish. Some parts may be finished prior to their being assembled in their relative component, while some components will be finished as a completed unit. The various components (corner units, roof structure, etc...) are designed to be preassembled in -shop, and assembled in `kit' form on site. Project Timeline Week 1 Site reviews, meetings, and program definitions: Weeks 2 - 5 Design development (modifications required) approval, preparation of final design fabrication drawings and documents, engineering, final client approval: Weeks 4 - 6 Data Programming, materials acquisition Weeks 4 - 22 Fabrication, fit -up & finishing: Weeks 15 - 17 Sitework: Weeks 16 - 25 Installation: Week 25 Complete Finished Metal Surfaces As needed, or on an annual basis: Wash all surfaces with mild soap and water mixture, rinse with clear water. Remove water stains by adding 10% volume of vinegar to the mix. Use no abrasives. Acrylic Windows Wash all surfaces with mild soap and water mixture, rinse with clear water. Remove water stains by adding 10% volume of vinegar to the mix. Use no abrasives. Dry with chamois. To polish, apply protective coat of NOVUS 1 acrylic cleaner as directed by manufacturer, hand -wipe lightly to remove any residue. Remove any surface scratches with NOVUS 2 and 3, as required. Grafitti Removal Applied Grafitti: Use no abrasives. Remove with with Goo -Gone. If unsuccessful, graduate to mineral spirits, isopropyl alcohol, acetone with dampened cloth. A. ir Project Budget Studio rent, insurance $9,400 Materials $40,575 Fabrication $55,000 Transportation & freight $2,600 On -site Project Management $2,000 Site modifications and foundations $68,059 Installation, Installation Equipment $6,800 Engineering $5,000 Artist's Travel & Expenses $4,641 Documentation & Photography $2,500 Plaques & Signage $1,000 Contingency $5,000 Materials List .090 ", .125 ", .25 ", .5" Aluminum #5052 sheet and plate stock Vxl", Vx2", 2" x2", 1" x3 ",2 "x3 ",3 "x3 ",2 "x4 ",4 "x4 ",2 "x6" #6063 extruded aluminum tube w/.189" and / or .25" wall as required 18/8 stainless steel rivnuts, PEM inserts, threaded rod, hex -key button head screws, acorn nuts and washers, socket -head cap screws; 10 -24 ss nuts & bolts; 1/4 - 20 ss nuts & bolts; 1/2" ss nuts & bolts; 1/2 ", .625 ", .75" ss all- thread .25" Acrylite acrylic sheet (clear color, clear tint) .25" Acrylite Resist SG hybrid (clear) Lord Engineered Structural Adhesive #410 / 19 Epcon #6 epoxy GE Silicone II (clear, black) .25 ", .5 ", .625" plywood (fixturing) 2" x 4 ", 2" x 6" foundation framing 3000psi concrete #3, #5 rebar PPG acrylic polyurethane Matthews MAP Acrylic polyurethane Tiger- Drylac polyester & urethane powdercoat * UniSolar Ovonic membrane and/or PPV Modules (various), Nichia LED ' Process Procedures - Define communications protocol. Although there will typically be only one (1) individual in the city to whom all communications are directed, there will be other parties the city would either wish me to communicate with directly to expedite matters, or to simply keep informed of the project status. This could include various city department personnel, an Art In Public Places committee liason, a PalmTran liason, and other key decision - makers. All communications will be with me directly. -Meet with all designated planning team members to review the overall project, establish a realistic completion schedule, define a preferred hierarchy for installation by location, assign a specific design scheme to each location. - Establish precise installation locations with city /PalmTran; survey designated locations, locate underground utilities and obstructions, prepare site - specific foundation and sidewalk plans for each location. - Present updated Design Development package to decision - makers for review. This will include all proposed typical fabrication details, specifications and plans, and color /finish schedule. This will be an unsealed, engineer- reviewed package. - Revise design scheme(s) as deemed necessary by the review committee; prepare final engineering calculations; present /review with liason(s) as required for final approval. Prepare Final Design fabrication drawings, documents and specifications; final engineering stamp & seal, submit final engineered drawings for permitting. -Place order for any potential delivery - delayed items (solar arrays, controllers, hybrid polycarbonates) and materials, begin machine data programming for production, commence shelter component fabrications. - Submit periodic fabrication process update report with photos to city at typical development touchstones: >frameworks /element formation & cladding (In-shop inspection tour available to key personnel) >pre- finish shelter assembly & fit -up (In-shop inspection tour available to key personnel) >final surface preparation & finishing (In-shop inspection tour available to key personnel) -Plot and surface -mark footers and sidewalk profile outlines at each location and review with city for approval. File a M.O.T. plan for sitework as deemed necessary. Commence sitework as required to accommodate the projected installation schedule (permitting, inspections, construction, clean -up). Photography. -Alert city for each approach of projected installation window (2 weeks out) and file a M.O.T. plan for shelter installation. -Alert city 48 hours prior to definitive shelter installation day. - Installation. Photograph stages. - Complete installation & clean -up. Photograph. - Review /sign -off final installations, as completed, with city. Palm Beach Gardens ` Carousel Project Presented by aie ao] jye Raw b I-V a"i■ram • A l X96 r l �� . �Lyi►`a' `/ Cotleum Hearing aao.cRS � - ,, A Carousel Works, Inc. It t a z_r ''.i 4 ' OV f!Rbl.E SITE PJ A\ N Palm Be b Garde... FlarWa 7 4 J)ye ?�ln � ,ice.• . .. ,� ' • •'• t .'1"�1� � • IBS.' ` •' pow T i1 �.ti.i'xti Carousel Works, Inc. C�s�auJel,�ac�r�on Carousel Works, Inc ' 'a' JOfier Carven 0 P I P . Art Ritchie - Master Carver & Co -Owner Art Ritchie is a Master Carver and has been a professional woodcarver for over 35 years. He began in the mid -1970s specializing in ' hand - carved wooden signs, furniture, relief carvings and individual carousel figures and is now one of the world's most renowned wooden carousel artists. Art's current focus is on the overall design of the new carousels, he is constantly creating new and innovative designs to make each carousel project one -of -a kind. Don Blakley - Master Carver & Carving Dept. Supervisor Don began as an apprentice carver at the Carousel Works 20 years ago under Master Carver,Art Ritchie, when he was still in high school. Now himself a Master Carver, he is in charge of supervising the Carving Department, training new apprentice carvers while also carving the new figure patterns and also focusing on carving the most ornate, detailed figures. Carousel Works, Inc. 5 4 Palm Beach Gardens Carousel Project Traditional Turn -of - the - Century Carousel The carousel elements that are designed to provide the harmony of the overall theme include: • Facade • Original Artwork Scenery Panels • Figures & Chariot • Canopy & Finial Carousel Works, Inc. 4 4 Figures — Design Element Mor- Every figure on a C wl carousel is individually hand - carved from a block of wood and is designed to work in harmony with the overall carousel theme.' I OT TZ21 Carousel Works, Inc. I alusel 0 s World's Largest Manufacturer o f Wooden Carousels eaptll��F affall� Carousel Works, Inc. Carousel Works, Inc. ges�n t..arousei vvori<s, inc. Horse Figures — Sample Designs W- -' ij, 6 �., Carousel Works, Inc. 12 1 a Figures & Chariot Horse Figures Showcase Hand - Craftsmanship As an option, one (or more) of the figures can be sealed with clear varnish to showcase the natural wood and only the trappings are painted with color to highlight the craftsmanship & detail of the wooden figures. Carousel Works, Inc. r Sa Jaguar Carousel Works, Inc. Chariots — Sample Designs (ADA /Wheelchair Accessible) Carousel Works, Inc. Original Artwork Scenery Panels r I AIV op' -- .l Facade Sample Boardwalk -theme concepts to enhance the turn -of -the- century feel of the carousel. �4�11111111il Ns.. iac7Ta dr rp Carousel Works, Inc. Farade Design Each fagade is originally designed, constructed and hand - painted to work in harmony with the Carousel Works, In 17 Dejo� Aso (fia t 9njpl're . ... t..arousei vvori<s, inc. Palm Beach Gardens Carousel Project • One -of -a -Kind carousel —the only carousel design of its kind in the world. • Hand - carved and hand - painted figures with trappings designed to work in harmony of the overall carousel theme. • Original works of art to decorate enhance the beauty and customization of the facade elements. • Universally accessible attraction that can be enjoyed by all patrons. Carousel Works, Inc. 911 Memorial Art Piece AIPP Workshop February 16, 2010 Background • On September 1, 2009, the PBG Fire Department was advised that pieces of steel from the World Trade Center buildings were available to municipalities for use in Memorial Art Pieces — The steel is received at no cost, once its use is approved by the September 11th Families Association • October 201 2009, 9/11 Memorial Art project was presented to the AIPP Board — Mark Fuller has been designated as the project `s Artist • November 5, 2009, City Council approved up to $60,000 of Art Impact Funds to be used for the project Location • PBG Fire Station No. 3 • 7.64 acre site • North side of Northlake Blvd. Location Proposed Plaza Design Proposed Plaza Design w stuoios V O E, rn Sp M• Proposed Landscape Plan w Proposed Plaza Design i/ .y. . 7 I ,. s.,� Proposed Memorial Panels THU�MW XNV6W "4 wMkMETf"=4*W -MMOWKWfi= rMkwmv &&fFPAA09-S;k-QUIWO w FRONT ENE) . . 9/11 "Afem nrlA � Oty of Palm Reach Gardens. Florida Possible Pieces V s. •j r ti l Other 9 /11 related a An w Ic I +LS v L � 7 no �- %a 1� .1 rt projects I � tr.� i� I � tr.� . . . . . Timeline February 161" — Conceptual Design presentation to AIPP March 161h— AIPP Approval April 151" —City Council Approval April 16th— Building permits submitted / Fabrication June 15t — Construction start September 15t — Construction complete /Installation September 11t" — Dedication and mere ^rini cor"iro at Fire Station QUESTIONS? Please Print Name: 4+14—S AddreE City: Comments From The Public Request to Address City Council Subject: &2-- SkQ-A �� r Members of the public may address the City Council during the "Comments by the Public" Portion of the agenda and during "Public Hearings ". This Request to Address the City Council must be delivered to the City Clerk prior to the commencement of the meeting. The time limit for each speaker is limited to three (3) minutes. Comments From The Public Request to Address City Council Please Address: City: Subject: s 4 Members of the public may address the City Council during the "Comments by the Public" Portion of the agenda and during "Public Hearings ". This Request to Address the City Council must be delivered to the City Clerk prior to the commencement of the meeting. The time limit for each speaker is limited to three (3) minutes.