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HomeMy WebLinkAboutAgenda AIPP 052212REVISED AGENDA CITY OF PALM BEACH GARDENS ART IN PUBLIC PLACES ADVISORY BOARD TUESDAY, May 22, 2012 AT 5:30 P.M. CITY COUNCIL CHAMBERS I. CALL TO ORDER II. PLEDGE OF ALLEGIANCE III. ROLL CALL: ART IN PUBLIC PLACES ADVISORY BOARD Reqular Members Alternates David Porter — Chair Vaca�rAlternate Cable Neuhaus — Vice Chair Vacant 2"d Alternate Paul Kaufman Meriel "Honey" Bryan Mary Wolcott Miles Diane Cappella Alexander Hanlin IV. ADDITIONS, DELETIONS, MODIFICATIONS V. APPROVAL OF MINUTES — MARCH 20, 2012 VI. ITEMS BY COUNCIL LIAISON VII. ITEMS BY STAFF LIAISON A. BUDGET UPDATE VIII. OLD BUSINESS IX. NEW BUSINESS A. DISCUSSION ON VETERANS PLAZA IMPROVEMENTS PHASE III B. AIPP-12-04-000029 — RECOMMENDATION TO CITY COUNCIL - MANDEL JCC PLANNED UNIT DEVELOPMENT X. COMMENTS BY THE PUBLIC XI. COMMENTS BY THE BOARD A. SET QUARTERLY MEETING DATE —(JULY 17, 2012, AUGUST 21, 2012, SEPTEMBER 18, 2012) XII. ADJOURNMENT REVISED AGENDA CITY OF PALM BEACH GARDENS ART IN PUBLIC PLACES ADVISORY BOARD TUESDAY, May 22, 2012 AT 5:30 P.M. CITY COUNCIL CHAMBERS I. CALL TO ORDER II. PLEDGE OF ALLEGIANCE III. ROLL CALL: ART IN PUBLIC PLACES ADVISORY BOARD Reqular Members Alternates David Porter— Chair Vacant 1s`�Alternate Cable Neuhaus — Vice Chair Vacant 2"d Alternate Paul Kaufman Meriel "Honey" Bryan Mary Wolcott Miles Diane Cappella Alexander Hanlin IV. ADDITIONS, DELETIONS, MODIFICATIONS V. APPROVAL OF MINUTES — MARCH 20, 2012 VI. ITEMS BY COUNCIL LIAISON VI1. ITEMS BY STAFF LIAISON A. BUDGET UPDATE VIII. OLD BUSINESS IX. NEW BUSINESS A. DISCUSSION ON VETERANS PLAZA IMPROVEMENTS PHASE III B. AIPP-12-04-000029 — RECOMMENDATION TO CITY COUNCIL - MANDEL JCC PLANNED UNIT DEVELOPMENT X. COMMENTS BY THE PUBLIC XI. COMMENTS BY THE BOARD A. SET QUARTERLY MEETING DATE —(JULY 17, 2012, AUGUST 21, 2012, SEPTEMBER 18, 2012) XII. ADJOURNMENT CITY OF PALM BEACH GARDENS ART IN PUBLIC PLACES ADVISORY BOARD Agenda Cover Memorandum Meeting Date: May 22, 2012 Petition No. AIPP-12-04-000029 SUBJECT/AGENDA ITEM Petition AIPP-12-04-000029: Mandel Jewish Community Center (JCC) / Arthur I. Meyer Jewish Academy Art in Public Places Recommendation to City Council: A request to approve the AIPP requirement for the Mandel Jewish Community Center, located at the northeast corner of I-95 and Hood Road, approximately 0.25 miles west of Central Boulevard. [X] Recommendation to APPROVE with conditions [ ] Recommendation to DENY Reviewed by: Originating Dept.: Finance: AIPP Action: Director of Planning & Planning & Zoning: Accountant [] Rec. Approval Zo�in Project Manager [] Rec. Approved w/ � � � � � �'� �� �� �J�"� Conditions �� � �` , , �� � � � ��� ,'�� i � r ` �`' Sarah Varga � � � �� �' ���'' [ ] Rec. Denial Natalie M:�Crowley, AICP Kathr n DeWitt, AICP y Fees Paid: N/A � l Continued to: Sr. Planner Development Compliance [X] Quasi — Judicial , Funding Source: ��� , ��' [ ] Legislative Bah�rreh Wolfs, AICP [X] Public Hearing �� Operating City Attorney Advertised: [X] Other N/A Attachments: [ ] Required • Development [X] Not Required Budget Acct.#: Application N/A . Project Narrative R. Max Lohman, Esq. Approved By: Contract/Aqreement: . Location Map City Manager Affected parties: Effective Date: • Budget [ ] Notified N�A . Appraisal Ronald M. Ferris [X] Not Required Expiration Date: • Site Plan N/A • Artist Resume • Proposed Artwork • Lighting Details • Landscape Plan Meeting Date: May 22, 2012 Petition: AIPP-12-04-000029 Page 2 of 4 BACKGROUND The subject site is located at the northeast corner of I-95 and Hood Road (see attached Location Map). The site is currently vacant, except for a storage shed structure that exists on the site. No previous development orders have been granted for the site. Access to the subject site from Hood Road is provided by an existing easement via a Florida Department of Transportation (FDOT) tract located off site and adjacent to the east side of the subject property. On May 3, 2012, the City Council approved Ordinance 19, 2012 on first reading, which is a request to rezone the subject parcel to a Planned Unit Development (PUD) Overlay with an underlying zoning designation of Mixed Use (MXD), approve a 54,403-square- foot community center, and a Major Conditional Use to allow a 500-student private school and 192-student daycare. Second reading of the Ordinance and Resolution is scheduled for June 7, 2012. DISCUSSION The Applicant is seeking a recommendation to City Council. BUDGET The total required art budget, based on one (1) percent of the vertical improvements, is $158,954 (see attached Budget). The Applicant has included an appraisal of the proposed art piece, which demonstrates a total cost of $225,000 (see attached Appraisal). An actual cost breakdown will be submitted to the City by the Applicant prior to the acceptance of the subject art piece. PROJECT DETAILS Location The art piece is proposed to be located at the southeast corner of Building No. 1 at the convergence of the north-south and east-west sidewalks. At this location, the art piece will be highly visible to patrons when entering the site (see attached Site Plan). Artist The project artist, Yaacov Agam, is an Israeli-born artist who specializes in kinetic art. Agam studied at the Bezalel Academy of Art in Jerusalem and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. His works express a concept that breaks away with the established way of expressing reality in a limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image" (see attached Artist Resume). Proposed Art The proposed artwork is a sculpture called "Jewish Welcome." The sculpture consists of nine (9) aluminum panels that are set in a concrete base and are painted with various Meeting Date: May 22, 2012 Petition: AIPP-12-04-000029 Page 3 of 4 patterns and shapes which change as they are viewed from different angles. The predominant visual theme of the panels is the Star of David, which is a generally recognized symbol of Jewish identity and Judaism. The Star of David is formed when the sculpture is viewed from at least two (2) angles (see attached Proposed Artwork). Each of the nine (9) panels is 25 '/2 inches wide, 3/ inch thick, and 9'/2 feet tall. The overall size of the sculpture is 18 feet wide by 9'h feet tall. This art piece was originally acquired by the Applicant and installed at its West Palm Beach campus in 1993. However, when the West Palm Beach campus closed in 2008, the artwork was removed and has been kept in storage so that it could be preserved and installed within the new project on Hood Road. Liqhtinq The art piece will be lit by ten (10) light cans that will be flush-mounted within the concrete base and installed between and at the outside of the vertical sculpture panels (see attached Lighting Details). Landscaping Landscaping is being added to create a backdrop for the art piece. The additional plant material consists of three (3) Ligustrum Trees and a Green Island Ficus hedge. The vegetation will be planted on the northwest side of the art piece (see attached Landscape Plan). Sinae No signage is being requested with the subject petition. STAFF RECOMMENDATION Staff recommends APPROVAL of petition AIPP-12-04-000029 with the following conditions: 1. Prior to scheduling for City Council, a detailed budget must be submitted to the City outlining the costs associated with the proposed art piece in a line-item format. (Planning and Zoning Department) 2. Prior to the final release of the art escrow, the Applicant shall submit digital photographs, both during the day and night, of the installed artwork. (Planning and Zoning Department) 3. Prior to the final release of the art escrow for Mandel JCC PUD, the Applicant shall submit a copy of its logo and any mission statement of its organization, with authorization for the City to use such information in future publications. The artist name, title of artwork, and description shall be included. (Planning and Zoning Department) Meeting Date: May 22, 2012 Petition: AIPP-12-04-000029 Page 4 of 4 4. Prior to the final release of the art escrow for Mandel JCC PUD, the Applicant shall submit an actual cost breakdown of the artwork, and any remaining balance in the art fund will be applied towards any future art requirements for this site. (Planning and Zoning Department) Insurance A raisal pp TreasureQuest Appraisal Group, Inc. 8447 S.E. Retreat Drive Hobe Sound, FL 33455 772-546-4853 wwN.TOAG.com TreasureQuest Appraisal Group, Inc. �� � Confiden�al Page 2 of 9 Insivance Appraisal TreasureQuest Appraisal Group, Inc. (� � The Insurance Appraisal Cover pocument January 6, 2009 Jewish Federation of Palm Beach County 4601 Community Drive West Palm Beach, FL 33417 ATT: Ronald Terebesi Dear Mr. Terebesi: Re: Appraisal #168/12-08 As you requested, on Tuesday, December 16, 2008, I conducted an appraisal inspection in your presence of the Yaacov Agam Environmental Sculpture in the courtyard of the campus located at 3151 North Military Trail. The work is understood to be owned by the Jewish Federation of Palm Beach County and is located at the above address. The objective of this appraisal was to estimate the replacement cost of the listed item for use in establishing your insurance needs. The estimated costs are effective as of the inspection date. This appraisal is to be used only for the function of obtaining insurance coverage. Any other use of this appraisal, such as for selling the property or for income tax deduction purposes, renders it null and void. Replacement costs stated reflect additional expenses, which might be incurred in purchasing replacement items such as sales tax, miscellaneous expenses such as framing, commissions, shipping, and installation costs. This summary appraisal report is intended for your use only. Use of this report by others is not intended. In summary, the replacement cost of the appraisal items totals $225,000.00. This appraisal made use of the cost approach and sales comparison approach in estimating worth. In the cost approach, the marketplace is researched to estimate replacement costs, i.e. the amount of money it would cost to replace the subject property or to acquire a suitable replacement property. Two different types of cost were considered depending on the type of property being appraised. Reproduction cost is defined as the total cost to construct an exact replica, using the same materials and construction techniques as the original, by a qualified artist or craftsmen. This cost approach is used for unusual items which cannot be purchased new or used within a reasonable amount of time and which are capable of being replaced with a reproduction. Replacement cost used (comparable) is the cost necessary to replace the items being appraised with similar items of property of like kind, age, quality, and utility having similar wear and tear, decay and defects, and obsolescence as the items being appraised. Replacement cost used (comparable) assumes that exact duplicates cannot be found for the property being appraised. Replacement cost used (comparable) is useful when estimating values for antiques, collectibles, or works of art by a deceased artist. Property for which replacement items could not be found for sale, the sales comparison approach to valuation was used to estimate replacement cost. In the sales comparison approach, the market is researched to locate comparable items, which have sold in the recent past in order to establish market value, which can be used as an indicator of anticipated replacement costs. Markets explored were retail markets such as dealers, galleries, auction results, and Internet galleries. If a market used in the development of the value conclusions was other than balanced, it will be so noted. In general, values are estimated by consultation with and/or use of several types of resources including Internet auction sales, specialist dealers, auction sales results, invoices, actual sales by dealers, or other personal observations. Page 3 of 9 Insurance Appraisal TreasureQuest Appraisal Group, Inc. �� Unless otherwise stated herein, the values expressed are based on the general expertise and qualifications of the appraiser as to the appropriate market and valuation methods for the items involved. Where particular detailed valuation information is relied upon, it will be so stated in writing. I tried contacting the artist directly without success. The value determination is based on research of similar installations, and appraisals of other large outdoor works in Palm Beach County. In general, the condition of the items was excellent. Any alterations from original condition or damage beyond that usual and common for items of similar age are so noted in the appraisal report. Unless otherwise stated herein, the appraisal is based only on readily apparent identity of the items appraised. In my opinion no further guarantee of authenticity, genuineness, attribution or authorship is necessary. The appraised values are based upon the whole interest and possessory interest of the client, undiminished by any liens, fractional interests or any other form of encumbrance or alienation. However, this appraisal is not an indication or certificate of title of ownership. The identification of the interest of the client has been represented to me by the client and no inquiry or investigation will be made nor is any opinion to be given as to the truth of such representation. The value conclusions expressed herein are based on the appraiser's best judgment and opinion and are not a representation or warranty that the items will realize those values if offered for sale at auction or otherwise. The values expressed are based on current information on the date the appraisal was requested. No opinion is expressed as to any past value, nor, unless otherwise expressly stated, as to any future value. I certify that to the best of my knowledge and belief: 1. Statements of fact contained in this report are true and correct. 2. The reported analyses, opinions, and conclusions are limited only by the reported critical assumptions and limiting conditions, and is my personal, impartial, and unbiased professional analyses, opinions, and conclusions. 3. I have no undisclosed past, present or contemplated future interest in the property that is the subject of this report, and no personal interest with respect to the parties involved. 4. I have no bias with respect to the property that is the subject of this report or to the parties involved with this assignment. 5. My engagement in this assignment was not contingent upon developing or reporting predetermined results. 6. My compensation for this appraisal is not contingent upon the development or reporting of a predetermined value or direction in value that favors the cause of the client, the amount of the value opinion, the attainment of a stipulated result, or the occurrence of a subsequent event directly related to the intended use of this appraisal. 7. I have personally inspected the listed property that is the subject of this report. 8. Unless noted elsewhere, no one provided significant professional assistance to the person signing this report. 9. This appraisal has been prepared in conformity with and is subject to the current version of the International Society of Appraisers Appraisal Report Writing Standard and Code of Ethics. In addition my analyses, opinions, and conclusions were developed, and this report has been prepared, in conformity with the current version of The Appraisal Foundation's Uniform Standards of Professional Appraisal Practice (USPAP). A digital camera was used to photograph images of the Client's property included in this report. Changes, if any, to the raw images were made strictly for the purposes of accurately reflecting how the objects looked when the Appraiser observed them during the examination phase of this assignment. The intent has been to represent the colors, proportions and characteristics of value as faithfully as possible. No adjustments were intentionally made that might affect the valuation conclusion or that might cause an item to be misrepresented in any way. Page 4 of 9 Insivance Appraisal TreasureQuest Appraisal Group, Inc. (� I With the exception of my client, possession of this report or its copy does not carry with it the right of publication, nor may this report be used for any other purpose by anyone other than my client or authorized users without my previous written consent. If this report is reproduced, copied or otherwise used, it must be done so in the report's entirety including the cover document and all attachments. Furthermore, no change to any item in this appraisal shall be made by anyone other than me. Should, in conjunction with this appraisal, additional services of the appraiser be requested by the client, his agent or attorney, or the courts (such as for added time researching for other value purposes, pretrial conferences, court appearances, court preparations, etc.), compensation for same shall be at the customary hourly rate charged by the appraiser at the time and shall be paid by the client immediately upon receipt of a statement for said work. I regard all information concerning this appraisal as confidential. I retain a copy of this document along with my original notes, and I will not allow others to have access to these records without your written permission unless so ordered by a court of law. Photographs of the appraised items are embedded with the descriptions in the body of this appraisal report. My qualifications to conduct this appraisal are listed in the attached Personal Profile found in the Addendum of this report. Sincerely, ,•' �''-;�� - _ •;� ,��,r ; ; ° • " ��_�..,�. '�� . � •;, ,. _ Greg Strahm, ISA AM TreasureQuest Appraisal Group, Inc. Fed I.D. # 65-0904697 This appraisal report has been transniitted electronically to niy client and includes nry signature in electronic form. I affirni that I maintain sole personal control over the use of the electronic signahcre appended hereto. Electronically affixing nry signature to this report carries the same level of authenticity ared responsibiliry for this report's content, analyses arul conclusions as would appending an original ink signature on a paper copy of this report. Enc. Page 5 of 9 Insurance Appraisal TreasureQuest Appraisal Group, Inc. Appraisal Body ., � i � .i ., ,i � �� � Total Replacement Cost Page 6 of 9 Insurance Appraisal $225,000.00 T�.� � ��:, TreasureQuest Appraisal Group, Inc. Value and Item Listing � r'��.. 7 Appraisal #168/12-08 Line Description Replacement Photos Cost 1. ENVIRONMENTAL KINETIC SCULPTURE $225,000.00 ►, � � � ►, � Artist: Yaacov Agam I Titled Jewish Welcome, this polychrome work is � constructed of aluminum and mounted into aluminum sleeves which are set in concrete. It ►►►►� ►��,,,, `� consists of nine individual panels that reveal a I���� _, different image depending on the direction you view the work. It is signed by the artist on the lower portion of the last panel. Condition: Excellent Total Replacement Cost $225,000.00 .,,�_ Page 7 of 9 Insurance Appraisal - � pca �a�m- � � TreasureQuest Appraisal Group, Inc. (� Addendum Appraiser Profzle & Reference Material Page 8 of 9 Instuance Appraisal TreasureQuest Appraisal Group, Inc. Greg Strahm, ISA AM AppYaiser 1 �L Mr. Strahm is an accredited member of the International Society of Appraisers. As a generalist he specializes in personal property, advertising, posters, American pottery and glass, as well as the Decorative Arts. He has conducted numerous appraisals for Estate, Insurance and Donation purposes. His extensive background in marketing and public relations has been a driving force behind the creation of TreasureQuest Appraisal Group, Inc. He has conducted damage claim and replacement value appraisal inspections for major national insurance companies along with working closely with Trust & Estate officers and attorneys. Mr. Strahm is an appraisal associate with National Appraisal Consultants, a New Jersey based appraisal consulting firm that utilizes his expertise in conducting a wide variety of appraisal assignments. As co-owner of TreasureQuest Appraisal Group, Inc., he has facilitated and organized the appraisal and disposition of many estates. Some highlights including the sale of a circa 1906 Newcomb pottery vase for $22,000.00, a collection of art glass from the estate of Alessandro Moretti; the exhibition and sale of 2p`n Century art and decorative items from the landmark Palm Beach Estate, LaRonda; and a collection of 6 Madame Alexander polls that realized a record setting $75,000.00. Additionally, he has been responsible for appraising and organizing the liquidation of various private collections. Mr. Strahm served over three years on the Collections Committee for the Elliott Museum located on Hutchinson Island, FL. He has organized and participated in numerous Appraisal Fairs as well as Charity Auctions/Appraisal Events throughout the country. He resides in Hobe Sound, Florida and is a 4"' Degree member of the Knights of Columbus, and volunteers for various social and fund-raising committees at St. Peter Catholic Church in Jupiter, FL. A native of Fostoria, Ohio, Mr. Strahm holds a Bachelor of Professional Studies from Empire State College. Page 9 of 9 Insurance Appraisal � �_ \ PROPOSED 8' CHAIN-LINK FENCE PROPOSED FPL TRANSFORMER PROPOSED 6' CHAIN-LINK O FENCE 9 6'L9 r .� 2.5' OH 9RIGER DRI NOT PLATTED Sl1B7ECT TO PROPOSED 8' ORDINANCE OF THE aTl' OF PALM BEACH GARDENS CHAtN L[NK FENCE O.R.B. 6608, PG. 2H8 N00°49'09"W lOD2.57' �������V�iiiry.s��°i��������lll��IIIIIIII�� —_,,,, , , � , ,- , ,.o � O 9.5 18 5 ' � �.�� iYP. - ,� �' _ _ .. � - �- T13'S6 f- _ _.. . � MCSIGPIAG� _ ' - �- _ ::: :�. . � , � � r .. ._ \ � � ._ . 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ISL4ND������.. 4 fn LS 5 fi SN/ - p " - - - � -�25' FLAGPOLE, � `� � rva. o- \ � MECH • ' COVERED YARD YARD BII� R4CK, TYF, � /�� TOWER \ � rROOFOVERHANG . ��.. 1 � -1-��- � TheMande/✓CC ' � ''; /' � . � Arthur l. Meyer�icaderny � �S BW%/dl/7g i�i % zo� x zo aa[se� I %-J�fON PIANTER: fYP. _._. _.. . .. . . �-0 � _ _ 5' $W. _ _ -0 I PLAYGROUND � PLAYGROUND 2,303 SF 2,303 SF ..... ..... .. 4' VINri FENCE fj SOGCER N00°49'43"E 623.32' NOT PLATTED Sl1B]ER TO ORDINANCE OF THE CCfY OF PAIM BEACH GARDENS O.R,B, 6608, PG. 288 � I i � PLAYGROUND 2,303 SF POOL 4' PVC fENCE; / \ U \ \ � � L ._.... ��". _ _ _I— — .._.. .__. . � :. _ _ _ C�7 GATE �:.' � � ��1 i���i1i"W1�/ � 5' SW �':..:' � UPLAND PRESERVE Q���,s,.'.., I S.ZD AC 5 :: 8' :FENCE / 'r. � �✓ / /�/ LOCAT/ONMAP NTS, � N S/TE GENERAL /VOTES REFIISE SERV[CE SHALL BE ACCOMPL15HE0 BY WAY OF ]ND1VtWAL �IIMPSTER AND REC1'CLING PS SHOWN ON THE SPE PLW, RPMPS SHALL BE PROVIDED AT qLL INTERSECRONS W1TH HPIV�IGIF PNWNG PND ORNE ISLES IN ACCORDPN� W1TH pDA FWO THE FLORIOA HANOICpP A[CESSIBILIiY CODE, P115IGNAGESHALLCONWRMTOTHEREpU➢tEMEM50FTHEQIVOFPptM BE�1 GPR�ENS LqE'S OR WANERS SHALL BE 5011GHT Fl20M CITY WUN4L, TYPE 0 OR F RAISED CONCREIE NRBING SNALL 6E IISED WIiMN PtANT[NG LSLW DS AND WfTHIN VEHIQIIAR 115E PREAS. All.510EWALNS SHALL BE A MWIMUM OF 5 FEET IN WIDTH PERTHE IDR'S ALL 9UILDING LiGHTING NT ENIItY ANO OOORS SHP1L 6E ON PH�TO¢il. 1HE BIl[LDING LANpSCqPE NJ� LtGHiiNG �6IGN SHPI.L MhtlMRE THE LLSE OF CPIED DESlGN PRINCiPLES. 5' % 15' S4(E SIGMTTRIANGLE SHPLL BE PROVIOED ATTHE PR�]ECf ENIRY OR1VE. iHE PHOTOMEfRIC PLAN WILL REFLECf IlGHTLVG VAUlESIN PLCORDNJCE Wfili THE REQNPEMENTS OF THE GItY OF PALM BEACH GARDQJS lDR'S. PLL PARKING LOT SfR1PING E%CEPT FOR PNRpNG SPRCES SHALL BE CON511t4CfE� t14NG THERMOPLISfIC MAfERiFL PJ ACCORDANCE WtTH l}lR SERION 78-344. PLL PARIQNG ANO STREET LiGHTS FNO PEDESTRIAN LIGHTS SHALL BE MEfL1 HN]OE, OR EQUNALENT AS APPR�VE� BY TME P013� DEPPRTMEM. PROIECi IO SIGNS SHN.L BE ILLUMINATHJ WRH GROIIND MOIINiED FATIRES ON PH�TOCELIS, ALL HANDICAP ACCFSSIBIE RPMPS SHALL MEEf ALL APPLICPBLE REGIONAL AN� STA'IE A2'FSABILiTY GLIIOELINES AND PEGULOTIONS, ANY MOD1FIfA'IIONS SHALL 9E APPROVED BV THE ENGINEER-0Fi3EWRD. THE S1TE SHAIL COMPLV WiTH l�R )9-3J6, THEftE SHPLL BE NO OUlOOOR S�ORqGE AREAS PERMITTEO ON SIiE. LEGEND CONC. CONq2EfE MAIM. MAINTENPNCE °e HCSIGN FlN FWSH WNK OH OI�EWiPNG j� y-�OPSIGN HC HANDICAP PL PROPERNIlNE Frt HOGHT R Rpp71J5 g PEOFSiRIAN CROSSING LM,E, LPI(E MAINiENANCE E�SEMENT SB SEf6AIX � pp NOT ENTER LS lPNO5G4PE SW SIDEWPll( L.B lANpSCqpEBUFFHt TVP ttPICPi tIE UTILiIYEASFMENT Site P/ar� 0' 15' 3U' fi0' 90' 120' Scale: 1" = 30'-0" North Cotleur & Hearing Landscape ArchitecGs Land Planners Environmental Consultants 1934 Commerce Lane Sufte 1 Jupiter, Fiorida 33458 561.747.6336 � Fax747.1377 www.cotleurheadng.com Lic# LGC000239 � ��v � N �^� � � � � O � � � � � Vl � � \ � � � � ,�nV V C \ � � � �^, W \ � �.�� �3^` � a � � � \ � DESIGNEO EP/�EH ORAWN NBP/DMS APPROVED OEH JOB NUMBER 11-0313 DATE 07-27-11 REVISIONS Ot-76-12 oz_ZO_,2 03-28-12 04-2312 BID SET Aprll 2]. 2�12 11:02:49 a.m. Drowing: 11-0313_JCC_SP.OWG SHEET � OF � L � COiLNRB HEARINO, MC. �m miwew�vw°°a����an°r.«°p�i �wve�� mm`e�'� Mm�maViv Cotleur & Hearing Landscape Amhitec[s Land Planners Environmental Consultants 1934 Commerce Lane Suite 1 Jupiter, Florida 33458 561.747.6336 � Faz 747.1377 www.cotleurh earing.com Lic# LC-0000239 W � � Q \ � � � � � ^� � � �_ � � � � \ � � � v" � Q� � U � N � m � `\ � � � a � ; � 0� � DESIGNED EPI�EH ORAWN NBP/DMS APPROVED DEH JOB NUMBER 11-0313 �ATE 07-27-11 REVISIONS 01-1s-12 oz-zo-iz 03-2fi-t2 04-2&�2 BI� SET Ap�ll 23, 2012 11:02;49 0, �rawing: it-0313_JCC_SP.OWC SHEET '} OF � � 0 COiLE11R8HFARINO,INC. mwhBeereUeomxMm�neemi'weeneen wpqcre w�w.eme� i�:miwwu� i�:�u.n immaeiae v mnn wy e.<,00a �a� m ma a�mrm Yaacov Agam Fine Art Biography Page 1 of 3 Yaacov Agam's Bio ���� � , , � . � �, 6 t � - 7� :i. �y � _ ��. R �� --� !�� C�. �,� � ;ut�� °r�..�]f� l�, � �i� ,� ;i' - � ,;1t<,-��.,� T>E•jt;C'. �ii:l.C�ti Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemparary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote �� � �' books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. Agam studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische � Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This e�ibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art. A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings "Double Metamorphosis 11" in the Museum of Modern Art in New York and "Transparent Rhythms 11 "in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including "Communication x 9" on the Michigan Avenue in Chicago (1983), "Communication: Night and Day" at the AT&T building in New York (1974), "Super Lines Volumes" at the Pare Floral in Paris (1971), and his murals "Peace" and "Life" arc installed at the Parliament of Europe in Strasbourg (1977). Agam has expressed the new concepts in monumental works as in his "Jacob's Ladder" which forms the ceiling of the National Convention House in Jerusalem He created a"floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1 987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving ;� �: � ��� http://www.aejv.com/agam-bio.htm 4/ 16/2012 Yaacov Agam Fine Art Biography within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including "Hundred Gates" in the garden of the residence of the President of Israel in Jerusalem, "3 x 3 Interplay" installed at the Julliard School of Music at the Lincoln Center and "Wings of the Heart" at J. F. Kennedy airport in New York. In 1984 he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988 he created a transparent torah ark for the Hebrew Union College in New York, and monumental multidimensional sculpture at the Crystal Palace Hotel in Nassau, Bahamas. In 1987, he created a memorial at the Wailing Wall in Jerusalem for the victims of the holocaust. In 1991 he created a sculpture 'Tree of Life" and a room for meditation at the Haidrah Yeshiva at the Wailing Wall Plaza in Jerusalem. He also made 14 stained glass windows for the Holocaust study center of Emunah Women of America building in Jerusalem. In the new district of La Defense in Paris, Agam created a monumental musical fountain (1977), with its pool made of polymorphic mosaic surface. It is comprised of 66 vertical water jets shooting water up to 14 meters; the fountain was further enhanced with the addition of five new triple tulip jets in 1991. Another fire-water fountain was inaugurated in 1991 at the Tampa Convention Center in Florida. Other monumental works, include the painting of the entire building facade of Mondrian Hotel in Los Angeles (1984) and 36-poor Villa Regina building in Florida (1983) He made a large mural for Port Authority Bus Terminal in New York, commission gained through an international competition, in 1984. His kinetic sculpture "Star of Peace" was presented as the Ben-Gurion Award for an Outstanding Contribution to Understanding Between the Peoples of the Middle East to President Anwar Sadat, Prime Minister Menachem Begin and President Jimmy Carter in 1979. Agam has delivered lectures concerning his theories and experiments at many art schools, conventions, universities and museums, and during the year of 1968 he was a guest-lecturer at Harvard University, where he conducted a seminar and course "Advanced Exploration in Visual Communication", International recognition has been widespread: Prize for Artistic Research at the Sao Paolo Biennale (1963), Chevalier de 1'Ordre des Arts et Lettres (1974), Honorary Doctorate of Philosophy, Tel Aviv University (1975), Medal of the Council of Europe (1977), Commandeur de 1'Ordre des Arts et Lettres (1985), Sandberg Prize from the Israel Museum, Jerusalem (1985), Palette d'Or at the International Festival at Cagnes-surMer (1985), and most recently the Grand Prize at the First International Biennale in Nagoya, Japan, ARTECH'89 (1989). He has participated in shows all over the world and has had many one-man exhibitions, including the retrospective e�ibition held at the Musee National d'art Modeme in Paris (1972), which was then shown at the Stedelijk Museum in Amsterdam, Stadtische Kunsthalle in Dusseldorf, and Tel Aviv Museum. Another large-scale retrospective e�ibit was held at the Guggenheim Museum in New Page 2 of 3 '�����q ,,I'j��� , � i � �' I ����� . � http://www.aejv.com/agam-bio.htm 4/ 16/2012 Yaacov Agam Fine Art Biography York (1980). He had a large one-man e�ibition at the Museum ofPontoise (1975), the Palm Spring Desert Museum, California, on an occasion of the inauguration of the museum (1976), the Museum of Art Birmingham, Alabama (1976), the Museo de Arte Modemo, Mexico (1976), the National Museum of Art, Cape Town, South Africa (1977). The retrospective exhibition was held at the lsetan Museum in Tokyo, Daimaru Museum in Osaka and Kawasaki City Museum in Japan (1989), and at the Museo Nacional de Bellas Artes in Buenos Aires Argentina (1996). He also held an e�ibition "Selected Suites" at the Jewish Museum, New York (1975). Agam has also had many one-man shows in art galleries since 1953, including Denise Rene Gallery, Paris (1956), MarIborough- Gerson Gallery, New York (1966), Gallery Denise Rene, New York (1971) and a series of one man e�ibits all over the United States at the Circle Fine Art Galleries. His visual education method and non-verbal educational system, meant to increase the creative and intellectual abilities of the children by the usage of visual alphabet as a mother tongue, is implemented in pre-schools and kindergartens in Israel. In 1996, Agam was awarded the Jan Amos Comenius Medal 1996 from the iJNESCO "for having devised a particularly effective method of visual teaching for children." Copyright OO 2003 Agam, All Rights Reserved. For More Information, Call Toll Free 1-800-781-2787 Page 3 of 3 A,�am Houle � Agam Ori�inals �!�17am Litriited Editions � A��1�� Bio � A��am Price Guide Main Menu � Info Center � Classifieds � Featured Artists � New Releases � Gift Shop � Guest Book How To Reach Us By Email: Click Here! Try Art Galleries 1840 41st ave. suite 102, Capitola California 95010 California: 831 477-2000 Toll Free: 1 800 781-2787 Fax: 831 479-1550 Le�al Notices Copyright � 1995-2004 Fine Art Enterprises, Inc. http://www.aejv.com/agam-bio.htm 4/16/2012 "FIRE AND WATER" Disengoff Circle, Tel Aviv, Israel 1986 � � ■ � ■ � � �� ..� ��' JOHNSTON GROUP � � � �� �� � �;� �� �M _ �� � � �. , � � � � � ���� � � �'.�J n �P ��. +�� � s " ' r , �,�'��; � ,� � � � ;�.� �� � �y,.��. r1� � � ;� � . ��� . � , � �� a, �s � ' � � 4_�. d. [� ���� ��+�� �._ �� "BEYOND THE VISIBLE" ��' Kaohsiung, Taiwan y 2009 �� ,, THE MANDEL JCC / ARTHUR I. MEYER JEWISH ACADEMY PUD Art-in-Public-Places Application 601 Heritage Drive, Suite 127 I Jupiter, Florida33458 EXAMPLES OF ARTIST'S WORK (561) 691-4552 DATE: 5/14/2012 PAGE: 1 of 3 "VISUAL V� Zack Street on H JOHNSTON GROUP Ta m pa, 19 "EIGHTEEN LEVELS" Israel Museum Jerusalem, Israel 1971 THE MANDEL JCC / ARTHUR I. MEYER JEWISH ACADEMY PUD Art-in-Public-Places Application 601 Heritage Drive, Suite 127 I Jupiter,Florida33458 EXAMPLES OF ARTIST'S WORK (561) 691-4552 DATE: 5/14/2012 PAGE: 2 of 3 JOHNSTON GROUP 601 Heritage Drive, Suite 127 Jupiter, Florida 33458 (561) 691-4552 "NEW ORLEANS HOLOCAUST MEMORIAL" New Orleans, Louisiana 2003 THE MANDEL JCC / ARTHUR I. MEYER JEWISH ACADEMY PUD Art-in-Public-Places Application EXAMPLES OF ARTIST'S WORK DATE: 5/14/2012 PAGE: 3 of 3 f�]91i�!;��t1� tPF��iI!1'' �ir�=f�e�;� ��;�,_,s��=�:�T J�si3�:r, F::r;�� i.3153 �Jtii;l C:3Y-�:�=� "`J E',�' 1� H'u�` E L�� �r'1 E�' ���� THE f�1A�I�E�ELJ��%,�R��3LJF� L MEYERJE'�'iSH ��A[�EMY Pl�[� Ar��in-Pu6�li��Fl����s �,pPlicatiari PF�C�T��F�r�PHS C'1F P'ROPQ5E[� ART'4d4�'�RK ��.�Tt: �?i 1; �_ii� '�-1i.�;t_ 1 vY �] JOHNSTON GROUP 601 Heritage Drive, Suite 127 Jupiter, Florida 33458 (561) 691-4552 "JEWISH WELCOME" 1993 THE MANDEL JCC / ARTHUR I. MEYER JEWISH ACADEMY PUD Art-in-Public-Places Application PHOTOGRAPHS OF PROPOSED ARTWORK DATE: 5/14/2012 PAGE: 3 of 4 JOHNSTON GROUP 601 Heritage Drive, Suite 127 Jupiter, Florida 33458 (561) 691-4552 � � �.-o� - .� - �m, "JEWISH WELCOME" 1993 THE MANDEL JCC / ARTHUR I. MEYER JEWISH ACADEMY PUD Art-in-Public-Places Application PHOTOGRAPHS OF PROPOSED ARTWORK DATE: 5/14/2012 PAGE: 4 of 4 Concrete Sidewalk In-Grade Luminaire (10 total) �� JOHNSTON GROUP (not part of AIPP application) \ Concrete Sidewalk THE MANDEL JCC / ARTHUR I. MEYER JEWISH ACADEMY PUD IDATE: 5/14/2012 Art-in-Public-Places Application 601 Heritage Drive, Suite 127 I Jupiter,Florida33458 ARTWORK INSTALLATION DETAIL (561) 691-4552 PAGE: 1 of 1 \ rn n � m �7➢0—� O<—Dm O �' � X y I O'? � W� � O x � � � C frl � Cn� WN� Z O � ���N�C (�/1 D � �� � ?�fT1N� Z f�� v� D Nn�C� � V7DZr,Znj�k m Dm I � m�z7nN o r Inm� � .p � O r � TiW ZD= nC n� I � m � � � D m m r D Z r < m �o� --� = r� �mn pA?� nU C� D' D m � o Z � This print contains confidential informotion CatalogNo.: $�04MH � which is the property of BEGA/US. DRIVE OVER � IN—GRADE LUMINAIRE — SYMMETRICAL � � By accepting this information, the ���Pd�^- borrower ogrees that it will not be used D2wnby: �BN Date: 7�30�07 FileName: 8704MH 70006egeWay for ony other purpose other than that which is was loaned. SCALE: NONE — DO NOT SCALE DRAWING ��IMada,Ca.93013 (805) 6840533 THE MANDEL JCC / ARTHUR I. MEYER JEWISH ACADEMY PUD DATE: 5/14/2012 JoHNSTON GuouP Art-in-Public-Places Application PAGE: 1 of 1 601 Heritage Drive, Suite 127 Jupiter, Florida 33458 LIG HTI NG DETAI L (561) 691-4552 � m I q I i I i � I � i > � m � I -� N . i I i PROPERNLINE i .: __ � _ -� � � �________________" ____'__________'_____ �.. ��r- . mi i � _____ "__' . ' e � .. . i g- _"___ '____ " _ '_._t__ �___�.�_ _. �� I ; ,�.a, , o ., �t ��—���—�—�—�—�—�—���— � � � ; ��.,. , A� . � �,� .... 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CONOtEfE � SEfBACJC ° HCSIGN y \ � �A 40 i , � , ' I o � "�.. i � . 59 � � FW FLUSHWPll( SW SIOEWPLK J� STOPSIGN �� \, � � � � SP I HC HPNOICAP TYP T1'PiGV. 25'LB � // `'`' 7 � l5 tANOHSUPE �E IITILITYFJS@AEM �OONSiRI�O551NG ' ROOTBARR[ER '%9 I � I L.B. LANOSCAPEBIIFFER �V A � OH OVERHPN� UPLAND PRESERVE .. 110 Z� TALL� 3:1 I� R RAOius � i.zonc o� � � � a a ° � '° � �i LANDSCAPEBERM � �w 5 � , - 3 I � I a,5 i iv ��ia�6^° Q e° / � �� . NtiB � a a / � j �'� ;� � es / � i � � � SP � I DESIGNED EP/�EH GG 5 I I APPROVE� NBP,DEH — / E 5fi / � JOB NUMBER 11-0313 / ` q , / I � /� H /�/� REVISIONS 01-16-11 DATE 07-27-11 �/ � So H 3 � / I i r�VI I I��VV� e P/a� 03-26-12 / �� - / . I 04-23-12 BI� SET / � � I � 0' 15' 30' 60' 90' 12�' APth 23. 2012 11:I3:�] a.m. :��... / / �� d' � I i �rawn9: 11-0313_JCC_LP.OWC / I i n �/' ��/ e A / / I "— ' SHEET 11 OF � G � � � Scale: 1— 30 North ��n��e��A��NMoN„���� �; ° / I �,� „� y�a�,o � f��:��:.; I m{an MY d�e W ro'm W Na vNYat L�iNDSCAPE DATA NAMEOFPRQ7KT THEMAN�EL7CC/ARTHURGMEYER7EN7SHACADEMYWJ� PROPERTYCONTROLNUMBER 52i2-41-35-00-000-1050 SECRON, RANGE, TOWNSH� 35, 41, 42 IX6TINGLANDUSE MXD PROFOSEDIANDUSE MXD IX]STING ZONMG PDA P0.0PoSEDZONING M%D/PU� SF AC TtlfAL SIfE ARPA SB2�241 13.60 LANDUSEALLOCA7ION sF nc w @.IIIDIAGLOTCOVERAGE 114,524 2.63 19.9% VEHICUTARUSEAftEA 145,793 3.35 25.395 OPENSPACE 314,939 7.23 54.7% TOT/LL 676�267 13.21 100.0^h SURFACECOVER IMPERVIOUS AREA ss AC 4b BUdDINGLOTCOVERAGE 114,524 2.63 19.3% VEHINlARl15EARE4 145,793 335 24.6% SIDEWALK(UNDER6'NRD� 4.320 0.10 OJ% SIDEWALK(fi'WIDE&OVER) 4,947 0.11 0.9% POOL q,q30 0.10 OJ% PIAZA 6 POOL DECK 32,877 0.75 5.696 MECHANICAL&SERVICEYARDS 3,430 0.08 0.6% TOI'pLIMPQiVt0l6 310,322 7.12 6Z4% PERVIOUS ARPA BUFFERS 16,6q4 0.61 4.50% GREENSPACE 111,0q0 2.55 18.75% RECREATION - BALLFIELDS & PIAYGROUND 91,953 211 15.53% UPLANDPRESERVE 52,425 1.20 8.85% 70fALVERVfO1S tB?.062 &48 47.63% TOTAL 592�384 13.60 500.0% '' ' im ous PeMOUS ToWI 5 uare foota e s 143 s. R o P� / q g I q exr the total site area of 592,241 sq.ft due m a smail margln of GD error durirg tlraPong. LANDSCAPE POINTS 5F PROV SF OPEN SPACE WR IAND">CAPE POATS 137,591 337,684 23.2% REQUIREDLAN6iCAPEPOIM'S nEp, pppy 0 POMfS PER 100 SF ll,015 7A�768 OPENSPACE(15%REQ) 88,836 �RWSF PROVw OPENSPACEREQUIREDFORREWCEDPAWmVG 4,274 TOTALOPENSPACEREQUIRED 93,110 914�938 64.7% SOD s.F. vetce�r MAX.qO%OFfANDSCAPEOPENSPACE SS,W4 40% PROVmED 90�471 68% L.A/VDSCAPE IVOTES ALL PI/JJ! MATEAL4L SHALL BE FfARIDN NUMBER 10 B AS 0 R EftER FFINEDBYTHEDMSIONOFPIANiINDU5IRY 'GRPDES AIV� STANOPA0.S LATEST EDifION. THE 1AN0.5CAPE CONTRFlCfDR SHAIL NOT MAKE ANV Sl16Sii�MONS OR QIANGES WRHOl1TTHE PllTHORpATiON OF THE CITY OF PALM BEACH GHRDENS, THE OWNER AN� THE LANDSGPE A0.CMTEC7, tHE LAN�SCAPE CONTRACrOR SNALL REVIEN/ THE PRO]ER �RAiNPGE AND tITllITY RANS PRIOR TO CONStRUCTION AfJ0AVOIDALLCONRICTS, THElAN�SCAPECONTRACfORSHALt�ER[F1'TFffLOCATfONOFP11UN0ERGRWfJD UTRITIES PRIOR TO WMMBVaNG WORIC TREFS SHAll 9E POSITIONED TO AVOID (YINFLSRS W1TH SRE LIGHiING AND 9GNPGE. pLL LPNDSGIPE SHALL CANWRM TO iHE REQU1R9�1ENi5OF THE pT' OF PAlP16ERQ1 GAROENS WJD OEVEIOPMH�lI' REGIlL4TlakS. ALL ABOVE GROUN� lfI1LITIES I.E. TRANSFORMERS SN7TCH BOMES AC CONDENSERS ANp ALIIQ SHpLL BE FULLV StllEENED FROM VIEW ON THREE SI�B W1TH 4Wd5CPPING( IXaLpING ANiEIJNAS). TiE LWOSCPPING SHALL E%TEND ONE Po0T HIGHER THPN THE TPLLESf VOINT OF SAID EQUIPMENT AT T[ME OF PWJTING. PLL TREES SHAIL BE LOGIED WITHA! A MIlLQ1 PL4M]NG BED WfIH A MINIMIIM OF N!0 (]) FEET OF OFARAN� T[l THE EOGE OF THE 6ED. SHA�E TREFS SNALL BE NO CfASER THPN l5' Fl20M SUA V(ILITIES UNlE55 AN 4PPROVED 48" ROOT BpRRI9215 PROVfoED, N091A�E TREE WRL BE PERMRT� [LOSER THPN 10' FRaM Sl1A 11TILR1F5. Pp1M TRFES SHPiL 6E NO a�92 THAN 10' FROM SUA UTILIi]ES UNIF55 AN APPRO�ED 49" ROQI BAIWER LS PROVfOED. NO PP1M TREE WILL BE PERMIi'f'cD QOSER THr1N J' ikOM SIIA IITIlRIFS, ALL SO� WfTHIN NEW WV�SCPPE PRFAS SHPL. BE SIENOTAPHRUM SECONOqT115 "RORITAM" (ST AtIGtISfINE SOD), EXCEP� IN THE AREA PROUND THE ,Tt AOtE IAKE AND iHE ,6l A�iE ORV REfEM10N AREA, Wr7QlE BPHIA SW SHMl 6E SPECIFIED. TREES WIiHIN PLANiING 15LPN05 LF55 THAN FNE (5) FEEf IN N7�TH SHNL 9E LOC4T� TO AVJID CONNGTS WfiH THE OVERHPNG �F VEHi�FS, TYPE D OR F RHISE� WNCREfF CIJRBING SHALL BE PRONDED AROIIND l�LL PLWiING ISLPNDS WtiHIN I�EHIQIWt �SE ARElS, TREES AT EMWW� WAVS PND WITMIN SIGtf� TRWVGLES SHALL BE 1RIMMEO IN SUCH A F/SHIOIJ TO MPIIMIE SITE VISIBILITY CONFLIC75, CIEPR VI5181LiiY SNALL BE MPIMWNEO BETVJEEN 30IIJCHES PN� ) fEEI, PIAMING ISLAN�S WffH1N AND ANACF.NT TO PARIONG APEAS SHALL 9E FREE OF I1ME ROO( PND OTHER FOREIGN MATBUAtS TO A �EPTH OF 36°. IF NECESSARY� RECYCLED %ANTING SOIL MIXNRE SMOUID 8E USED TO REPIA� UNSUITABLE SOIl� WHICH 75 EXCAVATED. EMTi 86iM5 SHALL NOT IXCEED 3' PND A SLOPE OF 4:1. ALL IMHUOR ISlANDS SHNL BE MCIINOED (EPRTH ROLL) 12" HIGHER THPN THE QIRB, ALL AREAS SHALL BE FlILLV IRRIGA?EO IN AQARDANCE WITH THE REQUIREMENTS OF THE QiY OF PP3M BF4CH GqRpENS. THE IRRIGATSON SYSfEM SMALL BE �ESIGNED TO PROVIDE l00%OVERIAP CO�ERAGE T� ALL tYEN! tFNpSUPE AND SOD ARE45, THE IPAIGATIOIV SY51'cM SHALL BE EQlllPPE9 W3TH A RAIN SENOR/M OFF SWffOi M ACCOR�PNCE WIiH SfATE (WD LOCAL REQUIREMENTS, THE LPNDSCAPE fANTRACfOR SHALL BE RESFONSfBIE FOR ALL PER�4T5 FOR HIS/H9E WORK NO YERTICAL CONSTtUCi]ON OR PLAM'INGS WILL BE PfA�� WITi1N THE 20.FOOT LPI(E MAIMpVAN� E45EMENT� WITH THE E%�PTION OF THE APF/S WHERE A WFlPiER HAS BFHV REQU6fE�. ALL LNJDSCAPE SHFLL CONFORM TO THE REQIIIRB�lEN15 OF THE att OF PALM BEAQi GPFDENS VJYO �EYEIDPMHJT REGIILATI0N5. THE QN Of PALM BE4a1 GPRDENS W�E (LDR5) SHP1L GO�ERIV IN THE EVENI' OF A CONfl.[CT. ALL IXOTIC NJD N46ANCE VEGETATION SHqIL BE REMOVED Fl20M ON SI7E, ALLTPEES AIJD LFNDSGOPING Wll10E FIEID lOCpiID TO AV010 CONFIICT WRH THE IXLS7ING IfRLITV,IIGHT POlES AND DRAINNGE lIIJFS. PLANT UST ror>i noart o�ffanEO nae�nae PBG PREFERED SPECIES PN6ENp�Q1'/ IOlALQ1Y vb DOIXtS QESLOT DSPECiFS TY YN BOTAMIG[NA CoMMONNAMf SpE SpA[MG REHARNS TREESRIPALMS(MM)5%PRH{REpREQU1PED) 545 S68 96^h 15 vE 23 - ^Y W0.5EPFlSIMARUH4 GUMB�LIMBO 13'X6',Y'CHL RILLCANOW SHRU�(t�@!)5%PPEFEtEppEQU➢tm) SO�175 11�285 9�°io 330 " DR^ �ELONIXREGIA ROYAlPOINCIANA 19-I6';1-3"CAL A.S. WItfANOVI 135 IS 9 - 9 IC^ ItE%CA59Nf pqry00NHOLLY 13k6',3.5'fAL AS RILLCANO% LANDSCAPE POINTS 885 IS 59 - SB I3+ tpGEP5IR0EMiAIN�ICA,MU¢�xisw�WSCn¢ CR4PEMTftTI£ 13'O.A.,1p5FR�. A.S. FLLLC4NOW,LIM6UP3' 31 - 31 u ucusmumu�voxtcun ucusraun'rn�wan 60.A.n'SP0.�. A5. FULLC4NOR',LIMBIIP9',MIILTI-SfEM OPFNSPACEFORLANDSCAPEPOINTS 137,684 SF 350 IS 50 50 PEI�^ NNUSFWOTIIDFN54 SO.qANpA5lA5MPINE l3'O.A.,2"fAL A.S. RILLCANO% 06 IB II i) FF3�^ FlNUSELLIOTIIDENSA SO.ROWOASIASHPINE ISO.A.,2.5"CAL p.5. RIlLGNO% UIREDLANDSCAPEPOINTS 16� o q . d pyl�^ QUERCUSVIRGINIANA SPECtMENlNEOAK iik35,13"CAI., p,5. WLLCANOM,SC.T.MIN. � 995 IS 63 - 63 QV�^ QIIERCUSVIRG�N�ANA LIVfOpK 19'z5',].S'GL. A5. fULLCANO%,SC.T.MIN. BPOINTSPERIOOSF 11r015 3� I - 3 Qy�� QUERNSVIRGMIANA lIVEOAK I6'xfi'�2.5'CAL, p5 NLLCANOW,SC.T.MIN. QW^ pUERCUSViRGINUN4 LIVEOAK 1@x6',3.5"<AL A.S. NLLfANOW,SC.T.MIN. 60 15 9 - q TA0^ qBEW1ANFfEROMYLIA %NKIAIIMPETTRfE 13x6',2.5°CNL A.S. RILLCANO%,CFNRqCIFASPECiMfN FOUNDATION PLANTING RBj PRO 3en rara�rRee vortrts 1 TREE/30 LF OF FAC/ DE -(2587 LF TOTAL) 86 >86 ____._... VPIMS mnnaFxon nun�us 1 � HL XYOPHORBEIAGENICA 49.5 5 {A LLVIS?ONIAROTUN�ip 33 - 10 PFpl PIYCHOSP&M4FLfW 36.3 3.3 IS - 11 PFq3 PIYCHOSP9iM4fl£W 16.5 33 5 - 5 VER9 PlYCHOSP6tMCEIfW 3 3 PHM9^ PHOENIXDACT'IIfERA 340.9 ).3 - 33 ROYSTONEAEIATA 14.9 8.3 3 ^ S4BpLPAIMEIT� 149.9 IB SV�^ SFBFLW.LMETTO 26 � 36 SP"^ SFH4LPALMtTTO 3 SP'^ 54H4LPALMEfTO 49.8 83 - 6 ^ 54fl4LPALMEITO 33.3 8.3 4 - C SVW^ S4fl4LPALMEtTO 1%.9 t43 - SP•^ SA84lGAtMflTO 10 1 t0 - 30 TR• TXNNN%RADIATA 9i 95l Sq) 303 s 32 53l I118 1 251 zz3 �ii �ra3xl � 953 19> 353 339 53> 198 ,109 ILB 36 1 351 zz� 1' i6 96 ai 14> 3t4 � ue l�la9 11B 28 uv u3 1 ;416 >�i NM^ COOIAfiIM'MAMMEY' EP IIGENIAFOEf1�A Ffl� EIIGEWAFOEfIDA �AT^ JATPORW ATl^ JATWPHAS�AN�A0.0 ]AG3^ I�A�ROFHAWISX G MIA GFACIt15 HC"^ H4M¢IAPATENS HID XIBISN50.05VS�NfN515 N'^ IlD(VOMROPIF'STOIQSDWARF M IM]PA'NOPAGIVAM' MC""^ MYNC4CENffPA nx wuws exc�.0 bAV^ SCHERIEPAAR�NCOtATRMcTTF 6E0.*^ SEPENOpp£PENS TI COIIDYIiNEfliUTIC054RfD515�fR' SB�^ SPARiINF BpI�R[ T�'^ TNP54CUMOAClYLOIOES TA^ tAMIAWMIIA - EII^ EUPXpA6IAMll11'ROSY'(PINIQ 1.006 Ri FlCUSMACRO%ttl1A'G0.EENISL4NV - 30> ]F^ ]UNIPERIlSFA0.50NIt - 10 LM 1IR10PENU5CAN'EVERGREfNCilAN�' A.S. IIMB UP 3', MIN 9 SfEM. BOTREPALM .p„Try�CKTRUNK A.S. RILL&THIIX ROUNDLFAFFFNPALM p<.T. p,5. P1LL ALE%4NOERPAIM pC.T.SMGLf p5 RIIL&THICK PLE%4N�FAPAIM gC.T.DDU&E p5, fULL6THICK ALdANDEAVAIM @C.T.TWPIE A.i fUtl&TMICK MFDlOOL�ATEPAIMTRIPIE 12'CT. TNPLESTEM A.S. Nl4n"MMEiNCFl4CLFANTRIINK FLON�pROYALPAtM I3'G.W.,19'C.TMM. A.S. FULL�S2PAIGIRTRUNK,MATCXED 5484LPAtMETTO 14'O.A. A.S. NLL&TNICK SA&4LPAUA[TTO 160.A. A.S, qILL&TX�CN 54&1LPAtMERO ]]'O.A. A.S. L&THICK S4&1LPAIMETfO 9'O.A. A.S. PILL&tNICK LGAIMETiO 36'O.P. A.S. qILL&THIIX SA94LFAIMETTO 36'O.A. A.S. P1LL&THICK 54BALPALMEiTO B',�1'�19'Cf�STGG.,UNIE55NOTE�ONPIAA.S. GG.HGfS.,(1(iFA.512E) THATCHPALM fi'O.A. p.5. SPECIMEN SEAGPAff k3,1k3' MAMMEYCROTON #3�1k3' SPANLSMSfOPPER #352hQ' SPAN6HSTOPPER #1 6'IO' )A7110PHA SHRUB #3, R'M' JA7110PHASTANDAR� S%Y JATiOPHA&ISH 9'%9' TXRYPWS #3,2'%2' Fl0.E&ISH #3,2'%E' oouaevencnn�e�scus za,zYa� ARFYAUPONHOLLV C3,t3'k13" MNKI%bPA >3�2Y2' WAXMYRTLE #3�3k3' lADYPFLM SO.A.s3'SPRD �WARFVAWEGATEDSCHERI£PA k31.2'%12' S4WPALMEfTO AI3'I(Y 0.E�iIPtAM #3,3.SO.A. S4NDCOROGPA55 #1,12k1Z" FAK4NATQIffGPA55 k3,2k1' COONi�f #3, IB'k 19" �u�ss5 wo (SF.)CYNOWNOACfYIDN'Cp.EBRATiON' S.F.CEtEBMitONBERMIIDAGPA55 NOTE: AS?EN51( (�) INOICATES RONDA NNTNE PtAM MPTFIWL OT'c:STMBOL(-J IND�G4T6 PALM BFACN WROENS PREJ£RRED RAN� MATERIAL NOT£: SYMBOL(^) IN�ICATB �0.0UGHf TOLEPAtR VIAM M4iEWAL wuerwa PJLL&TH�CN 3'O.G RILL&THICK l'O.C. RILL&TM[CK 2'O.G RILL&THIIX A.S. RILL,SPECIMEN,E.SGT. A.S. P1LL�SPfQMEN,3.5C.T. RILL6TNICK, WLLT00ASE 3'O.C. IULL&TMIIX 3.SO.C. Nu&�TMICK i�oc.c. w .incK wu arn�ce 2'0.[. FULL&IHICK ns. wuarH¢x A.S. NLL&THIIX�NLLTO9ASE 3.5'O.C. NLL&TH[IX q'�.C. WLL&TH(IX A.S. RILL,'IXLELSA' ZB"0.[. wLL&THIIX .SO.C. LL6THI<K 2'0.[. RILL6iHiIX 12"O.C. Wll&TMCN 2'O.C. FIILL&TNICK ro.c. wLLam�cx 18"O.C. &TMICN TRE6 SHRUBS °h NATIVE (*) 73 % 75% °h DROUGHT TOLERANT (^) 79^� qa% NOTE: AD]ACENT NATIVE PRESERVE HAS NOT BEEN CALCULATED AND SHOULD BETAI�N INTO CONSIDERATION PlA/VT/NG DETA/LS 3" MULCH FORM SAl10ER W ITH 3' CONTINUOUS EARTHEN RIM AROUND PLANTING HOLE PLANTING PIT DEPTH SHALL 6E d"F" GRENTER THAN ROOT BALL. PLqNTING PIT WIDTH SHALL BE TWICE THE OIAMETER FOR ROOT BALLS T AND UNDER�R2'LqRGERINDiAMETERFOR ROOi BALLS OVER 2'. 6ACK FIIL AROUND ROOT BA1l WRH STANOARDPLANTINGMIX, ELIMINATEAIR POCKETS. PLACE TOP OF RDOT BALL 2" NBOVE FINISHEO GRADE PLACE ROOT BHLL AT BOTTOM OF PLAMMG PIT ----i SHRUB/GROUNDCOVER PLANTING DETAIL s[E9PfC5 N%S L,ANDSCAPE SPEC/F/CAT/ONS Y. GENE2LL UW0.5CAPE REOIIIPENEMS 3. PLpNTING TREES IANDSfA➢ECONIAACiWORKINCLUDES,BVTISNOTLIMREDT0,50ILPREPARATION,FIIJEORFIWSH EXCAVATEPITASP9tPWVTINGDEfAILS. GRAOING FURYISHING NJD INSTALLING PIAMT MATERULL, WATEWNG, STAIQNG, GIIYWG 0.N� MUL6IIN�. BP.CKFSLL AROUND BALI. W3TH SrAN�PAD PIANTING MIMURE PND SLiGHTLY �MPACT� WqiER THOROVGHLY f5 L4Y9LS PRE PLA� TO 9PI WATE WIDS pND A[R POO�TS. BNLD A6" FpGH B6iM PLOMSIIEANOOIlN1iV OFSfPN�AROVWYrINGMIMURE9EroN�E�GEOFE%CAVATJON. PPPLY3"(qFfERSEffIEMEIV'�OF MIILCH E%CEVT WRHIN 6" OFTRUNK. TREFS,PALMS SHR1105 GROIINDCOVEPS: PlANTSPEC[E�qNp51jE55HNLCONFOFMTOTHOSEINDICATE�ON'tHE024NNJG5, PRLINETREETOREMOVEpAMAGEDBRANQIESIMPROYENATIIRPLSHAPE0.NDTHLY0l1TSfRLCNRE. NOMENCIATURE SHALL WNFORM T(lSfANOPRO MIJYT NAMES, 1943 EDITION. ALL IVURSERV STOCIC DO NOT FEMObE MORE iHPN 15% OF BRAN[F{F5. p0 NOT PRIJNE BACJ( TERMINPL LEADER SHALL BE IN ACCOROANCE WITN GRA�ES PNOSfAN0AHD5WRNt1R59tYP4Wi5PARi51&l] L1TESf EDITIONPl19LI5NE�BViHEfLORIDAO@AkfMENfOFAGNQ1LTlIREPNOCOf�LSUMERSERVIC�S GUYANDSTPI(ETREEINAIXORDPNCEWtTTHESTPqNG0EfA051MME�IA'faVPFfERPLMlI]NG. IINLESSSPEQFlF➢OTHERWtSE, ALLPLWi55HAtLBEiLOR10AGRPDENI1MBHtIORBEffERA�, DEfERMINE� BY THE iLORI�A �MSIOIJ OF PIANI' W�IISTRY. 3. PLMITINO SNI1U85 HLLCONTAiNERGROWNMNTERIALSHALLBEHEFLTHY,VIGOR0U5,WELL-ROD'f�PL4M5PN0 LAYOl1T9iRIl85T0OlEAiEACONTINllOU55M00THFl10MLINEPNDF➢LINBEHIfJD. ESfABLiSHFD IN THE COMAINER IN WHltli TMEY PRE 591D. THE PlANTS SHPil HAVE TOPS OF G000 QIIALifY PND BE IN A HEpLTHY GROWING CDNOITION. E%CAVATE PIT OR TRENCH TO t-1R T�ES TNE p1AMETER OF THE 6PLL5 OR COMAINERS OR 1'-0" WmERTHPNTHESPREA00FR00T5FORPO51T10NINGATPROVERHEIGHT. BAIXFIlLAROt1fi0 NJ ESiPBL6HE0 NMAINER GROWN PL4M SHPLL BE TMNSPLWYiED WTO p CAP7p]NER PND P WVTS W11H STANDPIED PLMlfING MI%RIRE, W MPf�C(EO TO ELIMINAPc VOIDS ANO AiR PoQ�TS. GROWN IN THAT CONTAIN62 SUFFIQENRY LONG ENOIIGH FOR THE NEW FIBNOIIS ROOTS TO HAVE FORM GRPDE SIIGIRLY DLSHED PNO BERMED qT �GES OF EXCAVATION. APPLY 3" p MtIL61 E%�PI' �EVELOPED SO THAT THE ROOT MASS W¢L RFfAIN i'f5 SHAPE AND H01D TOGEiH92 WHEN RH.tOVED WRHIN 3" OF SiEMS, FROM THE �IMPIIVER. PAUIVESHRI1d5TOREMOYE�AM4GED OI 1iRAN B IMPROVE NA'NML SHpPE PNO THIN OUT SfANDAR� PWVTING MMRIPE SHPll. BE ONE (I) PPRT RECYCLEO ORGANIC MATERIAL PDDED TO STRUCNRE. �0 NOT 0.EMOVE MORE TMPN IS^b bi BRANQiFS. THRff (3) VARTS EXISTING NpTNE SO1L. 4. OUINTING GAOUND COVER REPLACEMEM SOR SHP11 BF t1g0 AS 5 PEQFfF➢TO REPLACE W.STING SOSLS THATARE �EfERMINED BV THE LANOSCPPE PRQIITELTO EE UNSIItTABLE FOR PLANTING lE, ROPD 80.5E, PAVEMENT� EfC, LOOSEN SUBGRpDE TO OERH OF q" 1N ARE/5 WHERE TOPSOIL H/5 BKN SiRIPPE� PNO SYREAO REPIAQ4EM'SORMMSHPllCONTNN60b5ANDNJOqO�bMIlEK.5AND5T1All.BE1W%CLEPN SMOOTH, NATIVE SAND 542FENED TO S/4" AND MUIX SHALL 0E 100%CLEPN ORGNiIC NAT1�E Ml1IX S�N� T01/2". ALL SOIL SHPLlBE MMED PRIOR TO �ELIYERY OfJ 4TE. SPACE FlANTS AS OTHERWISE INDICATED, OIG HOLES W2GE ENOIIGM TO PllDW SPREPDPlG OF ROOTS. COMPACf &4CKFILLTO ftIMINATE VJIDS PND IEpVE GRPDE AIGHTLV DLSHED AT EAOi MULQi SHFLL BE SHREDOFD MELALRICA EtIGLYPfUS OR GRPDE "A" RECVQID. PLL MIILCH IS TO BE PIAM. WATBt THOROIIGHLY. PPPLY 3" OF MULOi OVER EMptE ftNJ11NG B�, lIFt1NG PIANT APPLSE� TO A OEPfH OF 3", EXLEP! 0.5 dTHERWfSF NOTH�. FOLtAGE ABO�E Ml1LOi. FERTfLt2ER A' B0.Ci(FLLL �9XTURE WR PLL PLNJTS SHALL CON95T OF MILORGPNIiE Af.T1VA'f� DIIRING PERIODS OF HOT StIN ANO/OR WIND AT TIME OF PLWTING, PROVIDE PROlKfIVE COVER SUIDGEMI%EONRiHTHE8PB�ILLATARATEOFNOTLESSTHAtJ50lB5,PHtNBICYpRp. FORSEVERN.OAVSOR0.5NEE�ED. FH2Tt132ERWRTREESpNO5HRU65MAYBETABLEfWRMORGRPNULAfLGRPNUVRf91TJLRER S.PLANTINGlAWNS SHALLBEUNIF9RMP1[OMPOSIiION DRYPNDRtffiLOWING. THISFBiTILRERSHPL.BE �ELIVERED TO TME 9TE IN iHE ORI(�i1Nr1L UNOPENE� BAGS EAQI BEPRING'IHE MMNFACNPERS SOODLYG: SOD TYPE SPEQFIEO ON PLPNT I.LST SHPLL BE MNCHINE SrRIPPED NOT MORETHAN 2q STATEMEMOFPNPLYSISeWDSHALLMEETTHEFOLLOWiN�iREQNRB�IEMS:ifi^kNITROGEN,]% HOURSPRIO0.TOlAYING. VHOSPHOWS,12%POTA�SIUM PLUSIRON, TABLEfFE0.TILRER (AGRIFORMOREQIIK)➢Vi1GRPM 92E SHAII MEET TME FOLLOWIFIG REQIIIREMENTS: 20%NtiROGEN� 10%PNOSPMORIIS PNO 5% L00.SEN SIIBGRAOE TO DEPrH OF 4" PND GRA�E WfiH TOP�iL EIiHFR PttOVmED ON 51TE OR POTASS]UM. 1MPIXtTED STANpqRD PtANfING MIX'ro FlNLSH OESIGN ELEVATIONS, Rql PFEPAPEO IAWN SURFNGE. WATet THOROIIGHLY, Blir DO NOT OtE4TE MIJ��Y SOIL CONDLfION. F91i11]ZER WILL BE PPPLIEO AT THE FOLLOWING PAiES: FERTIIIZE SOIL qT THE RATE OF P➢PROHIMATELY 101ffi. PBt 1pW S.F, SPPH➢ FEiI]Ll2Ht OVFR PLAM SIZE l6-)-t2 AGRIFORM TPBlEfS (Z1 GRAM) THE AREA TO RECEIVE GRhSS BY 115LVG qN ApPRO�ED D351RIBlIT[ON DEVICE CN]BRATED TO DLSfRIBIITETHEPPPROPWATEp�PNTItV,OONOTiERTILIZEWHHJWfN�VELOOTYIXCEE05t5 3 GAI. 1� l�B�, 3 M.P,N. THORWGHLV MM FERTIL73ER IMO THE TOP 2" OF TOPS011, ]-15 GPL. IJ2 LB, 6 LAY 50� StWPS W[iH T[GHI10[MS p0 NOT OYHttAP STAGGEit S�UPS TOOFFSEf ]OINt51N fi" AND IAR 92 3 L&S /1" GL]PER 2vP� 1' G�LIPR PIE SE�500�0 RB+RpVE IX��SOI�L O�EPOPS�RS FROM m�D�iAMREAMSIN500 ON SLOP�NGRE TER THAN 3;15NALL 0E STN�p IN PL1�. ROLL OR STAMP LIGHRV AND WATERTHOROUGHLY WIiH A °FLORI�A EAST COASf PPLM SPECIAL" SHALL BE MPL1E0 TO RLL PALMS AT W SrALLATION AT A RATE FINE SPRAV IMMEDIFlTELV A�fER PIFMING. OF'h LB. PER IfYCH OF TRUNK UNLESS OTH6IWISE SPEQF]ED. 6. MISCELI�NEOl19 LpNDSCpPE WONI( FIEID GROWN TRtFS qND PPLMS PREVIOUSLY RODT PRIIIVEO SHALL OBTAIN A ROOT BWl WRt1 SUFFfaBYT ROOTS fUR COM]NIIFD GROVRH INIrHON' RESIILTllJG SHOOG �IVDSGPE MPINTHJ.W� CONTRAC�ORSHALLfYOTMMKORSCARTRUNKINP1VVFf5HI0N. INCW EWATERI�NG�WffDING�NrnITNqTINGR�ESATORATIONOFGR�PDTE,MOWWGANDTRIM NG� PLPMS SHPLL BE WATERED AS NE�SSPRV OR WITHIN 24 HOURS AFfER NOTfFIGqRON BY THE GRASS, PRUNINGTR�FS pND SHRU&S, PROiEERON FROM INSEC75 PND DLgA56, FERiILIZWG AND LW DSG\PE PAQiRECT. SIMIWi OPERATfONS AS NEE�ED N IPLSIIRE ND0.MAL GROWTH PN� GOOD HFN.TH FOft I]VE PIAM MATERSAL. THE tOCATI0N5 OF PLW15 /S SHOI"M IN'IHESE PLPNS ARE PPPROXIMATE, THE FINPL L1ICATIIXVS MAY BE PDNSTED TO ACCOHMODATE UNPoRESEEN FIEfb roN�IRONS. MA100. PD]I15rtAHYIS TO PIAM MATERIAL SUBSItNRON THE LAYOUT ANE TO BE PPPROVE� 9Y 1HE IANDSCRPE NKSLLTECr, NO SIIBSTfrtrtION OF PLPM MA1ERiN NPE OR 9ZF5 WILL BE PB+MITfH1 WITHOtfT Pll PLASTIC FABWC SIiPLL BE RFTfOVED FROM PIANT MATERiP1 AT RME �F QJSfALLAT[ON, AllrHORIZATION FROM 1HE LINOSCPP�PRO111E(.7. NITREES MUSf BE STAKED AS SMONM ON THE PIANTING �EfAtLS WITHIN 24 HOIlRSOF Pl4NRNG, P✓�'T➢VG BED PRC9PAAl]ON STAKES TO REMPIN FOR A MINIMIIM OF 9 MONTHS, BUT NO LONGER TNAN I8 MONTHS. CON1RqL70R IS RESPON519LE FOR MWfJTENANCE AND REMOVAL OFTHE SrNQS, P��G N�ONCLUDING LAWNS SNALL BE FltEE OFaNl WEEDS NJO N15NYCE �� 0%�NG. ALL TREES Mt157 9E PRUNED 0.S PER LPN0.5UPE ARCHITECTS D1kECRON. SABAL PA1M5 MAY BE �ORPE�O GRASS (PPNIQIM REPEfS) 15 PqESENf OR 9YCOIINTERED Ol1RiNG PLMTING TF1E HURRiCNYE NT. LPNDS[4PE CANii2PL70R S}101L SI'bP qLL PfAM]NG IINI]L IT C!W 6E �EMO�`1SIRAT[S THAT IT WS BEEN COMPIETELY ftEMOVED OR BL+DICAI'�.'fHERE SHAll BE NO EX�PIIONS TO TM6 %20VISION. ALL SNRU&5 TPEB PND G0.0UN0 OJ�ER WILL HA�E IMPROVED SOIL /5 PER VIANTING 9�IL NOiES. THE SOILS fHPLL 6E PIALEO IN 1HE NOLE DIIRING PIANiiNG, TOV ORE59NG ONLY 15 NOT � VNDSGNE ISIANOS AN� 6ED5 WILL BE FREE OF SHELI ROIX AN� CONSrR11L7fON OEBRIS NJD qCCEPTpBIE. WILL BE E%CAVAi� TO A �EPIH OF 30INOiES OR TO CLEAN, NATNE SOIL NJD F61ED WRIi THE SPEQFIED REPfAQAEM SOIL pD NOT PiLOW !SR POIXFfS TO FORM WHFN BACKFILLiNG. PI.L iR�55HALL BE SillfE01N Ilt]LIZING WATER PNO A TPEE B4R. LANDSCpPE WpppEryry THElAN0.SCAPECONTRA(.TORSHNLLWqTER,MULQI.WE�.%tIINEAIV00THERWISEMAINTAWALL iHELAN�SCAPECONTRPLTORSHPLIGUAAANTEEALLPLPNTMATERiP1fORAPBtIOpOFSp((6) PIWJiSINCLLIOWGSOD,UNTILCOMPtERONOFCONIMCTORACC�EP7AN�BYLlJJDSC<PE MONTHSFltOMTHEOATEOFCON�ITIONAIACCEFrANCEINWRIRNGFltOMTHEWJOSGPE AR[M'i�CR, SFfREO PLNRS SHPL. BE 0.BEf TO PROPER GRA�E, PI.PNTING SAU�ES PBTORED� ARQIITEC7. ATTHE TIME OF CON�ITIONAL ACCiPrMlCE THE 51X (6) MONiH PEN00 SHNl ANO DEFECR�E WORK WRRECTED. COMMENCE. 0.NY MATERIPLS WHICH HAYE DIEO OR OECLSNE� TO t}fE PO➢VT WHERE THEY ND LONGER MEEf RARIDA #1 OJND'ROfY DURING THIS PBttOD SHALL BE PROMV(LV R�tALED WtiH THELAN�SC4PECLYVTRNCTORSNALLATALLiIM�KEEPTHEPREMLSESfltEEiRqNACCUMULATION SPEaMENSTHATMEETiHEMINIMIIM�p 111REMEMSCALLEDFORONTHE�PAWINGS.iHE OF WASiE MAIERiM.S OR DEBRIS fAl15E� 9V HIS O�EWS W RING THE PERFORMNJ(P OF THE NqR1C, tlW0.5CAPE WNTRN(.TOR SHAtL NOT BE HEID RESPON9&.E FOR TiE DEPTN OR DpMAGE RQILT➢VG UPON COMPLETION OF THE WORH, THE fANTRFlCfOR SHP11 PROMPTLY REMOVE piL WA51E r'ROM FCiS 0F G0� SUq1 AS �iGHiiV1NG VANDAIISM PN� AUTOMO9ILES ORFltOM (VEGLIGENCE BY MHT621HLS,DEBRIS�UNlISE�PIANTMATEfUPL,EMVTYPIPNTCONTNNER5PN0ALLEQl11PMfi`f�FROM THEOWN6i.CONRWCfORSHALLBERE�PoN99LEF�ORWATER]NGPN�OTNER`MSEMAATpINWG THE PRO]ECT SiIE, PL1M5 tIP TO THE W NOITIONAL ACCEPT0.NCE P6lIOO, IINlF55 A WRIITEN AGREEMfM W1TH THE I.AN�SVPE ARCHrtECi PROVIpES FOR A �SFFEtENT PRRPNGH�116 R. IIPON COMPLfTiON OF THE WORK, THE lFNOSCAPE COMMCTOR SHALL NOl]FY THE lPN�SGPE NRCI9TECT NY�REpUEST A FiNPl MSPECfI�N, pNl' REMS TiAi ARE ]110G� INCOMPIETE O0. IINAQHTABIE BY T}iE tANDSCAPE ARCHI'f[CT OR OWNER'S REPRESENTATIYE SHALL BE CQ4RECf� BV THE L4NDSCPPE COMRACTOR WITMN 14 �AYS. NLLLl�BORANDMATfIWLFORS011FMENOMEMSANDFERTILI2ERTHATISp� NREDTDINSURE THEStIC�55R1LESTABLISHMBJTPN�SURVNPLOFTHEPROPOSE�VEGETA ON ASWELLASALL THE CASf FOR THE REMOVPL OF UNSWTA&E OR E#F55 BAIXFlLL MATEWAL, SHALL BE INQLDED IN THE CONiRACfOR'S BIO TO PBtWPM THE WORK REPRESENiED IN TNIS PVJJ SEf. PfA� RUBBER HOSE ON WIRE AT p1L POIMSOFNtJTACf WCfMTREE PlA�3 OOIIBlESTRAN�S7 12GPLGEGPLVPNQEO GUV WIR � SPACED EQll/� OLSTANCE AROUND TREE nea� Fmsr uTeeu swwa PLACE SAiEfY FIAGS ON GUY WIRB TW15i WRFS TO ADNSr TBYSIIXY ON GIIY WIRE RfiNOVE BIIRLM FROM TOP 1/3 OF ROOiBPLL IF APPLtCABlE 3" Ml1LOi FORM S4IICER WITH 4"-6" COM➢VIIOUS FAATHEN R1M AROIIND FtPNRIJG HOtE 2'k4'k24" WOOD SfPI(E �RIVHY 3° BELOW GPPDE PLAMING PIT �EPIH SHPLL EQt1Al DBRI OF ROOT 9ALL PLUS fi" PoR SETftNG IAYER OF OJMPACIED SfAN�PRO PIANTING MIXNRE. %PM'ING PIT NRVtH SHALL BE iWICE THE �IAMEfER OF R00T BPLt BAIX FILL PAaIIN� ROOT BALL WtiH S�PNOMO PI�M]NG MIXfURE. ELSMINAtE AIR POQ'ETS. PLANTTOP OF ROOT BPi1 SLIGHTLY HIGHERTHAIV F]NI41E� GPPDE PIA� ROOT 9Pll AT 90TfOM OF PWJTING PIT LARGE TREE PLANTING DETAIL NTS 2lINE & TIE FRON�S TOGEfHER WITH EGNA�A9LE M'1NE (M]NIMUM 6A FHONDS) -i'k4'k18" WOOD&4TfEN5, W NOTfJAII �TfFt�S TO PMM. HEIGHT OF 6ATfENS SHALL HE PP�1.M FOR PDEQ ATE BRA4NG �G� � SrEEL 6AN0.5 iMMI1M3-2'k4" WOODBRAff55HALLBE DE NAILED TO WOOD BATfENS 3" MULCN FORM SAUCEH NRiH q"L" COM]NUOUS ENtTMEIV RIM PROtIND PLPNTING HOLE 2'k4'k24" WOOD STPI(E REMAIMNG 3" ABOVE GRPDE BAC%FILL PIEOUN� R00T BAI.L WI1H STONDOIED PW�lTING MUTURE. EI]MINATE AiR POD�TS. VIANT ROOT BpI10i SqBPl PAIM52"-3" BEL�W FINISHE� GRP➢E ZE OF ROOT &LLL WLLL BE M PROPORTION � s�� avo rn� oe vnua �n aEUnoN ra eurc oNMF�RV PRA��nM ne oi ne.mv� on PALM PLANTING DETAIL NTS Pwo �oP�wY.� ��.�ma s�<�MnorysE.�w �. �o �.��� .o nmr �p�, srK�r Typical SmaII Tree or Pnlm Tree with Root Barrier R: 1�5[ mm� ro xamr mtteiunaxs roq i,mmaxu. upra[�mirs� e �EP�TYPical Canopy Tree. Largesorg�1E9 Exotic Palm Tree with Root Barrier Lana�scape Detai/s COtIeU�' & Hearing Landscape Arehitects Land Planners Environmental Consultants 1934 Commerce Lane Suite 1 Jupiter, Florida 33458 561.747.6336 • Fax 747,1377 www.coGeurhearing.com Lic# LGC000239 � � � � � �� � � � � � � `� � � �_ V/ � W \ � � � � � i � V � �A` � MW \ � W � � t � � \ ^�V LL � � � � � � � \ � �ESIGNED EP/�EH DRAWN NBP/DMS APPROVE� DEH JOBNUMBER 11-0313 DATE 07-27-11 REVISIONS Ot-16-71 02-20-12 03-2fi-12 04-23-12 BID SET Aprll 23, 2012 11:13:J7 a.m. ��awing: I l -0317_JCCIP.�WG SHEET � G OF � L m��n �een�eYma�amNaAcPOV�nmem Me9eementlnwAiMxiNUre.mlil�sttinmeai� �on wY ErvmcoMa b Na qNlat. �i JOHNSTON GRDUP The Mandel JCC / Arthur I. Meyer Jewish Academy PUD Art-in-Public-Places (AIPP) Request Project Narrative May 14, 2012 INTRODUCTION The purpose of this petition is to obtain Art-in-Public-Places approval in accordance with the requirements of LDR Section 78-261. PROIECT $UMMARY The proposed Mandel JCC / Arthur I. Meyer Jewish Academy PUD property (the "Property") comprises a 13.60-acre parcel located at 5305 Hood Road which is generally located approximately 400 feet north of Hood Road along the east side of Interstate 95 in Palm Beach Gardens, Florida. The Jewish Community Center of the Greater Palm Beaches, Inc. (the "Applicant") has purchased the Property with a vision of creating a first class community center and K-8 private school that will serve residents within Palm Beach Gardens and throughout northern Palm Beach County. It is the development team's goal to create a thriving campus that is centrally-located, highly recognizable and offers a wide array of activities and educational resources to the community (the "Project"). The Project will consist of two primary components, the Mandel Jewish Community Center (the "JCC") and the Arthur I. Meyer Jewish Academy (the "Academy") contained within Buildings One and Two of the Project. The JCC and the Academy are further described below: ❖ The Jewish Community Center of the Greater Palm Beaches currently has a community center facility at 8500 Jog Road in Boynton Beach and desires to establish a first class community center on the Property to serve the residents of North and Central Palm Beach County. The JCC will be multi-functional community center occupying the majority of the space within Building One. Programs and facilities at the JCC will promote children, family and adult educational and social development as well as arts, culture, health and wellness. Uses within the JCC will include administrative offices, meeting space, common gathering and social space, a gymnasium, banquet facilities and a pre-school with an indoor playground. ❖ The Arthur I. Meyer Jewish Academy is currently located at 3261 North Military Trail in suburban West Palm Beach directly adjacent to the former campus of the Palm Beach Jewish Community Center and will be relocating its facility to the Property. The Academy will be mostly contained in the two-story Building Two and will provide up to 500 students in kindergarten through eighth grade with an excellent general and Jewish education. A gymnasium for the Academy will be included within Building One. WV�W.JUHNSTONGROUPINC.CUivl The Mandel JCC / Arthur I. Meyer Jewish Academy PUD AIPP Application May 14, 2012 Page 2 THE PROPOSED ARTWORK The proposed artwork is a sculpture entitled "Jewish Welcome" that was designed by world renowned Israeli sculptor and experimental artist Yaacov Agam. The sculpture consists of nine (9) aircraft-grade aluminum panels that are set in aluminum sleeves within a concrete base and are adorned in acrylic urethane paint with various patterns and shapes which change as they are viewed from different angles. The predominant visual theme of the panels is the Star of David which is a generally recognized symbol of Jewish identity and Judaism, and is formed when the sculpture is viewed from at least two (2) angles. Each 3/ inch thick panel is 25%2 inches wide and 12 feet tall, and when installed, is placed with an even separation in a row that measures approximately 18 feet in length overall. When installed, approximately 9.5 feet of each panel is exposed and visible above ground while approximately 2.5 feet of the base of each panel is concealed beneath the concrete slab base. Collectively, the art panels weigh in the range of 4,000 — 5,000 pounds according to their fabricator. The JCC's Jewish Welcome sculpture is one of several nearly identical pieces created by Yaacov Agam and installed in various locations throughout the country including a JCC campus in Chesterfield, Missouri. Jewish Welcome is signed by the artist March 21, 1993 and was originally acquired by the Applicant and installed at its West Palm Beach campus in 1993. However, when the West Palm Beach campus closed in 2008, the artwork was removed and has been kept in storage so that it could be preserved and installed within the Project. Photographs of the Jewish Welcome sculpture as it appeared when installed at the Applicant's West Palm Beach campus are enclosed herewith. ABOUT YAACOV AGAM Yaacov Agam is an Israeli-born artist who is widely revered as a pioneer of the kinetic art movement in which the fourth dimension of time is integrated. His work is often monumental and nearly always interactive. A comprehensive biography of Yaacov Agam's life and work as obtained from the website aejv.com is enclosed herewith. Additionally, some examples of Yaacov Agam's works from around the world have been enclosed herewith for review. While Mr. Agam has created art using many different mediums, the examples provided are limited only to outdoor sculptural pieces given that the proposed artwork for this project is an outdoor sculpture. PROPOSED ARTWORK LOCATION & INSTALLATION DETAILS The proposed location of the Jewish Welcome sculpture is at the southeast corner of Building #1 at the convergence of the north-south and east-west sidewalks. This location was chosen because it is securely contained within the Project site for the security and protection of the sculpture and yet is still highly visible to patrons of the facility as they enter and move about the site. Copies of the Project site and landscape plans with the proposed artwork location highlighted are enclosed herewith. The lewish Welcome sculpture will be installed within a concrete base that forms a quarter-circle between the sidewalks. The sculpture will be lit at night by 10 in-grade luminaires that will be flush- mounted within the concrete base and installed evenly between and at the outside of the vertical sculpture panels. A detail cut sheet for the specified lighting is enclosed herewith. A landscaped backdrop consisting of Ligustrum trees and a Green Island Ficus hedge will be planted behind (to the The Mandel JCC / Arthur I. Meyer Jewish Academy PUD AIPP Application May 14, 2012 Page 3 northwest) of the Jewish Welcome sculpture. These landscaping materials are included on the Project landscape plans submitted for City Council approval as part of the PUD application but are intended to serve solely as the backdrop for the proposed artwork. SCULPTURE MAINTENANCE REQUIREMENTS Since the proposed sculpture panels are constructed of aircraft-grade aluminum, they are extremely durable and require very little maintenance. The panels should be cleaned regularly with mild soap and water and waxed 3-4 times per year. They can be removed from their concrete encasements and the bases inspected for water damage and/or corrosion on an as-needed basis (estimated to be every 5 years). There are removable hooks along the top of each panel that allow the panels to be removed and suspended for inspection and maintenance purposes. Should any corrosion exist upon inspection the panel bases will be restored to their original finish. According to its fabricator, with this maintenance routine the proposed artwork can last virtually forever. PROJECT AIPP REQUIREMENT AND BUDGET LDR Section 78-261(c) requires that the valuation of artwork intended to satisfy the City's AIPP requirement shall be equal to or greater than one percent of the total vertical construction costs. Based upon building valuation table data provided by the Project architect, the estimated vertical construction cost of Building #1 (The Mandel JCC) including the future pre-school expansion is $7,747,397 ($129.72 per SF x 59,724 SF). The estimated vertical construction cost of Building #2 (Meyer Academy) is $8,148,000 ($116.40 per SF x 70,000 SF). The combined total estimated cost of vertical construction is $15,895,397. Accordingly, the required valuation of the proposed artwork is $158,953.97. The proposed Jewish Welcome artwork was appraised for insurance purposes in 2009 by TreasureQuest Appraisal Group, Inc. at $225,000. A copy of the appraisal is enclosed herewith. Additionally, the concrete base and concrete foundations within which the sculpture panels must be set is estimated to cost approximately $10,000. Delivery and installation of the panels is estimated to cost approximately $5,000. Accent lighting and landscaping will be provided to complement the proposed artwork as noted in this narrative. The estimated budget for the 10 in-grade luminaires is $8,000. The estimated budget for the landscaping surrounding the proposed artwork is $1,530. A breakdown of the proposed art budget is enclosed herewith. The total budget for the proposed artwork including the appraised value of the Jewish Welcome sculpture, the concrete base and foundations, lighting and landscaping is $249,530, which exceeds the one percent requirement established by LDR Section 78-261(c). CLOSING $TATEMENT On behalf of the Applicant, we respectfully request the City's approval of the proposed utilization of the Applicant's Yaacov Agam sculpture Jewish Welcome to satisfy the City's art-in-public-places requirement as outlined per the materials submitted herewith. We look forward to working with Staff regarding this request. CITY OF PALM BEACH GARDENS ART IN PUBLIC PLACES ADVISORY BOARD Agenda Cover Memorandum Meeting Date: May 22, 2012 Petition No. AIPP-12-04-000029 SUBJECT/AGENDA ITEM Petition AIPP-12-04-000029: Mandel Jewish Community Center (JCC) / Arthur I. Meyer Jewish Academy Art in Public Places Recommendation to City Council: A request to approve the AIPP requirement for the Mandel Jewish Community Center, located at the northeast corner of I-95 and Hood Road, approximately 0.25 miles west of Central Boulevard. [X] Recommendation to APPROVE with conditions [ ] Recommendation to DENY Reviewed by: Originating Dept.: Finance: AIPP Action: Director of Planning & Planning & Zoning: Accountant [] Rec. Approval Zoning Project Manager [] Rec. Approved w/ Conditions Sarah Varga � ] Rec. Denial Natalie M. Crowley, AICP Kathr n DeWitt, AICP Y [ ] Continued to: Sr. Planner Fees Paid: N/A Development Compliance [X] Quasi — Judicial Funding Source: [ ] Legislative Bahareh Wolfs, AICP [X] Public Hearing [ ] Operating City Attorney Advertised: [X] Other N/A Attachments: [ ] Required • Development [X] Not Required Budget Acct.#: Application N/A . Pro ect Narrative R. Max Lohman, Esq. 1 A roved B Contract/Aqreement: . Location Map pp Y� City Manager Affected parties: Effective Date: • Budget [ ] Notified N�p` Appraisal . Ronald M. Ferris [X] Not Required Expiration Date: • Site Plan N/A • Artist Resume • Proposed Artwork • Lighting Details • Landscape Plan Meeting Date: May 22, 2012 Petition: AIPP-12-04-000029 Page2of4 BACKGROUND The subject site is located at the northeast corner of I-95 and Hood Road (see attached Location Map). The site is currently vacant, except for a storage shed structure that exists on the site. No previous development orders have been granted for the site. Access to the subject site from Hood Road is provided by an existing easement via a Florida Department of Transportation (FDOT) tract located off site and adjacent to the east side of the subject property. On May 3, 2012, the City Council approved Ordinance 19, 2012 on first reading, which is a request to rezone the subject parcel to a Planned Unit Development (PUD) Overlay with an underlying zoning designation of Mixed Use (MXD), approve a 54,403-square- foot community center, and a Major Conditional Use to allow a 500-student private school and 192-student daycare. Second reading of the Ordinance and Resolution is scheduled for June 7, 2012. DISCUSSION The Applicant is seeking a recommendation to City Council. BUDGET The total required art budget, based on one (1) percent of the vertical improvements, is $158,954 (see attached Budget). The Applicant has included an appraisal of the proposed art piece, which demonstrates a total cost of $225,000 (see attached Appraisal). An actual cost breakdown will be submitted to the City by the Applicant prior to the acceptance of the subject art piece. PROJECT DETAILS Location The art piece is proposed to be located at the southeast corner of Building No. 1 at the convergence of the north-south and east-west sidewalks. At this location, the art piece will be highly visible to patrons when entering the site (see attached Site Plan). Artist The project artist, Yaacov Agam, is an Israeli-born artist who specializes in kinetic art. Agam studied at the Bezalel Academy of Art in Jerusalem and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. His works express a concept that breaks away with the established way of expressing reality in a limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image" (see attached Artist Resume). Proposed Art The proposed artwork is a sculpture called "Jewish Welcome." The sculpture consists of nine (9) aluminum panels that are set in a concrete base and are painted with various Meeting Date: May 22, 2012 Petition: AIPP-12-04-000029 Page 3 of 4 patterns and shapes which change as they are viewed from different angles. The predominant visual theme of the panels is the Star of David, which is a generally recognized symbol of Jewish identity and Judaism. The Star of David is formed when the sculpture is viewed from at least two (2) angles (see attached Proposed Artwork). Each of the nine (9) panels is 25 '/2 inches wide� 3�4 inch thick, and 9'/2 feet tall. The overall size of the sculpture is 18 feet wide by 9'/2 feet tall. This art piece was originally acquired by the Applicant and installed at its West Palm Beach campus in 1993. However, when the West Palm Beach campus closed in 2008, the artwork was removed and has been kept in storage so that it could be preserved and installed within the new project on Hood Road. Li htin The art piece will be lit by ten (10) light cans that will be flush-mounted within the concrete base and installed between and at the outside of the vertical sculpture panels (see attached Lighting Details). Landscaping Landscaping is being added to create a backdrop for the art piece. The additional plant material consists of three (3) Ligustrum Trees and a Green Island Ficus hedge. The vegetation will be planted on the northwest side of the art piece (see attached Landscape Plan). Signage No signage is being requested with the subject petition. STAFF RECOMMENDATION Staff recommends APPROVAL of petition AIPP-12-04-000029 with the following conditions: . r � � � �a.u'�:��. `�7� 2. Prior to the final release of the art escrow, the Applicant shall submit digital photographs, both during the day and night, of the installed artwork. (Planning and Zoning Department) 3. Prior to the final release of the art escrow for Mandel JCC PUD, the Applicant shall submit a copy of its logo and any mission statement of its organization, with authorization for the City to use such information in future publications. The artist name, title of artwork, and description shall be included. (Planning and Zoning Department) Meeting Date: May 22, 2012 Petition: AIPP-12-04-000029 Page 4 of 4 4. Prior to the final release of the art escrow for Mandel JCC PUD, the Applicant shall submit an actual cost breakdown of the artwork, and any remaining balance in the art fund will be applied towards any future art requirements for this site. (Planning and Zoning Department) Comments From The Public Request to Address City Council Please Print Name: ���S c� 1`�\v S C� Add ress: n(.1 � �►-1J 1� 1� l� R y l� Q,� �� �(���' -[��l l� 1� l�-�� c�ty: ��,�1 � F A-C4�--�G4-#�I� D����-L , 3'� �} ��- g 20 (� Subject: Gt1�� '�O � �1S ^ L�ny �-.I R F�t? i Y�1� ��_ �P �� 1.� ���� 12 , 20 � l y .!�►.i ti � � � 0 u � ('P � r Members of the public may address the City Council during the "Comments by the Public" Portion of the agenda and during "Public Hearings". This Request to Address the City Council must be delivered to the City Clerk prior to the commencement of the meeting. The time limit for each speaker is limited to three (3) minutes. 5/23/12 a � .e�l' � � ,.;,- ; . �, r I,: City Hall Plaza Project Gmail - City Hall Plaza Project David Porter <dporter@porterarchitects.com> To: Mark Fuller <mtfuller.id8@gmail.com> Mark, -vid Porter <architect552(c�gmail.com> Wed, May 23, 2012 at 10:42 AM This is the official announcement that the city's Art In Public Places Committee would like to consider you as one of three artists we are interested in having pursue designs for covering the plaza. We are hoping that you are also interested. The overall idea is to cover the stage as a separate fabric structure and the audience area with a tensile fabric structure and to incorporate lighting into the ov�erall design. We also think that then placing smaller shade structures over some of the outlying table and bench areas might be an interesting spinoff of the overall shade covering concept. And, lastly, we think that there should be some type of entry feature to greet visitors coming from the parking lot and into the plaza, whether that would be to just visit city hall or whether that is to attend an ev�ent occurring in the plaza. So, here's the program that we came up with. It will kick off at the end of June. Our city staff first has to prepare an accurate site plan of the plaza to show all of the recent renovations before we can intelligently turn it over to our interested proposers. We have selected three artists to provide design concept sketches or drawings. The design that wows us the most or that looks like it might actually be achievable, will determine who we then select to get us a contract for the design services. One other chosen artist just works with tensile fabric structures and the other works in similar mixed-media like you have done. One is from Arizona and one is from California. If your design is chosen, depending on the media and the designs, the city may choose to contract to implement your designs so that it has control of the contracting process and insurance requirements of the contractor. Or, the city may decide to bid out the tensile structure work and the associated lighting and then have you fabricate whatever different media you may have chosen for the entry portal or other parts. These details will be worked out as the process moves along. The city has had some unpleasant experiences when artists ha� been asked to take on the role of a general contractor so the procurement officer is reluctant to go through artists for what amount to major construction projects. The committee decided that it did not want to ask for free design services from anyone and that some compensation should be provided to each artist. It was concluded that a$3,000 stipend would be provided to each artist. You are one of the selected artists. The other two are GH Bruce (http://ghbruce.com/index.htm ), and Gordon Huether ( www.gordonhuether.com). Bruce is from Arizona and Huether is from California. At our committee meeting in June (the 26th), we will come together to formulate our "design concept points" and to assemble a complete package of information for each of the three proposers. That batch of information will be uploaded to a Dropbox account where you will be provided with a download link. We will determine the time frame for submitting a design at the June meeting but my guess is that it will be about 2 months to allow for any personal site visits, if desired, and for putting some thought into the project. If you would want a meeting with the committee to ask questions, that can be arranged. The stipend will probably only be sent to the proposers who submit an actual design and show serious consideration for the intent of the project. We haven't discussed yet whether to offer 1/3rd of the stipend up front and then the balance upon receiving a submission. That will be discussed in June and will need to be cleared with the city's procurement officer. https://mail.google.com/mail/u/0/?ui=2&ik=6af5989d61 &view=pt&search=sent&th=1377a25ee73f5e83 1 /2 5/23/12 Gmail - City Hall Plaza Project I took 35 or so ground-lewel photos yesterday from all around the plaza to giwe you a more rounded feel for the space and the stage. You can download a single 28 MB Zip file of those photos at http://dl.dropbox.com/u/ 24266064/5-22-12%20Ground%201evel.zip I also uploaded some aerial photos of the plaza area. You may not need these as much as the out-of-town proposers but I have uploaded them just the same (http://dl.dropbox.com/u/24266064/City%20Hall%20PIaza.zip). Write back with further questions. I would recommend restricting those questions for now to just the answers you need to determine if you are interested in pursuing our project. By our June meeting, I would like to have an e-mail back from you or probably a PDF letter on your company stationary, sent by e-mail, expressing your sincere interest in our project and that you are agreeable to offer the design and with your remaining inv�olved with the installation to make sure that the city gets your design in the end. David Porter AIA Palm Beach Gardens, FL Ph. (561) 694-0100 dporter@porterarchitects. com www. porterarchitects.com https://mail.google.com/mail/u/0/?ui=2&ik=6af5989d61 &view=pt&search=sent&th=1377a25ee73f5e83 2/2 5/23/12 Gmail - Palm Beach Gardens plaza project a � e�l � � -vid Porter <architect552(c�gmail.com> ,.,,, ; . �, r b.. Palm Beach Gardens plaza project David Porter <dporter@porterarchitects.com> Wed, May 23, 2012 at 10:04 AM To: Geoffrey Bruce <geoffrey@ghbruce.com> Cc: Noah Smith <noah@ghbruce.com>, Colin Bruce <colin@ghbruce.com> Hopefully this e-mail you will awaken to this morning will also be a pleasant surprise. Our committee met last night. I showed them your website and the many different artistically designed fabric structures and coverings that you have designed. The immediate impression by all was that "this is what we have been hoping to find" with an artist for designing the plaza area. So, here's the program that we came up with. It will kick off at the end of June. Our city staff first has to prepare an accurate site plan of the plaza to show all of the recent renovations before we can intelligently turn it over to our interested proposers. We have selected three artists to provide design concept sketches or drawings. The design that wows us the most or that looks like it might actually be achievable, will determine who we then select to get us a contract for the design services. The other two artists do not fabricate and erect shade structures so you may have an advantage in that your design will be "real" since you know the systems. Howev�er, the other two artists also work in many different media so they may decide to incorporate different artistic media at different parts of the design, such as at the entry portal to the plaza. If your design is chosen, it is possible that the city will then contract with you to build your design rather than putting it out to competitiv�e bidding. The city still might want to do the bidding process and considering the long- distance relationship between your home base and the plaza, that might work out better for the city. I also checked with our chief building official yesterday and he said that whomever contracts to build the shade structure will have to be licensed as a contractor in Florida. But, these are details for later but details for you to consider in case you would only want to be a part of the design so that you can awid having to become or find a licensed contractor interested to contract for you here. The committee decided that it did not want to ask for free design services from anyone and that some compensation should be provided to each artist. It was concluded that a$3,000 stipend would be provided to each artist. You are one of the selected artists. The other two are Gordon Huether ( www.gordonhuether.com), and Mark Fuller. Huether is also from Arizona and Fuller is from West Palm Beach, one town ower from Palm Beach Gardens. Fuller does not have his own website but if you go to http://www.pbgfl.com/content/78/188/default.aspx you will see all of the public art that has been installed in our city since the start of the AIPP ordinance back in 1989. It will show all of the different pieces that Fuller has done at least in our city. At our committee meeting in June (the 26th), we will come together to formulate our "design concept points" and to assemble a complete package of information for each of the three proposers. That batch of information will be uploaded to a Dropbox account where you will be provided with a download link. We will determine the time frame for submitting a design at the June meeting but my guess is that it will be about 2 months to allow for any personal site visits, if desired, and for putting some thought into the project. If you would want a conference call or a video conference with the committee to ask questions, that can be arranged. The stipend will probably only be sent to the proposers who submit an actual design and show serious consideration for the intent of the project. We haven't discussed yet whether to offer 1/3rd of the stipend up front and then the balance upon receiving a submission. That will be discussed in June and will need to be cleared with the city's procurement officer. https://mail.google.com/mail/u/0/?ui=2&ik=6af5989d61&view=pt&cat=AIPP - Plaza&search=cat&th=1377... 1/3 5/23/12 Gmail - Palm Beach Gardens plaza project I took another 35 or so ground-level photos yesterday from all around the plaza to give you a more rounded feel for the space and the stage. You can download a single 28 MB Zip file of those photos at http://dl.dropbox.com/u/24266064/5-22-12%20Ground%201evel.zip Write back with further questions. I would recommend restricting those questions now to just the answers you need to determine if you are still interested in pursuing our project. By our June meeting, I would like to have an e-mail back from you or probably a PDF letter on your company stationary, sent by e-mail, expressing your sincere interest in our project and that you are agreeable to offer the design and installation or just design with then your remaining inwlved with the installation to make sure that the city gets your design in the end. David Porter AIA Palm Beach Gardens, FL Ph. (561) 694-0100 dporter@porterarchitects. com www.porterarchitects.com On Tue, May 22, 2012 at 1:43 PM, Geoffrey Bruce <geoffrey@ghbruce.com> wrote: Thank you David! Look forward to hearing more after your meeting. This is my company email... please do cc Noah and Colin on your correspondence. Cordially, Geoffrey Geoffrey H. Bruce, President G.H. BRUCE, LLC • 525 E. Roger Road • Tu�son, AZ 85705 • p 520 903-9005 • f 520 903- 9��8 • ghbruce.com This E-Mail transmission and any accompanying attachments contains confidential inforrnation intended only for the use ofthe individual or entity named above. Any dissemination, distribution, copying or action taken in reliance on the contents ofthis &Mail by anyone other than the intended recipient is strictly prohibited and is not intended to, in any way, waive privilege or confidentiality. Ifyou have received this E-Mail in error please immediately delete it and notify sender at the above E-Mail address. On May 22, 2012, at 10:08 AM, David Porter wrote: I have attached some aerial shots of the plaza and a couple of ground lev�el shots that I have. After tonight, I should ha� many more ground level photos to show the entire plaza area in detail. The two plaza shade structure photos I hav�e sent are to just show some of the fabric thoughts our committee has looked at and how the use of LED lighting to uplight the fabric can create a changing ambiance for night time events in the plaza. I have also sent along my very crude doodle sketch of the "entry portal" thought I had for making https://mail.google.com/mail/u/0/?ui=2&ik=6af5989d61 &view=pt&cat=AIPP - Plaza&search=cat&th=1377... 2/3 Donna Kramer From: David Porter [dporter@porterarchitects.com] Sent: Friday, May 25, 2012 3:29 PM To: Donna Kramer Subject: Re: Link from presentation at 5/22/12 AIPP Meeting Oh, yeah, I forgot to get those to you. Here they are: http://www. �ordonhuether. com http://ghbruce.com David Po�ter AIA Palm Beach Gardens, FL Ph. (561) 694-0100 dporter �orterarchitects.com www.porterarchitects. com On Fri, May 25, 2012 at 3:18 PM, Donna Kramer <dkramer(a��b _�fl.com> wrote: Hello David: Please send me the link you used for your presentation at the 5/22/12 AIPP Meeting so that I can add it to the meeting file. Thank you, Donna L. Kramer Municipal Services Coordinator City of Palm Beach Gardens 561-799-4121 dkramer(a�pbgfl.com CITY OF PALM BEACH GARDENS E-MAIL DISCLAIMER: PLEASE NOTE: Florida has a very broad public records law. Most written communications to or from local officials regarding city business are public records available to the public and media upon request. Your e-mail communications may therefore be subject to public disclosure. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 CITY OF PALM BEACH GARDENS ART IN PUBLIC PLACES ADVISORY BOARD REGULAR MEETING March 20, 2012 The regular meeting was recorded in the Emergency Operations Center and called to order at 5:32 p.m. by Chair Porter. I. CALL TO ORDER II. PLEDGE OF ALLEGIANCE III. ROLL CALL PRESENT: Chair David Porter, Vice Cable Neuhaus, Meriel Bryan, Mary Miles; Diane Cappella (arrived at 5:34 p.m.). ABSENT: Paul Kaufman, Alexander Hanlin. ALSO PRESENT: Council Member, Council Liaison, Eric Jablin; Senior Planner, Staff Liaison, Kathryn DeWitt; City Attorney R Max Lohman, Operations Manager, Angela Brown. IV. ADDITIONS, DELETIONS, MODIFICATIONS None. V. APPROVAL OF MINUTES From the December 20, 2011 Meeting. Chair Porter made a motion to approve the December 20, 2011 minutes. Vice Chair Neuhaus seconded. Motion passed 5-0. VL ITEMS BY COUNCIL LIASON Council Member, Council Liaison Jablin Presented information on the proposed Veterans Plaza Improvement Phase III. Chair Porter requested a copy of the as-built plans. Consensus was to move forward with the project, with a desired projected date to go to City Council on May 3, 2012. VII. ITEMS BY STAFF LIAISON Senior Planner, Staff Liaison Kathryn DeWitt provided updates to the board on recent AIPP approvals. VIII.OLD BUSINESS None. IX. NEW BUSINESS a. Discussion on Veterans Plaza improvements Phase IIL Chair Porter will conduct individual meetings with the remaining four (4) council members to explain the concept and detail of the project. X. COMMENTS BY THE PUBLIC None. XI. COMMENTS BY THE BOARD None. a. SET QUARTERLY MEETING DATE (April 17, 2012, May 22, 2012, June 19, 2012) Chair Porter made a motion to set the quarterly meeting date for May 22, 2012. Vice Chair Neuhas seconded. Motion passed 5-0. (The remainder of this page intentionally left blank) ART IN PUBLIC PLACES ADVISORY BOARD 03-20-12 PAGE 1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 XII. ADJOURNMENT Vice Chair Neuhaus made a motion to adjourn the meeting. Board Member Miles seconded. Chair Porter adjourned the meeting at 6:27 p.m. APPROVED David Porter, Chair Cable Neuhaus, Vice Chair Meriel Bryan Paul Kaufman Mary Miles Alexander Hanlin Diane Cappella ATTEST: Donna L. Kramer Municipal Services Coordinatar NOTE: These minutes are prepared in compliance with 286.011 F.S. and are not verbatim transcripts of the meeting. A verbatim audio recording is available from the Office of the City Clerk. All referenced attachments on file in the Office of the City Clerk. ART IN PUBLIC PLACES ADVISORY BOARD 03-20-12 PAGE 2 �: � � C � � 7il r _ Il� � �J �`, � ��/_� � I � �'� ; � ; , �_ � � �' __ � ; � u -� � C � , C - � n � U ��, � � �/ � ,. 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X 4" CAVITY FOR 'PROOF J-BOX ❑�' -!�71 TOP VIEW O a 0 � c � � � � m� 3� �� �e a � � Z w = 3 � a a � o � � � � � m W w E J � Z Q ¢ m U z � � � � H w � O Q o Z � "� O � � n O z � � I � ° w o � > z � z o m o �j J $ � U � � � O p E °Nc c �.. o� � am�=t -oE.. _oo� --ao�- � i m � ° i ❑ The combined estimated vertical building valuation is $15,895,397. ❑ The required valuation of artwork is $158,953.97. ❑ In 2009, the Jewish Welcome sculpture was appraised at $225,000. ❑ Delivery, installation, accent lighting and landscaping is estimated to cost a combined total of $24,530. ❑ The total combined cost of the artwork as proposed is $249,530. ��� _� J� T F d Q ♦ � TH E MAN D E L J CC ARTH U R I. si 1 I r� .,'` `�'S.� `. ":�� •A . �� •jT � � � •,� � '_� r •a� � .i; � �: � �. 4 .. : S', j ^ . '. , . ♦ ,���� �� � ' ��� I 1''''""r"� �-',�� _3:i_�,. • �:, i��.=�_. ,N..:'• �-.� ' �:j' -� �� . � � - - ;�����y=; � � � ^+� -"� , , ,� . 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