HomeMy WebLinkAboutAgenda AIPP 052212REVISED AGENDA
CITY OF PALM BEACH GARDENS
ART IN PUBLIC PLACES ADVISORY BOARD
TUESDAY, May 22, 2012 AT 5:30 P.M.
CITY COUNCIL CHAMBERS
I. CALL TO ORDER
II. PLEDGE OF ALLEGIANCE
III. ROLL CALL:
ART IN PUBLIC PLACES ADVISORY BOARD
Reqular Members Alternates
David Porter — Chair Vaca�rAlternate
Cable Neuhaus — Vice Chair Vacant 2"d Alternate
Paul Kaufman
Meriel "Honey" Bryan
Mary Wolcott Miles
Diane Cappella
Alexander Hanlin
IV. ADDITIONS, DELETIONS, MODIFICATIONS
V. APPROVAL OF MINUTES — MARCH 20, 2012
VI. ITEMS BY COUNCIL LIAISON
VII. ITEMS BY STAFF LIAISON
A. BUDGET UPDATE
VIII. OLD BUSINESS
IX. NEW BUSINESS
A. DISCUSSION ON VETERANS PLAZA IMPROVEMENTS PHASE III
B. AIPP-12-04-000029 — RECOMMENDATION TO CITY COUNCIL - MANDEL JCC
PLANNED UNIT DEVELOPMENT
X. COMMENTS BY THE PUBLIC
XI. COMMENTS BY THE BOARD
A. SET QUARTERLY MEETING DATE —(JULY 17, 2012, AUGUST 21, 2012,
SEPTEMBER 18, 2012)
XII. ADJOURNMENT
REVISED AGENDA
CITY OF PALM BEACH GARDENS
ART IN PUBLIC PLACES ADVISORY BOARD
TUESDAY, May 22, 2012 AT 5:30 P.M.
CITY COUNCIL CHAMBERS
I. CALL TO ORDER
II. PLEDGE OF ALLEGIANCE
III. ROLL CALL:
ART IN PUBLIC PLACES ADVISORY BOARD
Reqular Members Alternates
David Porter— Chair Vacant 1s`�Alternate
Cable Neuhaus — Vice Chair Vacant 2"d Alternate
Paul Kaufman
Meriel "Honey" Bryan
Mary Wolcott Miles
Diane Cappella
Alexander Hanlin
IV. ADDITIONS, DELETIONS, MODIFICATIONS
V. APPROVAL OF MINUTES — MARCH 20, 2012
VI. ITEMS BY COUNCIL LIAISON
VI1. ITEMS BY STAFF LIAISON
A. BUDGET UPDATE
VIII. OLD BUSINESS
IX. NEW BUSINESS
A. DISCUSSION ON VETERANS PLAZA IMPROVEMENTS PHASE III
B. AIPP-12-04-000029 — RECOMMENDATION TO CITY COUNCIL - MANDEL JCC
PLANNED UNIT DEVELOPMENT
X. COMMENTS BY THE PUBLIC
XI. COMMENTS BY THE BOARD
A. SET QUARTERLY MEETING DATE —(JULY 17, 2012, AUGUST 21, 2012,
SEPTEMBER 18, 2012)
XII. ADJOURNMENT
CITY OF PALM BEACH GARDENS
ART IN PUBLIC PLACES ADVISORY BOARD
Agenda Cover Memorandum
Meeting Date: May 22, 2012
Petition No. AIPP-12-04-000029
SUBJECT/AGENDA ITEM
Petition AIPP-12-04-000029: Mandel Jewish Community Center (JCC) / Arthur I.
Meyer Jewish Academy Art in Public Places
Recommendation to City Council: A request to approve the AIPP requirement for the
Mandel Jewish Community Center, located at the northeast corner of I-95 and Hood
Road, approximately 0.25 miles west of Central Boulevard.
[X] Recommendation to APPROVE with conditions
[ ] Recommendation to DENY
Reviewed by: Originating Dept.: Finance: AIPP Action:
Director of Planning & Planning & Zoning: Accountant [] Rec. Approval
Zo�in Project Manager [] Rec. Approved w/
� � � � � �'� �� �� �J�"� Conditions
�� � �` , , �� � � � ��� ,'�� i � r ` �`' Sarah Varga
� � � �� �' ���'' [ ] Rec. Denial
Natalie M:�Crowley, AICP Kathr n DeWitt, AICP
y Fees Paid: N/A � l Continued to:
Sr. Planner
Development Compliance [X] Quasi — Judicial
, Funding Source:
��� , ��' [ ] Legislative
Bah�rreh Wolfs, AICP [X] Public Hearing �� Operating
City Attorney Advertised: [X] Other N/A Attachments:
[ ] Required • Development
[X] Not Required
Budget Acct.#: Application
N/A . Project Narrative
R. Max Lohman, Esq.
Approved By: Contract/Aqreement: . Location Map
City Manager Affected parties: Effective Date: • Budget
[ ] Notified N�A . Appraisal
Ronald M. Ferris [X] Not Required
Expiration Date: • Site Plan
N/A
• Artist Resume
• Proposed Artwork
• Lighting Details
• Landscape Plan
Meeting Date: May 22, 2012
Petition: AIPP-12-04-000029
Page 2 of 4
BACKGROUND
The subject site is located at the northeast corner of I-95 and Hood Road (see attached
Location Map). The site is currently vacant, except for a storage shed structure that
exists on the site. No previous development orders have been granted for the site.
Access to the subject site from Hood Road is provided by an existing easement via a
Florida Department of Transportation (FDOT) tract located off site and adjacent to the
east side of the subject property.
On May 3, 2012, the City Council approved Ordinance 19, 2012 on first reading, which
is a request to rezone the subject parcel to a Planned Unit Development (PUD) Overlay
with an underlying zoning designation of Mixed Use (MXD), approve a 54,403-square-
foot community center, and a Major Conditional Use to allow a 500-student private
school and 192-student daycare. Second reading of the Ordinance and Resolution is
scheduled for June 7, 2012.
DISCUSSION
The Applicant is seeking a recommendation to City Council.
BUDGET
The total required art budget, based on one (1) percent of the vertical improvements, is
$158,954 (see attached Budget). The Applicant has included an appraisal of the
proposed art piece, which demonstrates a total cost of $225,000 (see attached
Appraisal). An actual cost breakdown will be submitted to the City by the Applicant prior
to the acceptance of the subject art piece.
PROJECT DETAILS
Location
The art piece is proposed to be located at the southeast corner of Building No. 1 at the
convergence of the north-south and east-west sidewalks. At this location, the art piece
will be highly visible to patrons when entering the site (see attached Site Plan).
Artist
The project artist, Yaacov Agam, is an Israeli-born artist who specializes in kinetic art.
Agam studied at the Bezalel Academy of Art in Jerusalem and in Switzerland at the
Eidgenossische Technische Hochschule and the Zurich University. His works express
a concept that breaks away with the established way of expressing reality in a limited,
static way. In his works, he strives to demonstrate the principle of reality as a
continuous "becoming" rather than static "graven image" (see attached Artist Resume).
Proposed Art
The proposed artwork is a sculpture called "Jewish Welcome." The sculpture consists
of nine (9) aluminum panels that are set in a concrete base and are painted with various
Meeting Date: May 22, 2012
Petition: AIPP-12-04-000029
Page 3 of 4
patterns and shapes which change as they are viewed from different angles. The
predominant visual theme of the panels is the Star of David, which is a generally
recognized symbol of Jewish identity and Judaism. The Star of David is formed when
the sculpture is viewed from at least two (2) angles (see attached Proposed Artwork).
Each of the nine (9) panels is 25 '/2 inches wide, 3/ inch thick, and 9'/2 feet tall. The
overall size of the sculpture is 18 feet wide by 9'h feet tall.
This art piece was originally acquired by the Applicant and installed at its West Palm
Beach campus in 1993. However, when the West Palm Beach campus closed in 2008,
the artwork was removed and has been kept in storage so that it could be preserved
and installed within the new project on Hood Road.
Liqhtinq
The art piece will be lit by ten (10) light cans that will be flush-mounted within the
concrete base and installed between and at the outside of the vertical sculpture panels
(see attached Lighting Details).
Landscaping
Landscaping is being added to create a backdrop for the art piece. The additional plant
material consists of three (3) Ligustrum Trees and a Green Island Ficus hedge. The
vegetation will be planted on the northwest side of the art piece (see attached
Landscape Plan).
Sinae
No signage is being requested with the subject petition.
STAFF RECOMMENDATION
Staff recommends APPROVAL of petition AIPP-12-04-000029 with the following
conditions:
1. Prior to scheduling for City Council, a detailed budget must be submitted to the City
outlining the costs associated with the proposed art piece in a line-item format.
(Planning and Zoning Department)
2. Prior to the final release of the art escrow, the Applicant shall submit digital
photographs, both during the day and night, of the installed artwork. (Planning and
Zoning Department)
3. Prior to the final release of the art escrow for Mandel JCC PUD, the Applicant shall
submit a copy of its logo and any mission statement of its organization, with
authorization for the City to use such information in future publications. The artist
name, title of artwork, and description shall be included. (Planning and Zoning
Department)
Meeting Date: May 22, 2012
Petition: AIPP-12-04-000029
Page 4 of 4
4. Prior to the final release of the art escrow for Mandel JCC PUD, the Applicant shall
submit an actual cost breakdown of the artwork, and any remaining balance in the
art fund will be applied towards any future art requirements for this site. (Planning
and Zoning Department)
Insurance A raisal
pp
TreasureQuest Appraisal Group, Inc.
8447 S.E. Retreat Drive
Hobe Sound, FL 33455
772-546-4853
wwN.TOAG.com
TreasureQuest Appraisal Group, Inc. ��
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Confiden�al
Page 2 of 9 Insivance Appraisal
TreasureQuest Appraisal Group, Inc. (�
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The Insurance Appraisal
Cover pocument
January 6, 2009
Jewish Federation of Palm Beach County
4601 Community Drive
West Palm Beach, FL 33417
ATT: Ronald Terebesi
Dear Mr. Terebesi:
Re: Appraisal #168/12-08
As you requested, on Tuesday, December 16, 2008, I conducted an appraisal inspection in your presence of the
Yaacov Agam Environmental Sculpture in the courtyard of the campus located at 3151 North Military Trail. The
work is understood to be owned by the Jewish Federation of Palm Beach County and is located at the above address.
The objective of this appraisal was to estimate the replacement cost of the listed item for use in establishing your
insurance needs. The estimated costs are effective as of the inspection date. This appraisal is to be used only for the
function of obtaining insurance coverage. Any other use of this appraisal, such as for selling the property or for
income tax deduction purposes, renders it null and void. Replacement costs stated reflect additional expenses, which
might be incurred in purchasing replacement items such as sales tax, miscellaneous expenses such as framing,
commissions, shipping, and installation costs. This summary appraisal report is intended for your use only. Use of
this report by others is not intended.
In summary, the replacement cost of the appraisal items totals $225,000.00. This appraisal made use of the cost
approach and sales comparison approach in estimating worth. In the cost approach, the marketplace is researched to
estimate replacement costs, i.e. the amount of money it would cost to replace the subject property or to acquire a
suitable replacement property. Two different types of cost were considered depending on the type of property being
appraised.
Reproduction cost is defined as the total cost to construct an exact replica, using the same materials and
construction techniques as the original, by a qualified artist or craftsmen. This cost approach is used for unusual
items which cannot be purchased new or used within a reasonable amount of time and which are capable of being
replaced with a reproduction.
Replacement cost used (comparable) is the cost necessary to replace the items being appraised with similar items
of property of like kind, age, quality, and utility having similar wear and tear, decay and defects, and obsolescence as
the items being appraised. Replacement cost used (comparable) assumes that exact duplicates cannot be found for
the property being appraised. Replacement cost used (comparable) is useful when estimating values for antiques,
collectibles, or works of art by a deceased artist.
Property for which replacement items could not be found for sale, the sales comparison approach to valuation was
used to estimate replacement cost. In the sales comparison approach, the market is researched to locate comparable
items, which have sold in the recent past in order to establish market value, which can be used as an indicator of
anticipated replacement costs.
Markets explored were retail markets such as dealers, galleries, auction results, and Internet galleries. If a market
used in the development of the value conclusions was other than balanced, it will be so noted. In general, values are
estimated by consultation with and/or use of several types of resources including Internet auction sales, specialist
dealers, auction sales results, invoices, actual sales by dealers, or other personal observations.
Page 3 of 9 Insurance Appraisal
TreasureQuest Appraisal Group, Inc. ��
Unless otherwise stated herein, the values expressed are based on the general expertise and qualifications of the
appraiser as to the appropriate market and valuation methods for the items involved. Where particular detailed
valuation information is relied upon, it will be so stated in writing. I tried contacting the artist directly without
success. The value determination is based on research of similar installations, and appraisals of other large outdoor
works in Palm Beach County.
In general, the condition of the items was excellent. Any alterations from original condition or damage beyond that
usual and common for items of similar age are so noted in the appraisal report. Unless otherwise stated herein, the
appraisal is based only on readily apparent identity of the items appraised. In my opinion no further guarantee of
authenticity, genuineness, attribution or authorship is necessary.
The appraised values are based upon the whole interest and possessory interest of the client, undiminished by any
liens, fractional interests or any other form of encumbrance or alienation. However, this appraisal is not an
indication or certificate of title of ownership. The identification of the interest of the client has been represented to
me by the client and no inquiry or investigation will be made nor is any opinion to be given as to the truth of such
representation.
The value conclusions expressed herein are based on the appraiser's best judgment and opinion and are not a
representation or warranty that the items will realize those values if offered for sale at auction or otherwise. The
values expressed are based on current information on the date the appraisal was requested. No opinion is expressed
as to any past value, nor, unless otherwise expressly stated, as to any future value.
I certify that to the best of my knowledge and belief:
1. Statements of fact contained in this report are true and correct.
2. The reported analyses, opinions, and conclusions are limited only by the reported critical assumptions and
limiting conditions, and is my personal, impartial, and unbiased professional analyses, opinions, and conclusions.
3. I have no undisclosed past, present or contemplated future interest in the property that is the subject of this
report, and no personal interest with respect to the parties involved.
4. I have no bias with respect to the property that is the subject of this report or to the parties involved with this
assignment.
5. My engagement in this assignment was not contingent upon developing or reporting predetermined results.
6. My compensation for this appraisal is not contingent upon the development or reporting of a predetermined
value or direction in value that favors the cause of the client, the amount of the value opinion, the attainment of a
stipulated result, or the occurrence of a subsequent event directly related to the intended use of this appraisal.
7. I have personally inspected the listed property that is the subject of this report.
8. Unless noted elsewhere, no one provided significant professional assistance to the person signing this report.
9. This appraisal has been prepared in conformity with and is subject to the current version of the International
Society of Appraisers Appraisal Report Writing Standard and Code of Ethics. In addition my analyses, opinions,
and conclusions were developed, and this report has been prepared, in conformity with the current version of The
Appraisal Foundation's Uniform Standards of Professional Appraisal Practice (USPAP).
A digital camera was used to photograph images of the Client's property included in this report. Changes, if any, to
the raw images were made strictly for the purposes of accurately reflecting how the objects looked when the
Appraiser observed them during the examination phase of this assignment. The intent has been to represent the
colors, proportions and characteristics of value as faithfully as possible. No adjustments were intentionally made that
might affect the valuation conclusion or that might cause an item to be misrepresented in any way.
Page 4 of 9 Insivance Appraisal
TreasureQuest Appraisal Group, Inc. (�
I
With the exception of my client, possession of this report or its copy does not carry with it the right of publication,
nor may this report be used for any other purpose by anyone other than my client or authorized users without my
previous written consent. If this report is reproduced, copied or otherwise used, it must be done so in the report's
entirety including the cover document and all attachments. Furthermore, no change to any item in this appraisal shall
be made by anyone other than me.
Should, in conjunction with this appraisal, additional services of the appraiser be requested by the client, his agent or
attorney, or the courts (such as for added time researching for other value purposes, pretrial conferences, court
appearances, court preparations, etc.), compensation for same shall be at the customary hourly rate charged by the
appraiser at the time and shall be paid by the client immediately upon receipt of a statement for said work.
I regard all information concerning this appraisal as confidential. I retain a copy of this document along with my
original notes, and I will not allow others to have access to these records without your written permission unless so
ordered by a court of law.
Photographs of the appraised items are embedded with the descriptions in the body of this appraisal report. My
qualifications to conduct this appraisal are listed in the attached Personal Profile found in the Addendum of this
report.
Sincerely,
,•'
�''-;�� - _ •;� ,��,r ; ;
° • " ��_�..,�. '�� .
� •;, ,. _
Greg Strahm, ISA AM
TreasureQuest Appraisal Group, Inc.
Fed I.D. # 65-0904697
This appraisal report has been transniitted electronically to niy client and includes nry signature in electronic form. I affirni that I
maintain sole personal control over the use of the electronic signahcre appended hereto. Electronically affixing nry signature to this
report carries the same level of authenticity ared responsibiliry for this report's content, analyses arul conclusions as would appending
an original ink signature on a paper copy of this report.
Enc.
Page 5 of 9 Insurance Appraisal
TreasureQuest Appraisal Group, Inc.
Appraisal Body
., � i � .i ., ,i � �� �
Total Replacement Cost
Page 6 of 9 Insurance Appraisal
$225,000.00
T�.�
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TreasureQuest Appraisal Group, Inc.
Value and Item Listing
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Appraisal #168/12-08
Line Description Replacement Photos
Cost
1. ENVIRONMENTAL KINETIC SCULPTURE $225,000.00 ►, � � �
►,
�
Artist: Yaacov Agam
I
Titled Jewish Welcome, this polychrome work is �
constructed of aluminum and mounted into
aluminum sleeves which are set in concrete. It ►►►►� ►��,,,, `�
consists of nine individual panels that reveal a I���� _,
different image depending on the direction you
view the work. It is signed by the artist on the
lower portion of the last panel.
Condition: Excellent
Total Replacement Cost $225,000.00
.,,�_
Page 7 of 9 Insurance Appraisal
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Addendum
Appraiser Profzle & Reference Material
Page 8 of 9 Instuance Appraisal
TreasureQuest Appraisal Group, Inc.
Greg Strahm, ISA AM
AppYaiser
1
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Mr. Strahm is an accredited member of the International Society of Appraisers. As a generalist he
specializes in personal property, advertising, posters, American pottery and glass, as well as the
Decorative Arts. He has conducted numerous appraisals for Estate, Insurance and Donation purposes.
His extensive background in marketing and public relations has been a driving force behind the creation
of TreasureQuest Appraisal Group, Inc. He has conducted damage claim and replacement value appraisal
inspections for major national insurance companies along with working closely with Trust & Estate
officers and attorneys. Mr. Strahm is an appraisal associate with National Appraisal Consultants, a New
Jersey based appraisal consulting firm that utilizes his expertise in conducting a wide variety of appraisal
assignments.
As co-owner of TreasureQuest Appraisal Group, Inc., he has facilitated and organized the appraisal and
disposition of many estates. Some highlights including the sale of a circa 1906 Newcomb pottery vase for
$22,000.00, a collection of art glass from the estate of Alessandro Moretti; the exhibition and sale of 2p`n
Century art and decorative items from the landmark Palm Beach Estate, LaRonda; and a collection of 6
Madame Alexander polls that realized a record setting $75,000.00. Additionally, he has been responsible
for appraising and organizing the liquidation of various private collections.
Mr. Strahm served over three years on the Collections Committee for the Elliott Museum located on
Hutchinson Island, FL. He has organized and participated in numerous Appraisal Fairs as well as Charity
Auctions/Appraisal Events throughout the country. He resides in Hobe Sound, Florida and is a 4"' Degree
member of the Knights of Columbus, and volunteers for various social and fund-raising committees at St.
Peter Catholic Church in Jupiter, FL. A native of Fostoria, Ohio, Mr. Strahm holds a Bachelor of
Professional Studies from Empire State College.
Page 9 of 9 Insurance Appraisal
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GENERAL /VOTES
REFIISE SERV[CE SHALL BE ACCOMPL15HE0 BY WAY OF ]ND1VtWAL �IIMPSTER AND
REC1'CLING PS SHOWN ON THE SPE PLW,
RPMPS SHALL BE PROVIDED AT qLL INTERSECRONS W1TH HPIV�IGIF PNWNG PND ORNE
ISLES IN ACCORDPN� W1TH pDA FWO THE FLORIOA HANOICpP A[CESSIBILIiY CODE,
P115IGNAGESHALLCONWRMTOTHEREpU➢tEMEM50FTHEQIVOFPptM BE�1
GPR�ENS LqE'S OR WANERS SHALL BE 5011GHT Fl20M CITY WUN4L,
TYPE 0 OR F RAISED CONCREIE NRBING SNALL 6E IISED WIiMN PtANT[NG LSLW DS
AND WfTHIN VEHIQIIAR 115E PREAS.
All.510EWALNS SHALL BE A MWIMUM OF 5 FEET IN WIDTH PERTHE IDR'S
ALL 9UILDING LiGHTING NT ENIItY ANO OOORS SHP1L 6E ON PH�TO¢il.
1HE BIl[LDING LANpSCqPE NJ� LtGHiiNG �6IGN SHPI.L MhtlMRE THE LLSE OF CPIED
DESlGN PRINCiPLES.
5' % 15' S4(E SIGMTTRIANGLE SHPLL BE PROVIOED ATTHE PR�]ECf ENIRY OR1VE.
iHE PHOTOMEfRIC PLAN WILL REFLECf IlGHTLVG VAUlESIN PLCORDNJCE Wfili THE
REQNPEMENTS OF THE GItY OF PALM BEACH GARDQJS lDR'S.
PLL PARKING LOT SfR1PING E%CEPT FOR PNRpNG SPRCES SHALL BE CON511t4CfE�
t14NG THERMOPLISfIC MAfERiFL PJ ACCORDANCE WtTH l}lR SERION 78-344.
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Yaacov Agam Fine Art Biography Page 1 of 3
Yaacov Agam's Bio
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Agam is one of the pioneer creators of the kinetic
movement in art as well as its most outstanding
contemparary representative. Agam was born in 1928 a
son of a Rabbi of Rishon LeZion (Israel), who devoted
his life to the study of Jewish religious matters and wrote
�� � �' books. Agam considers himself somehow as a visual
continuation of his father's quest for spirituality. Agam
studied at the Bezalel Academy of Art in Jerusalem, and
in Switzerland at the Eidgenossische Technische
� Hochschule and the Zurich University. After arriving to
Paris in 1951, Agam held his first one man exhibition
with a great success in 1953 This e�ibition consisted
totally of kinetic, movable and transformable paintings,
which actually was the first one-man show in art history exclusively devoted to
kinetic art.
A passionate experimenter, Agam deals with such problems as the 4th dimension,
simultaneity and time in the visual, plastic arts, and has extended his experiments
to application in the fields of literature, music and art theory.
His works express a concept that breaks away with the established way of
expressing reality in limited, static way. In his works, he strives to demonstrate the
principle of reality as a continuous "becoming" rather than static "graven image."
His paintings "Double Metamorphosis 11" in the Museum of Modern Art in New
York and "Transparent Rhythms 11 "in the Hirshhorn Museum and Sculpture
Garden of the Smithsonian Institution in Washington, D.C. give the best example
of his polymorphic painting. His works are placed in many public places including
"Communication x 9" on the Michigan Avenue in Chicago (1983),
"Communication: Night and Day" at the AT&T building in New York (1974),
"Super Lines Volumes" at the Pare Floral in Paris (1971), and his murals "Peace"
and "Life" arc installed at the Parliament of Europe in Strasbourg (1977).
Agam has expressed the new concepts in monumental works as in his "Jacob's
Ladder" which forms the ceiling of the National Convention House in Jerusalem
He created a"floating museum", including all the artworks for public areas and
cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1 987). His
fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire,
and music -elements of flux and life which cannot be static - as its colored
elements rotate in this multidimensional monumental work.
For the Elysee Palace in Paris, with the request of President Georges Pompidou
Agam created in 1972 a whole environmental of the Salon with the walls covered
with polymorphic murals of changing images a kinetic ceiling, moving transparent
colored doors and a kinetic carpet on which he placed a sculpture. It embraces
viewers: they are no longer looking at a framed, fixed scene, but rather arc moving
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http://www.aejv.com/agam-bio.htm 4/ 16/2012
Yaacov Agam Fine Art Biography
within an artistic space which changes constantly according to their shifting
position and point of view. Similar attempt was made for the concert hall, Forum
Leverkusen in Germany in 1970.
Agam created many environmental sculptures, including "Hundred Gates" in the
garden of the residence of the President of Israel in Jerusalem, "3 x 3 Interplay"
installed at the Julliard School of Music at the Lincoln Center and "Wings of the
Heart" at J. F. Kennedy airport in New York. In 1984 he made a sculpture
Beating Heart for the Hadassah Hospital in Jerusalem. In 1988 he created a
transparent torah ark for the Hebrew Union College in New York, and
monumental multidimensional sculpture at the Crystal Palace Hotel in Nassau,
Bahamas.
In 1987, he created a memorial at the Wailing Wall in Jerusalem for the victims of
the holocaust. In 1991 he created a sculpture 'Tree of Life" and a room for
meditation at the Haidrah Yeshiva at the Wailing Wall Plaza in Jerusalem. He also
made 14 stained glass windows for the Holocaust study center of Emunah Women
of America building in Jerusalem.
In the new district of La Defense in Paris, Agam created a monumental musical
fountain (1977), with its pool made of polymorphic mosaic surface. It is
comprised of 66 vertical water jets shooting water up to 14 meters; the fountain
was further enhanced with the addition of five new triple tulip jets in 1991.
Another fire-water fountain was inaugurated in 1991 at the Tampa Convention
Center in Florida. Other monumental works, include the painting of the entire
building facade of Mondrian Hotel in Los Angeles (1984) and 36-poor Villa
Regina building in Florida (1983) He made a large mural for Port Authority Bus
Terminal in New York, commission gained through an international competition,
in 1984.
His kinetic sculpture "Star of Peace" was presented as the Ben-Gurion Award for
an Outstanding Contribution to Understanding Between the Peoples of the Middle
East to President Anwar Sadat, Prime Minister Menachem Begin and President
Jimmy Carter in 1979.
Agam has delivered lectures concerning his theories and experiments at many art
schools, conventions, universities and museums, and during the year of 1968 he
was a guest-lecturer at Harvard University, where he conducted a seminar and
course "Advanced Exploration in Visual Communication", International
recognition has been widespread: Prize for Artistic Research at the Sao Paolo
Biennale (1963), Chevalier de 1'Ordre des Arts et Lettres (1974), Honorary
Doctorate of Philosophy, Tel Aviv University (1975), Medal of the Council of
Europe (1977), Commandeur de 1'Ordre des Arts et Lettres (1985), Sandberg Prize
from the Israel Museum, Jerusalem (1985), Palette d'Or at the International
Festival at Cagnes-surMer (1985), and most recently the Grand Prize at the First
International Biennale in Nagoya, Japan, ARTECH'89 (1989).
He has participated in shows all over the world and has had many one-man
exhibitions, including the retrospective e�ibition held at the Musee National d'art
Modeme in Paris (1972), which was then shown at the Stedelijk Museum in
Amsterdam, Stadtische Kunsthalle in Dusseldorf, and Tel Aviv Museum. Another
large-scale retrospective e�ibit was held at the Guggenheim Museum in New
Page 2 of 3
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Yaacov Agam Fine Art Biography
York (1980). He had a large one-man e�ibition at the Museum ofPontoise
(1975), the Palm Spring Desert Museum, California, on an occasion of the
inauguration of the museum (1976), the Museum of Art Birmingham, Alabama
(1976), the Museo de Arte Modemo, Mexico (1976), the National Museum of Art,
Cape Town, South Africa (1977). The retrospective exhibition was held at the
lsetan Museum in Tokyo, Daimaru Museum in Osaka and Kawasaki City Museum
in Japan (1989), and at the Museo Nacional de Bellas Artes in Buenos Aires
Argentina (1996). He also held an e�ibition "Selected Suites" at the Jewish
Museum, New York (1975). Agam has also had many one-man shows in art
galleries since 1953, including Denise Rene Gallery, Paris (1956), MarIborough-
Gerson Gallery, New York (1966), Gallery Denise Rene, New York (1971) and a
series of one man e�ibits all over the United States at the Circle Fine Art
Galleries.
His visual education method and non-verbal educational system, meant to increase
the creative and intellectual abilities of the children by the usage of visual alphabet
as a mother tongue, is implemented in pre-schools and kindergartens in Israel. In
1996, Agam was awarded the Jan Amos Comenius Medal 1996 from the
iJNESCO "for having devised a particularly effective method of visual teaching
for children."
Copyright OO 2003 Agam, All Rights Reserved.
For More Information, Call Toll Free 1-800-781-2787
Page 3 of 3
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http://www.aejv.com/agam-bio.htm 4/16/2012
"FIRE AND WATER"
Disengoff Circle, Tel Aviv, Israel
1986
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25'LB � // `'`' 7 � l5 tANOHSUPE �E IITILITYFJS@AEM �OONSiRI�O551NG
' ROOTBARR[ER '%9 I � I L.B. LANOSCAPEBIIFFER
�V A � OH OVERHPN�
UPLAND PRESERVE .. 110 Z� TALL� 3:1 I� R RAOius
� i.zonc o� � � � a a ° � '° � �i LANDSCAPEBERM �
�w 5 � , - 3 I � I
a,5 i iv ��ia�6^° Q e° / �
�� . NtiB � a a / � j
�'� ;� � es / � i
� � � SP � I DESIGNED EP/�EH
GG 5 I I APPROVE� NBP,DEH
— / E 5fi / �
JOB NUMBER 11-0313
/ ` q , / I � /� H /�/� REVISIONS 01-16-11
DATE 07-27-11
�/ � So H 3 � / I i r�VI I I��VV� e P/a� 03-26-12
/ �� - / . I 04-23-12 BI� SET
/ � � I � 0' 15' 30' 60' 90' 12�'
APth 23. 2012 11:I3:�] a.m.
:��... / / �� d' � I i �rawn9: 11-0313_JCC_LP.OWC
/ I i n
�/' ��/ e A / / I "— ' SHEET 11 OF � G
� � � Scale: 1— 30 North ��n��e��A��NMoN„����
�; ° / I �,� „� y�a�,o �
f��:��:.; I
m{an MY d�e W ro'm W Na vNYat
L�iNDSCAPE DATA
NAMEOFPRQ7KT THEMAN�EL7CC/ARTHURGMEYER7EN7SHACADEMYWJ�
PROPERTYCONTROLNUMBER 52i2-41-35-00-000-1050
SECRON, RANGE, TOWNSH� 35, 41, 42
IX6TINGLANDUSE MXD
PROFOSEDIANDUSE MXD
IX]STING ZONMG PDA
P0.0PoSEDZONING M%D/PU�
SF AC
TtlfAL SIfE ARPA SB2�241 13.60
LANDUSEALLOCA7ION sF nc w
@.IIIDIAGLOTCOVERAGE 114,524 2.63 19.9%
VEHICUTARUSEAftEA 145,793 3.35 25.395
OPENSPACE 314,939 7.23 54.7%
TOT/LL 676�267 13.21 100.0^h
SURFACECOVER
IMPERVIOUS AREA ss AC 4b
BUdDINGLOTCOVERAGE 114,524 2.63 19.3%
VEHINlARl15EARE4 145,793 335 24.6%
SIDEWALK(UNDER6'NRD� 4.320 0.10 OJ%
SIDEWALK(fi'WIDE&OVER) 4,947 0.11 0.9%
POOL q,q30 0.10 OJ%
PIAZA 6 POOL DECK 32,877 0.75 5.696
MECHANICAL&SERVICEYARDS 3,430 0.08 0.6%
TOI'pLIMPQiVt0l6 310,322 7.12 6Z4%
PERVIOUS ARPA
BUFFERS 16,6q4 0.61 4.50%
GREENSPACE 111,0q0 2.55 18.75%
RECREATION - BALLFIELDS & PIAYGROUND 91,953 211 15.53%
UPLANDPRESERVE 52,425 1.20 8.85%
70fALVERVfO1S tB?.062 &48 47.63%
TOTAL 592�384 13.60 500.0% ''
' im ous PeMOUS ToWI 5 uare foota e s 143 s. R o
P� / q g I q exr the total
site area of 592,241 sq.ft due m a smail margln of GD error durirg tlraPong.
LANDSCAPE POINTS 5F PROV SF
OPEN SPACE WR IAND">CAPE POATS 137,591 337,684 23.2%
REQUIREDLAN6iCAPEPOIM'S nEp, pppy
0 POMfS PER 100 SF ll,015 7A�768
OPENSPACE(15%REQ) 88,836 �RWSF PROVw
OPENSPACEREQUIREDFORREWCEDPAWmVG 4,274
TOTALOPENSPACEREQUIRED 93,110 914�938 64.7%
SOD s.F. vetce�r
MAX.qO%OFfANDSCAPEOPENSPACE SS,W4 40%
PROVmED 90�471 68%
L.A/VDSCAPE IVOTES
ALL PI/JJ! MATEAL4L SHALL BE FfARIDN NUMBER 10 B AS 0
R EftER FFINEDBYTHEDMSIONOFPIANiINDU5IRY
'GRPDES AIV� STANOPA0.S LATEST EDifION.
THE 1AN0.5CAPE CONTRFlCfDR SHAIL NOT MAKE ANV Sl16Sii�MONS OR QIANGES WRHOl1TTHE PllTHORpATiON OF
THE CITY OF PALM BEACH GHRDENS, THE OWNER AN� THE LANDSGPE A0.CMTEC7,
tHE LAN�SCAPE CONTRACrOR SNALL REVIEN/ THE PRO]ER �RAiNPGE AND tITllITY RANS PRIOR TO CONStRUCTION
AfJ0AVOIDALLCONRICTS, THElAN�SCAPECONTRACfORSHALt�ER[F1'TFffLOCATfONOFP11UN0ERGRWfJD
UTRITIES PRIOR TO WMMBVaNG WORIC
TREFS SHAll 9E POSITIONED TO AVOID (YINFLSRS W1TH SRE LIGHiING AND 9GNPGE.
pLL LPNDSGIPE SHALL CANWRM TO iHE REQU1R9�1ENi5OF THE pT' OF PAlP16ERQ1 GAROENS WJD OEVEIOPMH�lI'
REGIlL4TlakS.
ALL ABOVE GROUN� lfI1LITIES I.E. TRANSFORMERS SN7TCH BOMES AC CONDENSERS ANp ALIIQ SHpLL BE FULLV
StllEENED FROM VIEW ON THREE SI�B W1TH 4Wd5CPPING( IXaLpING ANiEIJNAS). TiE LWOSCPPING SHALL
E%TEND ONE Po0T HIGHER THPN THE TPLLESf VOINT OF SAID EQUIPMENT AT T[ME OF PWJTING.
PLL TREES SHAIL BE LOGIED WITHA! A MIlLQ1 PL4M]NG BED WfIH A MINIMIIM OF N!0 (]) FEET OF OFARAN� T[l
THE EOGE OF THE 6ED.
SHA�E TREFS SNALL BE NO CfASER THPN l5' Fl20M SUA V(ILITIES UNlE55 AN 4PPROVED 48" ROOT BpRRI9215
PROVfoED, N091A�E TREE WRL BE PERMRT� [LOSER THPN 10' FRaM Sl1A 11TILR1F5.
Pp1M TRFES SHPiL 6E NO a�92 THAN 10' FROM SUA UTILIi]ES UNIF55 AN APPRO�ED 49" ROQI BAIWER LS
PROVfOED. NO PP1M TREE WILL BE PERMIi'f'cD QOSER THr1N J' ikOM SIIA IITIlRIFS,
ALL SO� WfTHIN NEW WV�SCPPE PRFAS SHPL. BE SIENOTAPHRUM SECONOqT115 "RORITAM" (ST AtIGtISfINE SOD),
EXCEP� IN THE AREA PROUND THE ,Tt AOtE IAKE AND iHE ,6l A�iE ORV REfEM10N AREA, Wr7QlE BPHIA SW SHMl
6E SPECIFIED.
TREES WIiHIN PLANiING 15LPN05 LF55 THAN FNE (5) FEEf IN N7�TH SHNL 9E LOC4T� TO AVJID CONNGTS WfiH
THE OVERHPNG �F VEHi�FS,
TYPE D OR F RHISE� WNCREfF CIJRBING SHALL BE PRONDED AROIIND l�LL PLWiING ISLPNDS WtiHIN I�EHIQIWt
�SE ARElS,
TREES AT EMWW� WAVS PND WITMIN SIGtf� TRWVGLES SHALL BE 1RIMMEO IN SUCH A F/SHIOIJ TO MPIIMIE SITE
VISIBILITY CONFLIC75, CIEPR VI5181LiiY SNALL BE MPIMWNEO BETVJEEN 30IIJCHES PN� ) fEEI,
PIAMING ISLAN�S WffH1N AND ANACF.NT TO PARIONG APEAS SHALL 9E FREE OF I1ME ROO( PND OTHER FOREIGN
MATBUAtS TO A �EPTH OF 36°. IF NECESSARY� RECYCLED %ANTING SOIL MIXNRE SMOUID 8E USED TO REPIA�
UNSUITABLE SOIl� WHICH 75 EXCAVATED.
EMTi 86iM5 SHALL NOT IXCEED 3' PND A SLOPE OF 4:1. ALL IMHUOR ISlANDS SHNL BE MCIINOED (EPRTH ROLL)
12" HIGHER THPN THE QIRB,
ALL AREAS SHALL BE FlILLV IRRIGA?EO IN AQARDANCE WITH THE REQUIREMENTS OF THE QiY OF PP3M BF4CH
GqRpENS.
THE IRRIGATSON SYSfEM SMALL BE �ESIGNED TO PROVIDE l00%OVERIAP CO�ERAGE T� ALL tYEN! tFNpSUPE AND
SOD ARE45,
THE IPAIGATIOIV SY51'cM SHALL BE EQlllPPE9 W3TH A RAIN SENOR/M OFF SWffOi M ACCOR�PNCE WIiH SfATE
(WD LOCAL REQUIREMENTS,
THE LPNDSCAPE fANTRACfOR SHALL BE RESFONSfBIE FOR ALL PER�4T5 FOR HIS/H9E WORK
NO YERTICAL CONSTtUCi]ON OR PLAM'INGS WILL BE PfA�� WITi1N THE 20.FOOT LPI(E MAIMpVAN� E45EMENT�
WITH THE E%�PTION OF THE APF/S WHERE A WFlPiER HAS BFHV REQU6fE�.
ALL LNJDSCAPE SHFLL CONFORM TO THE REQIIIRB�lEN15 OF THE att OF PALM BEAQi GPFDENS VJYO �EYEIDPMHJT
REGIILATI0N5. THE QN Of PALM BE4a1 GPRDENS W�E (LDR5) SHP1L GO�ERIV IN THE EVENI' OF A CONfl.[CT.
ALL IXOTIC NJD N46ANCE VEGETATION SHqIL BE REMOVED Fl20M ON SI7E,
ALLTPEES AIJD LFNDSGOPING Wll10E FIEID lOCpiID TO AV010 CONFIICT WRH THE IXLS7ING IfRLITV,IIGHT POlES
AND DRAINNGE lIIJFS.
PLANT UST
ror>i noart o�ffanEO nae�nae PBG PREFERED SPECIES PN6ENp�Q1'/ IOlALQ1Y vb
DOIXtS QESLOT DSPECiFS TY YN BOTAMIG[NA CoMMONNAMf SpE SpA[MG REHARNS TREESRIPALMS(MM)5%PRH{REpREQU1PED) 545 S68 96^h
15 vE 23 - ^Y W0.5EPFlSIMARUH4 GUMB�LIMBO 13'X6',Y'CHL RILLCANOW SHRU�(t�@!)5%PPEFEtEppEQU➢tm) SO�175 11�285 9�°io
330 " DR^ �ELONIXREGIA ROYAlPOINCIANA 19-I6';1-3"CAL A.S. WItfANOVI
135 IS 9 - 9 IC^ ItE%CA59Nf pqry00NHOLLY 13k6',3.5'fAL AS RILLCANO% LANDSCAPE POINTS
885 IS 59 - SB I3+ tpGEP5IR0EMiAIN�ICA,MU¢�xisw�WSCn¢ CR4PEMTftTI£ 13'O.A.,1p5FR�. A.S. FLLLC4NOW,LIM6UP3'
31 - 31 u ucusmumu�voxtcun ucusraun'rn�wan 60.A.n'SP0.�. A5. FULLC4NOR',LIMBIIP9',MIILTI-SfEM OPFNSPACEFORLANDSCAPEPOINTS 137,684 SF
350 IS 50 50 PEI�^ NNUSFWOTIIDFN54 SO.qANpA5lA5MPINE l3'O.A.,2"fAL A.S. RILLCANO%
06 IB II i) FF3�^ FlNUSELLIOTIIDENSA SO.ROWOASIASHPINE ISO.A.,2.5"CAL p.5. RIlLGNO% UIREDLANDSCAPEPOINTS
16� o q . d pyl�^ QUERCUSVIRGINIANA SPECtMENlNEOAK iik35,13"CAI., p,5. WLLCANOM,SC.T.MIN. �
995 IS 63 - 63 QV�^ QIIERCUSVIRG�N�ANA LIVfOpK 19'z5',].S'GL. A5. fULLCANO%,SC.T.MIN. BPOINTSPERIOOSF 11r015
3� I - 3 Qy�� QUERNSVIRGMIANA lIVEOAK I6'xfi'�2.5'CAL, p5 NLLCANOW,SC.T.MIN.
QW^ pUERCUSViRGINUN4 LIVEOAK 1@x6',3.5"<AL A.S. NLLfANOW,SC.T.MIN.
60 15 9 - q TA0^ qBEW1ANFfEROMYLIA %NKIAIIMPETTRfE 13x6',2.5°CNL A.S. RILLCANO%,CFNRqCIFASPECiMfN FOUNDATION PLANTING RBj PRO
3en rara�rRee vortrts 1 TREE/30 LF OF FAC/ DE -(2587 LF TOTAL) 86 >86
____._... VPIMS
mnnaFxon nun�us
1 � HL XYOPHORBEIAGENICA
49.5 5 {A LLVIS?ONIAROTUN�ip
33 - 10 PFpl PIYCHOSP&M4FLfW
36.3 3.3 IS - 11 PFq3 PIYCHOSP9iM4fl£W
16.5 33 5 - 5 VER9 PlYCHOSP6tMCEIfW
3 3 PHM9^ PHOENIXDACT'IIfERA
340.9 ).3 - 33 ROYSTONEAEIATA
14.9 8.3 3 ^ S4BpLPAIMEIT�
149.9 IB SV�^ SFBFLW.LMETTO
26 � 36 SP"^ SFH4LPALMtTTO
3 SP'^ 54H4LPALMEfTO
49.8 83 - 6 ^ 54fl4LPALMEITO
33.3 8.3 4 - C SVW^ S4fl4LPALMEtTO
1%.9 t43 - SP•^ SA84lGAtMflTO
10 1 t0 - 30 TR• TXNNN%RADIATA
9i
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53l
I118
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953
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353
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EP IIGENIAFOEf1�A
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�AT^ JATPORW
ATl^ JATWPHAS�AN�A0.0
]AG3^ I�A�ROFHAWISX
G MIA GFACIt15
HC"^ H4M¢IAPATENS
HID XIBISN50.05VS�NfN515
N'^ IlD(VOMROPIF'STOIQSDWARF
M IM]PA'NOPAGIVAM'
MC""^ MYNC4CENffPA
nx wuws exc�.0
bAV^ SCHERIEPAAR�NCOtATRMcTTF
6E0.*^ SEPENOpp£PENS
TI COIIDYIiNEfliUTIC054RfD515�fR'
SB�^ SPARiINF BpI�R[
T�'^ TNP54CUMOAClYLOIOES
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1.006 Ri FlCUSMACRO%ttl1A'G0.EENISL4NV
- 30> ]F^ ]UNIPERIlSFA0.50NIt
- 10 LM 1IR10PENU5CAN'EVERGREfNCilAN�'
A.S. IIMB UP 3', MIN 9 SfEM.
BOTREPALM .p„Try�CKTRUNK A.S. RILL&THIIX
ROUNDLFAFFFNPALM p<.T. p,5. P1LL
ALE%4NOERPAIM pC.T.SMGLf p5 RIIL&THICK
PLE%4N�FAPAIM gC.T.DDU&E p5, fULL6THICK
ALdANDEAVAIM @C.T.TWPIE A.i fUtl&TMICK
MFDlOOL�ATEPAIMTRIPIE 12'CT. TNPLESTEM A.S. Nl4n"MMEiNCFl4CLFANTRIINK
FLON�pROYALPAtM I3'G.W.,19'C.TMM. A.S. FULL�S2PAIGIRTRUNK,MATCXED
5484LPAtMETTO 14'O.A. A.S. NLL&TNICK
SA&4LPAUA[TTO 160.A. A.S, qILL&TX�CN
54&1LPAtMERO ]]'O.A. A.S. L&THICK
S4&1LPAIMETfO 9'O.A. A.S. PILL&tNICK
LGAIMETiO 36'O.P. A.S. qILL&THIIX
SA94LFAIMETTO 36'O.A. A.S. P1LL&THICK
54BALPALMEiTO B',�1'�19'Cf�STGG.,UNIE55NOTE�ONPIAA.S. GG.HGfS.,(1(iFA.512E)
THATCHPALM fi'O.A. p.5. SPECIMEN
SEAGPAff k3,1k3'
MAMMEYCROTON #3�1k3'
SPANLSMSfOPPER #352hQ'
SPAN6HSTOPPER #1 6'IO'
)A7110PHA SHRUB #3, R'M'
JA7110PHASTANDAR� S%Y
JATiOPHA&ISH 9'%9'
TXRYPWS #3,2'%2'
Fl0.E&ISH #3,2'%E'
oouaevencnn�e�scus za,zYa�
ARFYAUPONHOLLV C3,t3'k13"
MNKI%bPA >3�2Y2'
WAXMYRTLE #3�3k3'
lADYPFLM SO.A.s3'SPRD
�WARFVAWEGATEDSCHERI£PA k31.2'%12'
S4WPALMEfTO AI3'I(Y
0.E�iIPtAM #3,3.SO.A.
S4NDCOROGPA55 #1,12k1Z"
FAK4NATQIffGPA55 k3,2k1'
COONi�f #3, IB'k 19"
�u�ss5 wo (SF.)CYNOWNOACfYIDN'Cp.EBRATiON' S.F.CEtEBMitONBERMIIDAGPA55
NOTE: AS?EN51( (�) INOICATES RONDA NNTNE PtAM MPTFIWL
OT'c:STMBOL(-J IND�G4T6 PALM BFACN WROENS PREJ£RRED RAN� MATERIAL
NOT£: SYMBOL(^) IN�ICATB �0.0UGHf TOLEPAtR VIAM M4iEWAL
wuerwa
PJLL&TH�CN
3'O.G RILL&THICK
l'O.C. RILL&TM[CK
2'O.G RILL&THIIX
A.S. RILL,SPECIMEN,E.SGT.
A.S. P1LL�SPfQMEN,3.5C.T.
RILL6TNICK, WLLT00ASE
3'O.C. IULL&TMIIX
3.SO.C. Nu&�TMICK
i�oc.c. w .incK
wu arn�ce
2'0.[. FULL&IHICK
ns. wuarH¢x
A.S. NLL&THIIX�NLLTO9ASE
3.5'O.C. NLL&TH[IX
q'�.C. WLL&TH(IX
A.S. RILL,'IXLELSA'
ZB"0.[. wLL&THIIX
.SO.C. LL6THI<K
2'0.[. RILL6iHiIX
12"O.C. Wll&TMCN
2'O.C. FIILL&TNICK
ro.c. wLLam�cx
18"O.C. &TMICN
TRE6 SHRUBS
°h NATIVE (*) 73 % 75%
°h DROUGHT TOLERANT (^) 79^� qa%
NOTE: AD]ACENT NATIVE PRESERVE HAS NOT BEEN CALCULATED
AND SHOULD BETAI�N INTO CONSIDERATION
PlA/VT/NG DETA/LS
3" MULCH
FORM SAl10ER W ITH 3' CONTINUOUS EARTHEN
RIM AROUND PLANTING HOLE
PLANTING PIT DEPTH SHALL 6E d"F" GRENTER
THAN ROOT BALL. PLqNTING PIT WIDTH SHALL
BE TWICE THE OIAMETER FOR ROOT BALLS T
AND UNDER�R2'LqRGERINDiAMETERFOR
ROOi BALLS OVER 2'.
6ACK FIIL AROUND ROOT BA1l WRH
STANOARDPLANTINGMIX, ELIMINATEAIR
POCKETS.
PLACE TOP OF RDOT BALL 2" NBOVE FINISHEO
GRADE
PLACE ROOT BHLL AT BOTTOM OF PLAMMG PIT
----i SHRUB/GROUNDCOVER PLANTING DETAIL
s[E9PfC5 N%S
L,ANDSCAPE SPEC/F/CAT/ONS
Y. GENE2LL UW0.5CAPE REOIIIPENEMS 3. PLpNTING TREES
IANDSfA➢ECONIAACiWORKINCLUDES,BVTISNOTLIMREDT0,50ILPREPARATION,FIIJEORFIWSH EXCAVATEPITASP9tPWVTINGDEfAILS.
GRAOING FURYISHING NJD INSTALLING PIAMT MATERULL, WATEWNG, STAIQNG, GIIYWG 0.N�
MUL6IIN�. BP.CKFSLL AROUND BALI. W3TH SrAN�PAD PIANTING MIMURE PND SLiGHTLY �MPACT� WqiER
THOROVGHLY f5 L4Y9LS PRE PLA� TO 9PI WATE WIDS pND A[R POO�TS. BNLD A6" FpGH B6iM
PLOMSIIEANOOIlN1iV OFSfPN�AROVWYrINGMIMURE9EroN�E�GEOFE%CAVATJON. PPPLY3"(qFfERSEffIEMEIV'�OF
MIILCH E%CEVT WRHIN 6" OFTRUNK.
TREFS,PALMS SHR1105 GROIINDCOVEPS:
PlANTSPEC[E�qNp51jE55HNLCONFOFMTOTHOSEINDICATE�ON'tHE024NNJG5, PRLINETREETOREMOVEpAMAGEDBRANQIESIMPROYENATIIRPLSHAPE0.NDTHLY0l1TSfRLCNRE.
NOMENCIATURE SHALL WNFORM T(lSfANOPRO MIJYT NAMES, 1943 EDITION. ALL IVURSERV STOCIC DO NOT FEMObE MORE iHPN 15% OF BRAN[F{F5. p0 NOT PRIJNE BACJ( TERMINPL LEADER
SHALL BE IN ACCOROANCE WITN GRA�ES
PNOSfAN0AHD5WRNt1R59tYP4Wi5PARi51&l] L1TESf
EDITIONPl19LI5NE�BViHEfLORIDAO@AkfMENfOFAGNQ1LTlIREPNOCOf�LSUMERSERVIC�S GUYANDSTPI(ETREEINAIXORDPNCEWtTTHESTPqNG0EfA051MME�IA'faVPFfERPLMlI]NG.
IINLESSSPEQFlF➢OTHERWtSE, ALLPLWi55HAtLBEiLOR10AGRPDENI1MBHtIORBEffERA�,
DEfERMINE� BY THE iLORI�A �MSIOIJ OF PIANI' W�IISTRY. 3. PLMITINO SNI1U85
HLLCONTAiNERGROWNMNTERIALSHALLBEHEFLTHY,VIGOR0U5,WELL-ROD'f�PL4M5PN0 LAYOl1T9iRIl85T0OlEAiEACONTINllOU55M00THFl10MLINEPNDF➢LINBEHIfJD.
ESfABLiSHFD IN THE COMAINER IN WHltli TMEY PRE 591D. THE PlANTS SHPil HAVE TOPS OF G000
QIIALifY PND BE IN A HEpLTHY GROWING CDNOITION. E%CAVATE PIT OR TRENCH TO t-1R T�ES TNE p1AMETER OF THE 6PLL5 OR COMAINERS OR 1'-0"
WmERTHPNTHESPREA00FR00T5FORPO51T10NINGATPROVERHEIGHT. BAIXFIlLAROt1fi0
NJ ESiPBL6HE0 NMAINER GROWN PL4M SHPLL BE TMNSPLWYiED WTO p CAP7p]NER PND P WVTS W11H STANDPIED PLMlfING MI%RIRE, W MPf�C(EO TO ELIMINAPc VOIDS ANO AiR PoQ�TS.
GROWN IN THAT CONTAIN62 SUFFIQENRY LONG ENOIIGH FOR THE NEW FIBNOIIS ROOTS TO HAVE FORM GRPDE SIIGIRLY DLSHED PNO BERMED qT �GES OF EXCAVATION. APPLY 3" p MtIL61 E%�PI'
�EVELOPED SO THAT THE ROOT MASS W¢L RFfAIN i'f5 SHAPE AND H01D TOGEiH92 WHEN RH.tOVED WRHIN 3" OF SiEMS,
FROM THE �IMPIIVER.
PAUIVESHRI1d5TOREMOYE�AM4GED OI
1iRAN B IMPROVE NA'NML SHpPE PNO THIN OUT
SfANDAR� PWVTING MMRIPE SHPll. BE ONE (I) PPRT RECYCLEO ORGANIC MATERIAL PDDED TO STRUCNRE. �0 NOT 0.EMOVE MORE TMPN IS^b bi BRANQiFS.
THRff (3) VARTS EXISTING NpTNE SO1L.
4. OUINTING GAOUND COVER
REPLACEMEM SOR SHP11 BF t1g0 AS 5
PEQFfF➢TO REPLACE W.STING SOSLS THATARE �EfERMINED
BV THE LANOSCPPE PRQIITELTO EE UNSIItTABLE FOR PLANTING lE, ROPD 80.5E, PAVEMENT� EfC, LOOSEN SUBGRpDE TO OERH OF q" 1N ARE/5 WHERE TOPSOIL H/5 BKN SiRIPPE� PNO SYREAO
REPIAQ4EM'SORMMSHPllCONTNN60b5ANDNJOqO�bMIlEK.5AND5T1All.BE1W%CLEPN SMOOTH,
NATIVE SAND 542FENED TO S/4" AND MUIX SHALL 0E 100%CLEPN ORGNiIC NAT1�E Ml1IX S�N�
T01/2". ALL SOIL SHPLlBE MMED PRIOR TO �ELIYERY OfJ 4TE. SPACE FlANTS AS OTHERWISE INDICATED, OIG HOLES W2GE ENOIIGM TO PllDW SPREPDPlG OF
ROOTS. COMPACf &4CKFILLTO ftIMINATE VJIDS PND IEpVE GRPDE AIGHTLV DLSHED AT EAOi
MULQi SHFLL BE SHREDOFD MELALRICA EtIGLYPfUS OR GRPDE "A" RECVQID. PLL MIILCH IS TO BE PIAM. WATBt THOROIIGHLY. PPPLY 3" OF MULOi OVER EMptE ftNJ11NG B�, lIFt1NG PIANT
APPLSE� TO A OEPfH OF 3", EXLEP! 0.5 dTHERWfSF NOTH�. FOLtAGE ABO�E Ml1LOi.
FERTfLt2ER A' B0.Ci(FLLL �9XTURE WR PLL PLNJTS SHALL CON95T OF MILORGPNIiE Af.T1VA'f� DIIRING PERIODS OF HOT StIN ANO/OR WIND AT TIME OF PLWTING, PROVIDE PROlKfIVE COVER
SUIDGEMI%EONRiHTHE8PB�ILLATARATEOFNOTLESSTHAtJ50lB5,PHtNBICYpRp. FORSEVERN.OAVSOR0.5NEE�ED.
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1934 Commerce Lane
Suite 1
Jupiter, Florida 33458
561.747.6336 • Fax 747,1377
www.coGeurhearing.com
Lic# LGC000239
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JOBNUMBER 11-0313
DATE 07-27-11
REVISIONS Ot-16-71
02-20-12
03-2fi-12
04-23-12 BID SET
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JOHNSTON GRDUP
The Mandel JCC / Arthur I. Meyer Jewish Academy PUD
Art-in-Public-Places (AIPP) Request
Project Narrative
May 14, 2012
INTRODUCTION
The purpose of this petition is to obtain Art-in-Public-Places approval in accordance with the
requirements of LDR Section 78-261.
PROIECT $UMMARY
The proposed Mandel JCC / Arthur I. Meyer Jewish Academy PUD property (the "Property") comprises a
13.60-acre parcel located at 5305 Hood Road which is generally located approximately 400 feet north of
Hood Road along the east side of Interstate 95 in Palm Beach Gardens, Florida. The Jewish Community
Center of the Greater Palm Beaches, Inc. (the "Applicant") has purchased the Property with a vision of
creating a first class community center and K-8 private school that will serve residents within Palm
Beach Gardens and throughout northern Palm Beach County. It is the development team's goal to
create a thriving campus that is centrally-located, highly recognizable and offers a wide array of
activities and educational resources to the community (the "Project").
The Project will consist of two primary components, the Mandel Jewish Community Center (the "JCC")
and the Arthur I. Meyer Jewish Academy (the "Academy") contained within Buildings One and Two of
the Project. The JCC and the Academy are further described below:
❖ The Jewish Community Center of the Greater Palm Beaches currently has a community center
facility at 8500 Jog Road in Boynton Beach and desires to establish a first class community
center on the Property to serve the residents of North and Central Palm Beach County. The JCC
will be multi-functional community center occupying the majority of the space within Building
One. Programs and facilities at the JCC will promote children, family and adult educational and
social development as well as arts, culture, health and wellness. Uses within the JCC will include
administrative offices, meeting space, common gathering and social space, a gymnasium,
banquet facilities and a pre-school with an indoor playground.
❖ The Arthur I. Meyer Jewish Academy is currently located at 3261 North Military Trail in suburban
West Palm Beach directly adjacent to the former campus of the Palm Beach Jewish Community
Center and will be relocating its facility to the Property. The Academy will be mostly contained
in the two-story Building Two and will provide up to 500 students in kindergarten through
eighth grade with an excellent general and Jewish education. A gymnasium for the Academy
will be included within Building One.
WV�W.JUHNSTONGROUPINC.CUivl
The Mandel JCC / Arthur I. Meyer Jewish Academy PUD
AIPP Application
May 14, 2012
Page 2
THE PROPOSED ARTWORK
The proposed artwork is a sculpture entitled "Jewish Welcome" that was designed by world renowned
Israeli sculptor and experimental artist Yaacov Agam. The sculpture consists of nine (9) aircraft-grade
aluminum panels that are set in aluminum sleeves within a concrete base and are adorned in acrylic
urethane paint with various patterns and shapes which change as they are viewed from different angles.
The predominant visual theme of the panels is the Star of David which is a generally recognized symbol
of Jewish identity and Judaism, and is formed when the sculpture is viewed from at least two (2) angles.
Each 3/ inch thick panel is 25%2 inches wide and 12 feet tall, and when installed, is placed with an even
separation in a row that measures approximately 18 feet in length overall. When installed,
approximately 9.5 feet of each panel is exposed and visible above ground while approximately 2.5 feet
of the base of each panel is concealed beneath the concrete slab base. Collectively, the art panels weigh
in the range of 4,000 — 5,000 pounds according to their fabricator.
The JCC's Jewish Welcome sculpture is one of several nearly identical pieces created by Yaacov Agam
and installed in various locations throughout the country including a JCC campus in Chesterfield,
Missouri.
Jewish Welcome is signed by the artist March 21, 1993 and was originally acquired by the Applicant and
installed at its West Palm Beach campus in 1993. However, when the West Palm Beach campus closed
in 2008, the artwork was removed and has been kept in storage so that it could be preserved and
installed within the Project. Photographs of the Jewish Welcome sculpture as it appeared when installed
at the Applicant's West Palm Beach campus are enclosed herewith.
ABOUT YAACOV AGAM
Yaacov Agam is an Israeli-born artist who is widely revered as a pioneer of the kinetic art movement in
which the fourth dimension of time is integrated. His work is often monumental and nearly always
interactive. A comprehensive biography of Yaacov Agam's life and work as obtained from the website
aejv.com is enclosed herewith. Additionally, some examples of Yaacov Agam's works from around the
world have been enclosed herewith for review. While Mr. Agam has created art using many different
mediums, the examples provided are limited only to outdoor sculptural pieces given that the proposed
artwork for this project is an outdoor sculpture.
PROPOSED ARTWORK LOCATION & INSTALLATION DETAILS
The proposed location of the Jewish Welcome sculpture is at the southeast corner of Building #1 at the
convergence of the north-south and east-west sidewalks. This location was chosen because it is
securely contained within the Project site for the security and protection of the sculpture and yet is still
highly visible to patrons of the facility as they enter and move about the site. Copies of the Project site
and landscape plans with the proposed artwork location highlighted are enclosed herewith.
The lewish Welcome sculpture will be installed within a concrete base that forms a quarter-circle
between the sidewalks. The sculpture will be lit at night by 10 in-grade luminaires that will be flush-
mounted within the concrete base and installed evenly between and at the outside of the vertical
sculpture panels. A detail cut sheet for the specified lighting is enclosed herewith. A landscaped
backdrop consisting of Ligustrum trees and a Green Island Ficus hedge will be planted behind (to the
The Mandel JCC / Arthur I. Meyer Jewish Academy PUD
AIPP Application
May 14, 2012
Page 3
northwest) of the Jewish Welcome sculpture. These landscaping materials are included on the Project
landscape plans submitted for City Council approval as part of the PUD application but are intended to
serve solely as the backdrop for the proposed artwork.
SCULPTURE MAINTENANCE REQUIREMENTS
Since the proposed sculpture panels are constructed of aircraft-grade aluminum, they are extremely
durable and require very little maintenance. The panels should be cleaned regularly with mild soap and
water and waxed 3-4 times per year. They can be removed from their concrete encasements and the
bases inspected for water damage and/or corrosion on an as-needed basis (estimated to be every 5
years). There are removable hooks along the top of each panel that allow the panels to be removed and
suspended for inspection and maintenance purposes. Should any corrosion exist upon inspection the
panel bases will be restored to their original finish. According to its fabricator, with this maintenance
routine the proposed artwork can last virtually forever.
PROJECT AIPP REQUIREMENT AND BUDGET
LDR Section 78-261(c) requires that the valuation of artwork intended to satisfy the City's AIPP
requirement shall be equal to or greater than one percent of the total vertical construction costs.
Based upon building valuation table data provided by the Project architect, the estimated vertical
construction cost of Building #1 (The Mandel JCC) including the future pre-school expansion is
$7,747,397 ($129.72 per SF x 59,724 SF). The estimated vertical construction cost of Building #2 (Meyer
Academy) is $8,148,000 ($116.40 per SF x 70,000 SF). The combined total estimated cost of vertical
construction is $15,895,397. Accordingly, the required valuation of the proposed artwork is
$158,953.97.
The proposed Jewish Welcome artwork was appraised for insurance purposes in 2009 by TreasureQuest
Appraisal Group, Inc. at $225,000. A copy of the appraisal is enclosed herewith. Additionally, the
concrete base and concrete foundations within which the sculpture panels must be set is estimated to
cost approximately $10,000. Delivery and installation of the panels is estimated to cost approximately
$5,000. Accent lighting and landscaping will be provided to complement the proposed artwork as noted
in this narrative. The estimated budget for the 10 in-grade luminaires is $8,000. The estimated budget
for the landscaping surrounding the proposed artwork is $1,530. A breakdown of the proposed art
budget is enclosed herewith.
The total budget for the proposed artwork including the appraised value of the Jewish Welcome
sculpture, the concrete base and foundations, lighting and landscaping is $249,530, which exceeds the
one percent requirement established by LDR Section 78-261(c).
CLOSING $TATEMENT
On behalf of the Applicant, we respectfully request the City's approval of the proposed utilization of the
Applicant's Yaacov Agam sculpture Jewish Welcome to satisfy the City's art-in-public-places requirement
as outlined per the materials submitted herewith. We look forward to working with Staff regarding this
request.
CITY OF PALM BEACH GARDENS
ART IN PUBLIC PLACES ADVISORY BOARD
Agenda Cover Memorandum
Meeting Date: May 22, 2012
Petition No. AIPP-12-04-000029
SUBJECT/AGENDA ITEM
Petition AIPP-12-04-000029: Mandel Jewish Community Center (JCC) / Arthur I.
Meyer Jewish Academy Art in Public Places
Recommendation to City Council: A request to approve the AIPP requirement for the
Mandel Jewish Community Center, located at the northeast corner of I-95 and Hood
Road, approximately 0.25 miles west of Central Boulevard.
[X] Recommendation to APPROVE with conditions
[ ] Recommendation to DENY
Reviewed by: Originating Dept.: Finance: AIPP Action:
Director of Planning & Planning & Zoning: Accountant [] Rec. Approval
Zoning Project Manager [] Rec. Approved w/
Conditions
Sarah Varga � ] Rec. Denial
Natalie M. Crowley, AICP Kathr n DeWitt, AICP
Y [ ] Continued to:
Sr. Planner Fees Paid: N/A
Development Compliance [X] Quasi — Judicial
Funding Source:
[ ] Legislative
Bahareh Wolfs, AICP [X] Public Hearing
[ ] Operating
City Attorney Advertised: [X] Other N/A Attachments:
[ ] Required • Development
[X] Not Required Budget Acct.#: Application
N/A . Pro ect Narrative
R. Max Lohman, Esq. 1
A roved B Contract/Aqreement: . Location Map
pp Y�
City Manager Affected parties: Effective Date: • Budget
[ ] Notified N�p` Appraisal
.
Ronald M. Ferris [X] Not Required
Expiration Date: • Site Plan
N/A
• Artist Resume
• Proposed Artwork
• Lighting Details
• Landscape Plan
Meeting Date: May 22, 2012
Petition: AIPP-12-04-000029
Page2of4
BACKGROUND
The subject site is located at the northeast corner of I-95 and Hood Road (see attached
Location Map). The site is currently vacant, except for a storage shed structure that
exists on the site. No previous development orders have been granted for the site.
Access to the subject site from Hood Road is provided by an existing easement via a
Florida Department of Transportation (FDOT) tract located off site and adjacent to the
east side of the subject property.
On May 3, 2012, the City Council approved Ordinance 19, 2012 on first reading, which
is a request to rezone the subject parcel to a Planned Unit Development (PUD) Overlay
with an underlying zoning designation of Mixed Use (MXD), approve a 54,403-square-
foot community center, and a Major Conditional Use to allow a 500-student private
school and 192-student daycare. Second reading of the Ordinance and Resolution is
scheduled for June 7, 2012.
DISCUSSION
The Applicant is seeking a recommendation to City Council.
BUDGET
The total required art budget, based on one (1) percent of the vertical improvements, is
$158,954 (see attached Budget). The Applicant has included an appraisal of the
proposed art piece, which demonstrates a total cost of $225,000 (see attached
Appraisal). An actual cost breakdown will be submitted to the City by the Applicant prior
to the acceptance of the subject art piece.
PROJECT DETAILS
Location
The art piece is proposed to be located at the southeast corner of Building No. 1 at the
convergence of the north-south and east-west sidewalks. At this location, the art piece
will be highly visible to patrons when entering the site (see attached Site Plan).
Artist
The project artist, Yaacov Agam, is an Israeli-born artist who specializes in kinetic art.
Agam studied at the Bezalel Academy of Art in Jerusalem and in Switzerland at the
Eidgenossische Technische Hochschule and the Zurich University. His works express
a concept that breaks away with the established way of expressing reality in a limited,
static way. In his works, he strives to demonstrate the principle of reality as a
continuous "becoming" rather than static "graven image" (see attached Artist Resume).
Proposed Art
The proposed artwork is a sculpture called "Jewish Welcome." The sculpture consists
of nine (9) aluminum panels that are set in a concrete base and are painted with various
Meeting Date: May 22, 2012
Petition: AIPP-12-04-000029
Page 3 of 4
patterns and shapes which change as they are viewed from different angles. The
predominant visual theme of the panels is the Star of David, which is a generally
recognized symbol of Jewish identity and Judaism. The Star of David is formed when
the sculpture is viewed from at least two (2) angles (see attached Proposed Artwork).
Each of the nine (9) panels is 25 '/2 inches wide� 3�4 inch thick, and 9'/2 feet tall. The
overall size of the sculpture is 18 feet wide by 9'/2 feet tall.
This art piece was originally acquired by the Applicant and installed at its West Palm
Beach campus in 1993. However, when the West Palm Beach campus closed in 2008,
the artwork was removed and has been kept in storage so that it could be preserved
and installed within the new project on Hood Road.
Li htin
The art piece will be lit by ten (10) light cans that will be flush-mounted within the
concrete base and installed between and at the outside of the vertical sculpture panels
(see attached Lighting Details).
Landscaping
Landscaping is being added to create a backdrop for the art piece. The additional plant
material consists of three (3) Ligustrum Trees and a Green Island Ficus hedge. The
vegetation will be planted on the northwest side of the art piece (see attached
Landscape Plan).
Signage
No signage is being requested with the subject petition.
STAFF RECOMMENDATION
Staff recommends APPROVAL of petition AIPP-12-04-000029 with the following
conditions:
.
r
� � �
�a.u'�:��. `�7�
2. Prior to the final release of the art escrow, the Applicant shall submit digital
photographs, both during the day and night, of the installed artwork. (Planning and
Zoning Department)
3. Prior to the final release of the art escrow for Mandel JCC PUD, the Applicant shall
submit a copy of its logo and any mission statement of its organization, with
authorization for the City to use such information in future publications. The artist
name, title of artwork, and description shall be included. (Planning and Zoning
Department)
Meeting Date: May 22, 2012
Petition: AIPP-12-04-000029
Page 4 of 4
4. Prior to the final release of the art escrow for Mandel JCC PUD, the Applicant shall
submit an actual cost breakdown of the artwork, and any remaining balance in the
art fund will be applied towards any future art requirements for this site. (Planning
and Zoning Department)
Comments From The Public
Request to Address City Council
Please Print
Name: ���S c� 1`�\v S C�
Add ress: n(.1 � �►-1J 1� 1� l� R y l� Q,� �� �(���' -[��l l� 1� l�-��
c�ty: ��,�1 � F A-C4�--�G4-#�I� D����-L , 3'� �} ��- g 20 (�
Subject: Gt1�� '�O
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^ L�ny �-.I R F�t? i Y�1� ��_ �P �� 1.� ���� 12 , 20 � l y
.!�►.i ti � � � 0 u � ('P � r
Members of the public may address the City Council during the "Comments by the Public"
Portion of the agenda and during "Public Hearings". This Request to Address the City
Council must be delivered to the City Clerk prior to the commencement of the meeting.
The time limit for each speaker is limited to three (3) minutes.
5/23/12
a
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City Hall Plaza Project
Gmail - City Hall Plaza Project
David Porter <dporter@porterarchitects.com>
To: Mark Fuller <mtfuller.id8@gmail.com>
Mark,
-vid Porter <architect552(c�gmail.com>
Wed, May 23, 2012 at 10:42 AM
This is the official announcement that the city's Art In Public Places Committee would like to consider you as
one of three artists we are interested in having pursue designs for covering the plaza. We are hoping that you are
also interested.
The overall idea is to cover the stage as a separate fabric structure and the audience area with a tensile fabric
structure and to incorporate lighting into the ov�erall design. We also think that then placing smaller shade
structures over some of the outlying table and bench areas might be an interesting spinoff of the overall shade
covering concept. And, lastly, we think that there should be some type of entry feature to greet visitors coming
from the parking lot and into the plaza, whether that would be to just visit city hall or whether that is to attend an
ev�ent occurring in the plaza.
So, here's the program that we came up with. It will kick off at the end of June. Our city staff first has to prepare
an accurate site plan of the plaza to show all of the recent renovations before we can intelligently turn it over to
our interested proposers.
We have selected three artists to provide design concept sketches or drawings. The design that wows us the
most or that looks like it might actually be achievable, will determine who we then select to get us a contract for
the design services. One other chosen artist just works with tensile fabric structures and the other works in
similar mixed-media like you have done. One is from Arizona and one is from California.
If your design is chosen, depending on the media and the designs, the city may choose to contract to implement
your designs so that it has control of the contracting process and insurance requirements of the contractor. Or,
the city may decide to bid out the tensile structure work and the associated lighting and then have you fabricate
whatever different media you may have chosen for the entry portal or other parts. These details will be worked
out as the process moves along. The city has had some unpleasant experiences when artists ha� been asked
to take on the role of a general contractor so the procurement officer is reluctant to go through artists for what
amount to major construction projects.
The committee decided that it did not want to ask for free design services from anyone and that some
compensation should be provided to each artist. It was concluded that a$3,000 stipend would be provided to
each artist. You are one of the selected artists. The other two are GH Bruce (http://ghbruce.com/index.htm
), and Gordon Huether ( www.gordonhuether.com). Bruce is from Arizona and Huether is from California.
At our committee meeting in June (the 26th), we will come together to formulate our "design concept points" and
to assemble a complete package of information for each of the three proposers. That batch of information will be
uploaded to a Dropbox account where you will be provided with a download link. We will determine the time
frame for submitting a design at the June meeting but my guess is that it will be about 2 months to allow for any
personal site visits, if desired, and for putting some thought into the project. If you would want a meeting with the
committee to ask questions, that can be arranged.
The stipend will probably only be sent to the proposers who submit an actual design and show serious
consideration for the intent of the project. We haven't discussed yet whether to offer 1/3rd of the stipend up front
and then the balance upon receiving a submission. That will be discussed in June and will need to be cleared
with the city's procurement officer.
https://mail.google.com/mail/u/0/?ui=2&ik=6af5989d61 &view=pt&search=sent&th=1377a25ee73f5e83 1 /2
5/23/12
Gmail - City Hall Plaza Project
I took 35 or so ground-lewel photos yesterday from all around the plaza to giwe you a more rounded feel for the
space and the stage. You can download a single 28 MB Zip file of those photos at http://dl.dropbox.com/u/
24266064/5-22-12%20Ground%201evel.zip I also uploaded some aerial photos of the plaza area. You may not
need these as much as the out-of-town proposers but I have uploaded them just the same
(http://dl.dropbox.com/u/24266064/City%20Hall%20PIaza.zip).
Write back with further questions. I would recommend restricting those questions for now to just the answers
you need to determine if you are interested in pursuing our project. By our June meeting, I would like to have an
e-mail back from you or probably a PDF letter on your company stationary, sent by e-mail, expressing your
sincere interest in our project and that you are agreeable to offer the design and with your remaining inv�olved with
the installation to make sure that the city gets your design in the end.
David Porter AIA
Palm Beach Gardens, FL
Ph. (561) 694-0100
dporter@porterarchitects. com
www. porterarchitects.com
https://mail.google.com/mail/u/0/?ui=2&ik=6af5989d61 &view=pt&search=sent&th=1377a25ee73f5e83 2/2
5/23/12 Gmail - Palm Beach Gardens plaza project
a
� e�l � � -vid Porter <architect552(c�gmail.com>
,.,,, ; . �, r b..
Palm Beach Gardens plaza project
David Porter <dporter@porterarchitects.com> Wed, May 23, 2012 at 10:04 AM
To: Geoffrey Bruce <geoffrey@ghbruce.com>
Cc: Noah Smith <noah@ghbruce.com>, Colin Bruce <colin@ghbruce.com>
Hopefully this e-mail you will awaken to this morning will also be a pleasant surprise.
Our committee met last night. I showed them your website and the many different artistically designed fabric
structures and coverings that you have designed. The immediate impression by all was that "this is what we
have been hoping to find" with an artist for designing the plaza area.
So, here's the program that we came up with. It will kick off at the end of June. Our city staff first has to prepare
an accurate site plan of the plaza to show all of the recent renovations before we can intelligently turn it over to
our interested proposers.
We have selected three artists to provide design concept sketches or drawings. The design that wows us the
most or that looks like it might actually be achievable, will determine who we then select to get us a contract for
the design services. The other two artists do not fabricate and erect shade structures so you may have an
advantage in that your design will be "real" since you know the systems. Howev�er, the other two artists also
work in many different media so they may decide to incorporate different artistic media at different parts of the
design, such as at the entry portal to the plaza.
If your design is chosen, it is possible that the city will then contract with you to build your design rather than
putting it out to competitiv�e bidding. The city still might want to do the bidding process and considering the long-
distance relationship between your home base and the plaza, that might work out better for the city. I also
checked with our chief building official yesterday and he said that whomever contracts to build the shade
structure will have to be licensed as a contractor in Florida. But, these are details for later but details for you to
consider in case you would only want to be a part of the design so that you can awid having to become or find a
licensed contractor interested to contract for you here.
The committee decided that it did not want to ask for free design services from anyone and that some
compensation should be provided to each artist. It was concluded that a$3,000 stipend would be provided to
each artist. You are one of the selected artists. The other two are Gordon Huether (
www.gordonhuether.com), and Mark Fuller. Huether is also from Arizona and Fuller is from West Palm Beach,
one town ower from Palm Beach Gardens. Fuller does not have his own website but if you go to
http://www.pbgfl.com/content/78/188/default.aspx you will see all of the public art that has been installed in our
city since the start of the AIPP ordinance back in 1989. It will show all of the different pieces that Fuller has
done at least in our city.
At our committee meeting in June (the 26th), we will come together to formulate our "design concept points" and
to assemble a complete package of information for each of the three proposers. That batch of information will be
uploaded to a Dropbox account where you will be provided with a download link. We will determine the time
frame for submitting a design at the June meeting but my guess is that it will be about 2 months to allow for any
personal site visits, if desired, and for putting some thought into the project. If you would want a conference call
or a video conference with the committee to ask questions, that can be arranged.
The stipend will probably only be sent to the proposers who submit an actual design and show serious
consideration for the intent of the project. We haven't discussed yet whether to offer 1/3rd of the stipend up front
and then the balance upon receiving a submission. That will be discussed in June and will need to be cleared
with the city's procurement officer.
https://mail.google.com/mail/u/0/?ui=2&ik=6af5989d61&view=pt&cat=AIPP - Plaza&search=cat&th=1377... 1/3
5/23/12
Gmail - Palm Beach Gardens plaza project
I took another 35 or so ground-level photos yesterday from all around the plaza to give you a more rounded feel
for the space and the stage. You can download a single 28 MB Zip file of those photos
at http://dl.dropbox.com/u/24266064/5-22-12%20Ground%201evel.zip
Write back with further questions. I would recommend restricting those questions now to just the answers you
need to determine if you are still interested in pursuing our project. By our June meeting, I would like to have an
e-mail back from you or probably a PDF letter on your company stationary, sent by e-mail, expressing your
sincere interest in our project and that you are agreeable to offer the design and installation or just design with
then your remaining inwlved with the installation to make sure that the city gets your design in the end.
David Porter AIA
Palm Beach Gardens, FL
Ph. (561) 694-0100
dporter@porterarchitects. com
www.porterarchitects.com
On Tue, May 22, 2012 at 1:43 PM, Geoffrey Bruce <geoffrey@ghbruce.com> wrote:
Thank you David!
Look forward to hearing more after your meeting. This is my company email... please do cc Noah and Colin on
your correspondence.
Cordially,
Geoffrey
Geoffrey H. Bruce, President
G.H. BRUCE, LLC • 525 E. Roger Road • Tu�son, AZ 85705 • p 520 903-9005 • f 520 903-
9��8 • ghbruce.com
This E-Mail transmission and any accompanying attachments contains confidential inforrnation intended only for the use ofthe individual or entity named
above. Any dissemination, distribution, copying or action taken in reliance on the contents ofthis &Mail by anyone other than the intended recipient is
strictly prohibited and is not intended to, in any way, waive privilege or confidentiality. Ifyou have received this E-Mail in error please immediately delete it
and notify sender at the above E-Mail address.
On May 22, 2012, at 10:08 AM, David Porter wrote:
I have attached some aerial shots of the plaza and a couple of ground lev�el shots that I have.
After tonight, I should ha� many more ground level photos to show the entire plaza area in
detail.
The two plaza shade structure photos I hav�e sent are to just show some of the fabric thoughts
our committee has looked at and how the use of LED lighting to uplight the fabric can create a
changing ambiance for night time events in the plaza.
I have also sent along my very crude doodle sketch of the "entry portal" thought I had for making
https://mail.google.com/mail/u/0/?ui=2&ik=6af5989d61 &view=pt&cat=AIPP - Plaza&search=cat&th=1377... 2/3
Donna Kramer
From: David Porter [dporter@porterarchitects.com]
Sent: Friday, May 25, 2012 3:29 PM
To: Donna Kramer
Subject: Re: Link from presentation at 5/22/12 AIPP Meeting
Oh, yeah, I forgot to get those to you.
Here they are:
http://www. �ordonhuether. com
http://ghbruce.com
David Po�ter AIA
Palm Beach Gardens, FL
Ph. (561) 694-0100
dporter �orterarchitects.com
www.porterarchitects. com
On Fri, May 25, 2012 at 3:18 PM, Donna Kramer <dkramer(a��b _�fl.com> wrote:
Hello David:
Please send me the link you used for your presentation at the 5/22/12 AIPP Meeting so that I can add it to the
meeting file.
Thank you,
Donna L. Kramer
Municipal Services Coordinator
City of Palm Beach Gardens
561-799-4121
dkramer(a�pbgfl.com
CITY OF PALM BEACH GARDENS E-MAIL DISCLAIMER:
PLEASE NOTE: Florida has a very broad public records law. Most written communications to or from local officials regarding city business are public records
available to the public and media upon request. Your e-mail communications may therefore be subject to public disclosure.
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CITY OF PALM BEACH GARDENS
ART IN PUBLIC PLACES ADVISORY BOARD
REGULAR MEETING
March 20, 2012
The regular meeting was recorded in the Emergency Operations Center and called to order at
5:32 p.m. by Chair Porter.
I. CALL TO ORDER
II. PLEDGE OF ALLEGIANCE
III. ROLL CALL
PRESENT: Chair David Porter, Vice Cable Neuhaus, Meriel Bryan, Mary Miles; Diane
Cappella (arrived at 5:34 p.m.).
ABSENT: Paul Kaufman, Alexander Hanlin.
ALSO PRESENT: Council Member, Council Liaison, Eric Jablin; Senior Planner, Staff
Liaison, Kathryn DeWitt; City Attorney R Max Lohman, Operations Manager, Angela Brown.
IV. ADDITIONS, DELETIONS, MODIFICATIONS
None.
V. APPROVAL OF MINUTES From the December 20, 2011 Meeting.
Chair Porter made a motion to approve the December 20, 2011 minutes.
Vice Chair Neuhaus seconded.
Motion passed 5-0.
VL ITEMS BY COUNCIL LIASON
Council Member, Council Liaison Jablin Presented information on the proposed Veterans
Plaza Improvement Phase III. Chair Porter requested a copy of the as-built plans. Consensus
was to move forward with the project, with a desired projected date to go to City Council on
May 3, 2012.
VII. ITEMS BY STAFF LIAISON
Senior Planner, Staff Liaison Kathryn DeWitt provided updates to the board on recent AIPP
approvals.
VIII.OLD BUSINESS
None.
IX. NEW BUSINESS
a. Discussion on Veterans Plaza improvements Phase IIL Chair Porter will conduct
individual meetings with the remaining four (4) council members to explain the concept and
detail of the project.
X. COMMENTS BY THE PUBLIC
None.
XI. COMMENTS BY THE BOARD
None.
a. SET QUARTERLY MEETING DATE (April 17, 2012, May 22, 2012, June 19, 2012)
Chair Porter made a motion to set the quarterly meeting date for May 22, 2012.
Vice Chair Neuhas seconded.
Motion passed 5-0.
(The remainder of this page intentionally left blank)
ART IN PUBLIC PLACES ADVISORY BOARD
03-20-12
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XII. ADJOURNMENT
Vice Chair Neuhaus made a motion to adjourn the meeting.
Board Member Miles seconded.
Chair Porter adjourned the meeting at 6:27 p.m.
APPROVED
David Porter, Chair
Cable Neuhaus, Vice Chair
Meriel Bryan
Paul Kaufman
Mary Miles
Alexander Hanlin
Diane Cappella
ATTEST:
Donna L. Kramer
Municipal Services Coordinatar
NOTE: These minutes are prepared in compliance with 286.011 F.S. and are not verbatim transcripts of
the meeting. A verbatim audio recording is available from the Office of the City Clerk.
All referenced attachments on file in the Office of the City Clerk.
ART IN PUBLIC PLACES ADVISORY BOARD
03-20-12
PAGE 2
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NOTES:
1. LUMINAIRE //8704MH - SEE SPECIFICATIONS.
2. (1) 39W PAR-20 LAMP (BY OTHERS).
3. 120/277V ELECTRONIC BALLAST LOCATED
INSIDE LUMINAIRE.
4. SYMMETRICAL DISTRIBUTION.
5. STAWLESS STEEL FACEPLATE.
;ETE PAD
DIA. X 4"
CAVITY FOR
'PROOF J-BOX
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❑ The combined estimated vertical building valuation is $15,895,397.
❑ The required valuation of artwork is $158,953.97.
❑ In 2009, the Jewish Welcome sculpture was appraised at $225,000.
❑ Delivery, installation, accent lighting and landscaping is estimated to
cost a combined total of $24,530.
❑ The total combined cost of the artwork as proposed is $249,530.
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