HomeMy WebLinkAboutAgenda AIPP 021908AGENDA
CITY OF PALM BEACH GARDENS
ART IN PUBLIC PLACES ADVISORY BOARD
TUESDAY, FEBRUARY 19, 2008, AT 5:30 P.M.
COUNCIL CHAMBERS
i. CALL TO ORDER
II. PLEDGE OF ALLEGIANCE
III. ROLL CALL:
ART IN PUBLIC PLACES ADVISORY BOARD
Regular Members Alternates
Lee Bickford (Chair) Cable Neuhaus (1s` Alt.)
William Leizman (Vice Chair) Jennifer O'Brien (2nd Alt.)
Diane Cappella
Myra Davis
Ellen Dukes
Lynn Silber
Karen Hainsworth
Also in attendance: Kara Irwin, AICP, Growth Management
Administrator /Staff Liaison
IV. ADDITIONS, DELETIONS, MODIFICATIONS
V. APPROVAL OF MINUTES
1. AUGUST 21, 2007
2. DECEMBER 18, 2007
3. JANUARY 15, 2008
VI. ITEMS BY COUNCIL LIAISON
VII. ITEMS BY STAFF LIAISON
VIII. OLD BUSINESS
1. NORTH COUNTY GOVERNMENT CENTER - WORKSHOP
2. DOUBLE TREE HOTEL — RECOMMENDATION TO CITY COUNCIL
3. LATITUDES IN THE GARDENS — RECOMMENDATION TO CITY COUNCIL
4. CITY ART PARK - WORKSHOP
IX. NEW BUSINESS
X. COMMENTS BY THE PUBLIC
XI, COMMENTS BY THE BOARD
XII. ADJOURNMENT
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ART IN PUBLIC PLACES ADVISORY BOARD
AUGUST 21, 2007
MINUTES
The Art in Public Places Advisory Board convened on August 21, 2007 in the Council
Chambers of the Municipal Complex, located at 10500 North Military Trail, Palm Beach
Gardens, Florida. The meeting was called to order by Lee Bickford, Chair, at 5:35 P.M.
Karen Hainsworth, 1 st Alternate, will sit on the board as a regular member for the
meeting. A quorum was declared.
1. Roll Call
Members Present:
2.
3.
4.
Members Absent:
Also in Attendance:
resolution
Artist Terry
October.
5. New Business
• None.
Art In Public Places
08.21.07
Lee Bickford, Chair
William Leizman, Vice
Diane Capella
Ellen Dukes
Myra Davis
Georgia Heard- en
Karen Hainsw ,
Cable Neuhouse, 2n
the minutes from the July 17, 2007
owtTi Management Administrator, on information
1 members on public art programs.
art can also be scheduled.
115tal discoloration issues are being reviewed at this time and
A before moving forward with regard to other pieces of art.
' sculpture at the Borland Center is expected to be dedicated in
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6. ADJOURNMENT
• With no further business to discuss the meeting adjourned at 5:53 P.M.
APPROVED:
Lee Bickford, Chair
Donna M. Cannon
Municipal Services Coordinator
NOTE: These action minutes are prepared in compliance with 286.011 F.S. and are not verbatim
transcripts of the meeting. A verbatim audio recording is available from the Office of the City Clerk.
All referenced attachments on file in the City Clerk's office.
Art In Public Places
08.21.07
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ART IN PUBLIC PLACES ADVISORY BOARD
DECEMBER 18, 2007
MINUTES
The Art in Public Places Advisory Board convened on December 18, 2007 in the Council
Chambers of the Municipal Complex, located at 10500 North Military Trail, Palm Beach
Gardens, Florida. The meeting was called to order by Lee Bickford, Chair, at 5:32 p.m. A
quorum was declared.
I. CALL TO ORDER
II. PLEDGE OF ALLEGIANCE
III. ROLL CALL
Members Present: Lee Bickford, Chair
William Leizman, Vice Chair (left at 6:55 p.m.)
Diane Capella
Ellen Dukes
Karen Hainsworth (arrived 5:39 p.m.)
Lynn Silber (left at 7:05 p.m.)
Cable Neuhaus, 1 st Alternate
Jennifer O'Brien, 2nd Alternate
Members Absent: Myra Davis
Eric Jablin, Council Member, Council Liaison
Also in Attendance: Kara Irwin, Growth Management Administrator
Angela Wong, Community Services, Operations Manager
Marty Minor, Urban Design Studio
Joel Channing, Channing Corporation
Mark Fuller, MTFuller Functional Arts
IV. ADDITIONS, DELETIONS AND MODIFICATIONS
• None.
V. APPROVAL OF MINUTES
MOTION 1
A motion was made,
seconded and passed unanimously to
minutes of October 16,
2007.
VOTE
Lee Bickford
Yes
William Leizman
Yes
Diane Capella
Yes
Ellen Dukes
Yes
Lynn Silber
Yes
Cable Newhaus
Yes
Jennifer O'Brien
Yes
Art In Public Places
12.1807
accept the meeting
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VI. ITEMS BY COUNCIL LIAISON
Kara Irwin, Growth Management Administrator, Staff Liaison, expressed Eric
Jablin's, Council Member, Council Liaison, regrets at missing the meeting because
of a family medical emergency.
At this time (5:39 p.m.) Karen Hainsworth, Board Member, arrived and was seated for
the meeting.
VII. UPDATE BY STAFF LIAISON
Kara Irwin, Growth Management Administrator, Staff Liaison, provided the staff
liaison report:
• In answer to a request at the last meeting, an aerial photograph of the Municipal
Complex was provided, which included the vacant land on Military Trail
between Burns Road to the South and Johnson Dairy Road to the North.
• Ms. Irwin explained the options available and procedures to follow for the board
to go forward with their ideas for a sculpture garden on the noted property.
• Lee Bickford, Chair, stated the sculpture garden would be discussed under Old
Business.
VIII. OLD BUSINESS
Lee Bickford, Chair, opened discussion of the proposed sculpture garden.
• Lee Bickford inquired about the size of the vacant land. Angela Wong
Community Services, Operations Manager, provided the dimension as 1.68
acres.
• Diane Capella, Board Member, stated at one time the purchase of a (Dale)
Chihuly piece was considered for the lake area. She suggested if it is not
suitable for the lake that it should surely be considered for the sculpture garden.
• Lee Bickford stated the requirements for purchasing the Chihuly.
• Discussion ensued regarding the parameters for the sculpture garden and the
possible expenses in its creation.
• Lynn Silber, Board Member, stated the first piece for the sculpture garden
should be important and provide a focal point, to which other board members
agreed.
• Kara Irwin, Growth Management Administrator, Staff Liaison, summarized the
board's intent as: a master plan for multiple locations in the future, for a passive
park that provides locations for the experiences of art throughout, and having a
key piece that may be a water feature.
• Kara Irwin stated the information will be forwarded to Eric Jablin, Council
Member, Council Liaison, to be brought before the City Council for
consideration at the January 3, 2008 meeting under Section V, Items of Resident
Interest and Board /Committee Reports.
• Lee Bickford encouraged all board members to attend the January 3, 2008 City
Council meeting as a show of support for the sculpture garden project.
• Lee Bickford inquired about the status of the PGA Flyover art. Kara Irwin
replied that it is still under review in the Legal Department. William Leizman
inquired about the status of the warranty on the PGA Flyover art.
• Lee Bickford closed the floor to discussion of Old Business.
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12.18.07
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IX. NEW BUSINESS
DOUBLETREE HOTEL PUD AIPP WORKSHOP (Condition 1, Resolution 128, 2006)
Lee Bickford, Chair, opened discussion for the DoubleTree Hotel PUD workshop
for the artwork, Triads, by artist Mark Fuller.
• Marty Minor, Urban Design Studios, stated he represents the DoubleTree Hotel
owner, E &J Properties; Joel Channing represents Charming Corporation; and
Mark Fuller, the artist, represents MTFULLER Functional Arts.
• Marty Minor provided the information about the location of the project and the
history of the site.
• Marty Minor presented other work by artist Mark Fuller.
• Marty Minor then described the present work under consideration and invited
Mark Fuller to give further details.
• Mark Fuller, artist, demonstrated light reflecting through the triads of his model.
He explained the variances in shape and color at different times of the day. Mr.
Fuller stated the opportunity to do a project like this is very limited because it
requires Southern and Western wall exposure, which this project has.
• Lee Bickford complimented Mark Fuller on the art he has installed in Legacy
Place and inquired about the number of art pieces he has in Palm Beach
Gardens. Mark Fuller replied that he is unsure of the number, but he does have
pieces located in PGA Commons, Legacy Place and what used to be the Sun
Trust Bank.
• Lee Bickford expressed her concerns that Mr. Fuller may have too many pieces
of art in Palm Beach Gardens.
• William Leizman, Vice Chair, expressed his concern about only one artist
giving a presentation. His understanding is that there would be three artists for
each project. He also stated that PGA and Northlake Boulevards are beginning
to look like penny arcades because some of the work presented does not come
before the board. Mr. Leizman inquired about possibilities of different shapes
being used besides the triad in Mr. Fuller's work for the long -term storage
building.
• Mark Fuller explained the triads are the best light- reflecting shape for the
materials being used in the project.
• William Leizman inquired if the artist has done this type of piece anywhere
else. Mark Fuller replied that he has not.
• William Leizman inquired if the artist had considered using neon. Mark Fuller
replied that he has not.
• Kara Irwin clarified that an applicant can bring three separate artists before the
board for consideration or hire a consultant who chooses the artist or the art
form they want to pursue. The purview is whether or not the board considers the
artist a real artist. The board can look at location, the art piece itself and whether
or not the artist can be considered an artist. When choosing art for the City the
board can hire a consultant who would bring back pieces for consideration. The
project under consideration is art on private property and through the process
the City does want to encourage art. The owner can workshop a project if they
wish. William Leizman stated that three artists should have been brought before
the board for consideration. Kara Irwin explained that is not what the Code says.
• Joel Channing, Channing Corporation, stated that he likes and respects Mark
Fuller and his work. Mr. Channing likes the new and innovative material being
Art In Public Places
12.18.07
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used for the project. The cost is $100,000. Mr. Charming is an architect by
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profession. He sees this project as a great opportunity to do something with
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light. Mr. Channing expressed his surprise that the board members did not
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embrace the project. Mr. Channing stated that he will not provide more diversity
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because Mark Fuller is his choice he likes and trusts him.
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Cable Neuhaus, Board 1 st Alternate, inquired about maintenance.
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Mark Fuller described the material to be used for the project, which is a 3MTM
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product. All indications are the material is fine.
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Diane Capella, Board Member, expressed her support for this project citing its
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innovation and beauty.
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Lee Bickford quoted Joel Channing stating, "We did it in the butterfly and we
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did it in the fish." Lee Bickford expressed her opinion that it has "been done."
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Joel Channing stated there is no refraction of light going into the butterfly and
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the fish and this project is a different use. Mr. Channing expressed regret that
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Lee Bickford did not like the art.
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Mark Fuller described the process he used before making a decision.
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Diane Capella stated she believes this is as diverse a project as she has ever
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seen; that she has never seen anything like it before.
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Jennifer O'Brien, Board 2nd Alternate, inquired about light creating different
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shapes.
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Joel Channing stated different light patterns were tried, but the outcome was too
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busy.
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Lynn Silber, Board Member, asked Kara Irwin to expand on her explanation of
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the board's responsibilities.
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Kara Irwin explained the Art in Public Places Advisory Board code requirement
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and purview.
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Discussion ensued regarding the board's responsibilities and limitations.
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Lee Bickford asked the board members for justification of so many pieces of art
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by the same artist within miles of each other. Ms. Bickford stated her opinion is
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not personal regarding Mr. Fuller.
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Mark Fuller stated Ms. Bickford's comments had everything to do with him and
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that he is sorry Ms. Bickford feels as she does.
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Joel Channing stated he believes the board's responsibility is to critique a piece
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of art on its merits. Mr. Channing stated that he is taking Mark Fuller with him
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to the next meeting and before Council.
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Lynn Silber inquired if the board has the right to stop a developer from using a
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particular artist.
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Lee Bickford explained the board does not have the right to tell a developer he
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cannot use a particular artist, but the board can go before Council and list all of
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the art Mark Fuller has in the City and ask how many pieces one artist should be
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allowed to do. The City Council will then take the issue under consideration.
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William Leizman requested two more artists come before the board for
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consideration. He expressed his distaste for the PGA Commons butterfly and
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school of fish. Mr. Leizman stated there should be a neon sign up because the
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entire area looks terrible and is not sculpture. Mr. Leizman expressed his
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preference for (Auguste) Rodin, form and no color. He does like the art on the
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building. He believes that the "fish" and the "butterfly" are wonderful for the
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people, but they are not art.
Art In Public Places Page 4
12.18.07
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Diane Capella expressed her disagreement. Ms. Capella stated that it is art and
times and materials change and we are in the 21st century and have access to
newer materials and newer technologies; color is not a bad thing.
• Cable Neuhaus stated that we live in a pretty City, but it is characterized by few
pieces of exceptional architecture and art. He is in favor of being "wild" at some
times.
DOUBLETREE HOTEL PUD AIPP WORKSHOP STATEMENT
The workshop statement put forth is either in support of (yes) or opposed to (no)
this artist and developer with this project (DoubleTree Hotel PUD). Each board
member expressed direction for Mr. Fuller and reason for their vote.
VOTE
Lee Bickford, Chair No — No comment.
William Leizman, Vice Chair No — Would like to see two more choices.
Diane Capella Yes — Possible variation in size or shape.
Ellen Dukes Yes — Approval of the project as it stands.
Lynn Silber Yes — See something different from what is on
street.
Karen Hainsworth Yes — Would like to see three choices.
Cable Neuhaus Yes — See something else that had been considered
by the team.
Jennifer O'Brien Yes — Would like to know the thought process of
how the team arrived at the piece presented.
Lee Bickford invited the members of the DoubleTree Hotel PUD project to return to
the next meeting and bring other materials or ideas they would like to present for
consideration. At that time there will be a formal review for an official vote for City
Council consideration. Discussion ensued between Lee Bickford and Mark Fuller.
The floor was closed to further discussion.
LATITUDES IN THE GARDENS MXD /PCD AIPP WORKSHOP
Lee Bickford, Chair, opened discussion for the Latitudes in the Gardens workshop
for the artwork, The Sphere, by artist Mark Fuller.
• Mark Fuller, artist, representing his client, Shapiro Portnoy, stated the sculpture
will be located off of Central and Victoria Falls Boulevards. The project
consists of two three -story office buildings. The sculpture will be located in the
central courtyard between the two buildings. His proposal is a wind sphere
(model presented). Mr. Fuller described the engineering including its movement
and lockdown ability. It will have simplicity bearings that do not require
lubricant and can carry heavy loads.
• Lynn Silber inquired about the weight. Mr. Fuller described the material
composition as very strong: aluminum skin laminated to polycarbonate
honeycomb. His weight estimate is under 1,000 pounds.
• William Leizman inquired about the thickness of the stainless steel. Mr. Fuller
stated the stainless steel is .020 gauge thickness and the core is 16 mm (five -
eighths of an inch) composite polycarbonate honeycomb.
• Mr. Fuller described the pedestal bases that are under consideration.
• Mr. Fuller answered further questions regarding structural engineering and
design.
Art In Public Places
12.18.07
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X.
XI.
• Cable Neuhaus inquired if the board is involved in choosing a pedestal. He
expressed his preference for height to raise the piece up.
• Lynn Silber inquired if the pedestal would have a water feature.
• Mr. Fuller described possible options for the pedestal, including a water feature.
• Mr. Fuller discussed finishes.
• Lee Bickford asked Mr. Fuller to bring possible suggestions for the pedestal
when he returns.
• Lee Bickford inquired about the site.
• Kara Irwin, Growth Management Administrator, Staff Liaison, described the
site location and surrounding roadways.
• Kara Irwin described the protected environmental location.
• Lee Bickford requested base options be shown when Mr. Fuller returns.
LATITUDES IN THE GARDENS MXD/PCD A/PP WORKSHOP STATEMENT
The workshop statement put forth supports artist Mark Fuller and his piece, The
Sphere. Each board member expressed
direction for Mr. Fuller.
VOTE
Lee Bickford, Chair
Yes
— Maintain height, public access
Diane Capella
Yes
— Finish
Ellen Dukes
Yes
— Disappointed in location
Karen Hainsworth
Yes
— Environmentally friendly
Lynn Silber
Yes
— Cleaning/maintenance by owner
Cable Neuhaus
Yes
— Night lighting
Jennifer O'Brien
Yes
— Make it appear to defy gravity
William Leizman, Vice Chair, left meeting at 6:55 p.m.
Lynn Silber, Board Member, left meeting at 7:05 p.m.
COMMENTS BY THE PUBLIC
None.
COMMENTS BY THE BOARD
None.
Art In Public Places
12.18.07
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XILADJOURNMENT
There being no further business to come before the board, a motion was made, seconded
and carried unanimously to adjourn the meeting at 7:10 p.m.
APPROVED:
Lee Bickford, Chair
William Leizman, Vice Chair
Diane Cappella
Myra Davis
Ellen Dukes
Karen Hainsworth
Lynn Silber
Cable Neuhaus, 1 st Alternate
Jennifer O'Brien, 2nd Alternate
Attest:
Donna M. Cannon
Municipal Services Coordinator
NOTE: These action minutes are prepared in compliance with 286.011 F.S. and are not verbatim
transcripts of the meeting. A verbatim audio recording is available from the Office of the City Clerk.
All referenced attachments on file in the City Clerk's office.
Art In Public Places
12.18.07
Page 7
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ART IN PUBLIC PLACES ADVISORY BOARD
JANUARY 1S, 2008
MINUTES
The Art in Public Places Advisory Board convened on January 15, 2008 in the Council
Chambers of the Municipal Complex, located at 10500 North Military Trail, Palm Beach
Gardens, Florida. The meeting was called to order by Lee Bickford, Chair, at 5:30 p.m. A
quorum was declared.
In the absence of Lynn Silber, Regular Member, Lee Bickford, Chair, invited Cable
Neuhaus, 1st Alternate, to join the Board on the dais.
I. CALL TO ORDER
11. PLEDGE OF ALLEGIANCE
III. ROLL CALL _
Members Present: Lee Bickford, 6halr--=--
William Leizman, Vial r
Diane Capella
Myra D:—
Ellen Dukes =°_
Karen Hainswor
Cable Neuh &qs, Iff Alt t
ennifer O'Bi�i 2nd Altd°tiate
Members A ffft Lin Silber
Also in- Attendance _ Nina Wilk -gip :,�`Planning Specialist, Planning and Zoning
IV. AbbITIONS, DEMNS AN&MODIFICATIONS
• Done.
V. ELECTIO-M OFFICER
s
Motion fq -r--- air
Lee Bickford; mwr, accepted nominations for the position of Chair for 2008.
Nomination o6Lee Bickford for Chair by Diane Cappella, seconded by William
Leizman was placed before the Board. No other nominations were received. Vote
for approval was unanimous.
Motion for Vice Chair
Lee Bickford, Chair, accepted nominations for the position of Vice Chair for 2008.
Nomination of William Leizman for Vice Chair by Myra Davis, seconded by Diane
Cappella was placed before the Board. No other nominations were received. Vote
for approval was unanimous.
Art In Public Places
01.15.08
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VOTE
Lee Bickford
William Leizman
Diane Capella
Myra Davis
Ellen Dukes
Karen Hainsworth
Cable Neuhaus, 1 st Alternate
MOTION FOR CHAIR
MOTION FOR VICE CHAIR
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
VI. APPROVAL OF MINUTES
MOTION
A motion was made, seconded and
minutes of November 20, 2007.
passed unanimou#y to accept the meeting
VOTE
MOTION
Lee Bickford
Yes
William Leizman
Yes
Diane Capella
Yes
Myra Davis
Yes
Ellen Dukes
Yes
Karen Hainsworth
Yes ==
Cable Newhaus, 1 st Alternate
Yes
VII. ITEMS BY COUNCIL LIAISON
None.
VIII.
IX.
UPDATE BY ST.
• None.
OLD BURNESS
,bW the floc -r7o discussion of old business.
• LL =Myra Davis =aired 't the Dale Chihully sculpture. Lee Bickford, Chair,
sked Nina Neva if j_ in Public Places will be on the next City Council
da. Ms. Nikwa replied that she had forwarded the request to Kara Irwin,
St Uaison, Gr(. th Management Administrator, but was unsure if it had been
includin the ,;upcoming agenda. The next City Council meeting will be
January ] Ofi If it is not possible to be on the January 17, 2008 agenda Lee
Bickford, (fir, asked to be on the first February City Council agenda
(February f,'2008). Nina Nikolova stated she would follow up on this item.
• Myra Davis inquired about the status of the Call to Artists for the sculpture in
the pond. Lee Bickford, Chair, stated that the subject was put on hold until
discussion can take place with the City Council. No Call to Artists has been
placed at this time. Nina Nikolova reminded the Board members about the
additional maintenance and cost for art that is part of a water feature.
• Myra Davis inquired about the status of the PGA Boulevard flyover art. Lee
Bickford, Chair, stated she had no further information at this time.
• Lee Bickford, Chair, stated board members should be looking for a central piece
of art for the sculpture garden, should it be approved. Further discussion ensued.
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X. NEW BUSINESS
None.
XI. COMMENTS BY THE PUBLIC
None.
XII. COMMENTS BY THE BOARD
• Myra Davis requested a plat of areas available for a sculpture garden. Lee
Bickford, Chair, stated other considerations including lighting.
• William Leizman, Vice Chair, inquired about the state of the library project.
Nina Nikolova stated that plans have not been recebO yet: Discussion ensued
about the outside architecture and art to be placedtside of the building. Nina
Nikolova stated the direction given to the County was for art inside of the
building and she expects their plans to reflect that direction. --
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X0UU. ADJOURNMENT
There being no further business to ounue before the board, anootiou was made, aeuuodod
and carried unanimously to adjourn the meeting at 5:53 p.m.
_____V__' .
Leo Bickford, Chair
William Leizman, Vice Chair
Diane Cappella
Myra Davis
Ellen Dukes
Jennifer O'Brien, 2nd Alternate
Attest:
Donna M. Cannon
Municipal Services Coordinator
NOTE: These action minutes are prepared in compliance with 286011 F.S. and are not verbatim
transcripts of the meeting. A verbatim audio recording is available from the Office of the City Clerk.
All referenced attachments on file in the City Clerk's office.
Art m Public Places
uz'zs'ou
Page 4
CITY OF PALM BEACH GARDENS
MEMORANDUM
TO: Art in Public Places Advisory Board Members
FROM: Allyson Maiwurm, Projects Coordinator
DATE: January 30, 2008
SUBJECT: North County Government Center — Public Art Workshop @ 2/19/08 AIPP
Please be advised that there will be a public workshop discussing three artists selected for the
indoor public art for the North County Government Center Planned Community Development
(PCD) in the North County Regional Library during the February 19, 2008 AIPP Advisory Board
Meeting.
The North County Government Center PCD is located along PGA Boulevard about 1.6 miles east of
Interstate I -95, at the Southwest side of the intersection of PGA Boulevard and Campus Drive, and
north of Fairchild Avenue. The development plans for the North County Government Center PCD
are to expand the library by 14,612 square feet as well as amend the PCD to remove land parcels
and overall acreage. The zoning is Public /Institutional which indicates this project is a public
facility.
Please see the attachments for information relating to the artists that have been selected that may
provide art for the North County Regional Library. Should you have any questions or comments or
require additional information, please do not hesitate to contact me at 799-4199•
1 •.
Garth Edward s
December 31, 2007
To the Committee;
Libraries are one of the great institutions of our society, the result of our collective
creativity. Integrating art into the building to reflect this creativity can make a visit
that much more enjoyable.
Visually there is a lot going on in a library. When identifying art sites I look at
transitional areas such as entries, lobby floors, doorways or exterior areas. I take
cues from the building itself. Is there an opportunity in the signage or in utilitarian
objects, cold air returns. Each situation is unique and requires study.
I have worked in situations requiring close coordination with architects, interior
planners and contractors. The most intense of these was as a project artist for
New Jersey Transits Hudson Bergan Light Rail Project. The work involved
designing art projects, preparation of construction documents and creating
budgets.
I would like to work on the North County Regional Library art project. I am
available to begin work immediately. I have spent time in the area over the years
and don't see the distance as a problem.
Sincerely
Garth Edwards
13400 Madison Ave NE Bainbridge Island WA 98110
Ph 206 842 5213 Fx 206 842 1960
garth_edwards @msn.com
K . ; ,
Garth Edwards
PO Box 11294 Bainbridge Is. WA 98110
206 842 5213 phone 206 842 1960 fax
garth_edwards @msn.com
Design Teams
Consultant for New Jersey Transit, Hudson Bergan light rail. 1995
Seattle Children's Theater. Project Artrist. 1991 -93
Awards
NEA Fellowship for glass. 1981
Metal /Sculpture
County / City Building. 16 Compositions. Aluminum.
West Sound Acadamy donor wall. Etched aluminum.
Mt. Vernon High School. Greetings. Aluminum.
West Sound Acadamy. Building ID. Aluminum.
S. Sound Community College, Six aluminum lanterns.
King Co Housing. Fence, Bike Rack, Lino floor design.
Memorial for Alaska Air crash. John Hay School.
Green Hill School. Benches, wind vanes, mural.
New Jersey Transit. Benches & wind vanes.
Redmond Community Center. Work throughout.
Anoka Treatment Center. Four aluminum gateways.
Charnelton Parking. Rail & exterior panels. Aluminum
E. Portland Community Center. Benches, bike racks.
Tacoma 2007
Poulsbo 2007
Mt. Vernon 2006
Poulsbo 2006
Olympia 2005
Kent 2004
Seattle 2000
Chalis 2000
Hoboken 2000
Redmond 2000
Anoka MN 1999
Eugene 1999
Portland 1998
Franklin Elementary. 19 Balcony rail panels. Tacoma 1997
Children's Services. Corners, Benches. Pensacola 1997
Humbolt Library. Aluminum Graphic. Chicago 1997
Student Housing. Fence. University of Oregon. Eugene 1997
Haz Mat Station. Aluminum Tower. Kansas City 1996
Animal Science Building. W S U. Bench & wall graphics. Pullman 1997
Evergreen Medical Center. Aluminum figures & paint.
Main St. Renovation. Grates, Tree Guards, Bollards.
Children's Theater. Rail panels, Canopy brackets, Steel.
Airway Prison Visiting Center. Benches & Graphics.
King County Health Clinic. Portal, Bench & Bird Pole.
Maple Valley Community Center. Fence /Bench.
Kirkland 1995
Auburn 1995
Seattle 1994
Spokane 1994
Federal Way 1993
Maple Valley 1993
Dunlap St. Renovation. 100 Tree Guards. Phoenix 1990
Nordstrom Lloyd Center. Grills and Gate. Portland 1990
Nordstrom Downtown. Aluminum wall Graphic. Portland 1990
Transit Station Gate. Seattle Metro. Steel. 11' x 30'. Seattle 1990
Tree Grate. Seattle Metro. Cast iron. 60" x 60 ". Seattle 1989
Manhole Cover. Seattle Water Dept. Cast iron. 38 ". Seattle 1986
Window Grill. All Saints School. Steel. Portland 1983
A
Garth Edwards Page 2
Enameled Steel
Twelve historical portraits. King County Library, Bellevue 1993
Seven portraits. Tabor Middle School, Portland 1991
Oregon DOT. One panel. Salem 1989
Anchorage Dog Pound. 15 panels of animals. Anchorage 1988
Juvenile Court. Three Panels. Portland 1987
Turnagain Elementary. Ten Panels. Anchorage 1985
Leaded Glass
King County Housing,. Etched glass at entry.
Kent
2004
Barker Residence,
Bainbridge Is 2002
Green Hill School. 12 prism & glass panels.
Chalis
2000
Pierce County Library. Entry sidelights.
Eatonville
1990
East Austin Senior Center. Entry.
Austin Texas 1988
U. of Alaska. 11 panels student housing.
Fairbanks
1985
Pope Elementary School. Entry.
Puyallup
1984
U. of O Student Union. Entry.
Eugene
1982
Tillamook County Hospital. Chapel Windows,
Tillamook
1982
Bess Kaiser Hospital. Emergency Waiting.
Portland
1981
Kaiser Clinic. Waiting Area.
Portland
1980
Food Stamp Office.
Eugene
1979
Stone /Ceramic /Concrete
Green Hill School. Six Concrete Heads. Chalis 2000
Quadrant Corp. 37 ceramic tile portraits. Seattle 1998
Seattle Center. Five Concrete Heads. Seattle 1997
Nordstrom Lloyd Center. Sandblasted slate. Portland 1990
Seattle Children's Theater. Mural at entry. Seattle 1993
Exhibitions Grou
Bainbridge Arts & Crafts. Works in Stone.
Bainbridge Is 2005
The Art of Golf. Safeco.
Seattle
1996
German tour. U.S. Printmakers.
Germany
1993
Art in Architecture. Focus on Fire.
Seattle.
1889
Govett- Brewster Gallery, New Zealand
1983
Portland Art Museum. Oregon Biennial.
Portland
1983
Tucson Museum. Leaded Glass.
Tucson
1978
University of Texas, Prints.
San Antonio
1985
Renwick Gallery, New Glass. Washington DC
1979
Exhibitions Solo
Lino Prints. Artworks Gallery. Seattle 1995
Leaded Glass. American Institute of Architects. Portland 1979
Prints and Drawings. Matrix Gallery. Austin 1987
Collections
Corning Museum of Glass. Leaded Glass purchase.
State of Oregon Public Buildings: Pendelton, Eugene, Salem, La Grande.
State of Washington: Friday Harbor, Yakima, Battleground, Eatonville,
Brownsville, Edmonds, Auburn, Kent, North Shore, Skagit, Edison, Tacoma.
i
MAUREEN MELVILLE
1909 Massachusetts Avenue
McLean, Virginia 22101
January 6, 2008 (703) 533 -2448
melville lag uber@msn.com
To whom it may concern:
I am an architectural glass artist who trained as an architect. I have been making
stained glass windows and fused glass murals for public art projects for nineteen years.
My most recent project was a series of stained glass windows for a community recreation
center in Washington D.C. I am currently working on a group of windows for the
primary school building of the New Mexico School for the Deaf.
I would like to be considered for this project because I have always been an avid
reader and am passionate about the importance of libraries. I would like to make art that
helps demonstrate to children that the library is a place where wonderful things can be
discovered.
I am interested in public art because more than many other arts, stained glass is an
art that needs to be integrated into its setting. The public art process allows that
opportunity. Because I am also an architect I think I am quite sensitive to the idea that
the stained glass should build upon and enhance the architecture of the structure. I like
the discipline that designing for a specific site imposes. My background as an architect
makes me well suited to the collaborative approach outlined for this project and easily
able to understand construction methods and documents.
Along with designing in a way that is sympathetic to the architecture I like to
design with a theme that is suggested by the purpose of the structure or by the local
geography, history or culture. My work is always very tied to the site. I try to respond to
the intended users. My work is colorful and uses a mixture of abstract and recognizable
imagery. It would be very appropriate for the children and family oriented spaces of the
library.
Glass art can take the form of stained glass windows or be artificially backlit in
lightless interior spaces. It can also be used in interior locations as an interior window.
I nearly always work with hand blown antique glass that has beautiful rich color. I
add detail by painting on the glass (fired on permanently in the kiln) and by sandblasting
or acid etching the glass.
I have always fabricated and installed my own work. I understand that this
project has a very tight deadline so that I would be the consulting artist. A commercial
stained glass studio would then fabricate the work.
I am accustomed to working with many different public art committees and
presenting my work to them. I am also familiar with the other requirements of public art
projects and have experience with both their design and fabrication. My father lives in
Port St. Lucie so I fly into Palm Beach frequently and am familiar with the Palm Beach
Gardens area. I would welcome the opportunity to make a proposal to you for this
project.
Sincerely,
Maureen Melville
IuGlll 5101 DiesalD)WA19114 y
1909 Massachusetts Avenue
McLean, Virginia 22101
(703) 533 -2448
melville lauberAmsn.com
EDUCATION
1982 Harvard University, Graduate School of Design, Master of Architecture
1975 University of Chicago, AB Art History/Fine Arts
Additional course work at the Art Institute of Chicago, Massachusetts College of Art, and the
Corcoran School of Art.
Participated in glass workshops with Brent Kee Young, Therman Statom, Susan Plum, Walt
Lieberman and Dick Weiss, Charles Devillier, Dan Fenton, Ken Van Roenn, and Albinus Elskus.
PUBLIC ART COMMISSIONS
Current Project (Stained Glass), New Mexico School for the Deaf, Santa Fe, NM 2007
Stained glass windows, Brentwood Recreation Center, Washington D.C., 2007
Finalist, public art competition, Florida State University, Tallahassee Florida, 2006
Finalist, public art competition, Peru State College, Peru Nebraska, 2005
Finalist, public art competition, Freeman Justice Center, Key West Florida, 2005
Stained glass windows, Daytona Children's Medical Services, Daytona Beach Florida, 2005
Stained glass windows, Phase 2, Gulf county Health Department, Port St. Joe, Florida, 2003
Stained glass windows, Renne Library, Montana State University, Bozeman, Montana, 2003
Finalist, stained glass competition, School of Business and Industry, Florida Agricultural and
Mechanical University, Tallahassee, Florida, 2003
Finalist, stained glass competition, Walton County Health Department, South Walton, Florida,
2002
Stained glass window, Hendry County Public Health Unit, Clewiston, Florida, 2002
Stained glass windows, Phase 1, Gulf County Health Department, Port St. Joe, Florida, 2001
Finalist, stained glass competition, Reitz Student Union, University of Florida, Gainesville,
. ,w ..
Florida, 2001.
Stained glass window, Franklin County Health Department, Apalachicola, Florida, 2001.
Stained glass window, Baker County Health Department, Macclenny, Florida, 2000.
Finalist, stained glass competition, New Mexico Military Institute, Roswell, New Mexico, 1998
Stained glass window, Hendry County Public Health Unit, LaBelle, Florida, 1997
Fused glass tiles, Rockville City Hall, Rockville, Maryland, 1992
Stained glass window, Burnt Mills Elementary School, Silver Spring, Maryland Montgomery
County Public Schools, 1992
Finalist, stained glass competition, Sherwood High School, Olney, Maryland Montgomery
County Public Schools, 1991
Stained glass window, Highland Elementary School, Silver Spring, Maryland Montgomery
County Public Schools, 1991
Stained glass window, Laytonsville Elementary School, Laytonsville, Maryland Montgomery
County Public Schools, 1990
Stained glass window, Strawberry Knoll Elementary School, Gaithersburg, Maryland
Montgomery County Public Schools, 1990
Stained glass window, Washington Grove Elementary School, Gaithersburg, Maryland
Montgomery County Public Schools, 1988
ARCHITECTURE
1986 Registered Architect, District of Columbia
GRANTS
Finalist, Artist -in- Residence, Howard County Arts Commission, Howard County, MD 1995
Arts Education Grant, Commission on the Arts and Humanities, District of Columbia, 1994
Individual Artist Grant, Commission on the Arts and Humanities, District of Columbia, 1992
Arts Education Grant, Commission on the Arts and Humanities, District of Columbia, 1992
oU
\'oo� G.
��GLM
January 5, 2008
Gary L. Moore
Box 10772
Miami, F133101
305.323.6923
garylmoore.com
Experience, Background
I have fifthteen years working experience through commissioned, fully integrated, large -scale public art
works. My reputation of delivering fully realized complex interior and exterior artworks on time and on
budget is well valued by commissioning agencies' nationally. I have successfully collaborated with city
planners, architects, engineers, government agencies and other design professionals to produce site specific,
award winning and innovative public art commissions. From research, community advisory group
presentations, preliminary concept design, procurement, fabrication and installation, I maintain the integrity
of an innovative forward thinking artistic vision.
My most recently completed public art commission Pharoahs Dance (2007) has received international
recognition for it is design excellence and innovative use of rustic terrazzo and fused glass. Pharoahs
Dance has been a feature on the New York Times Back Page Section, Art Forum Magazines Special Art
Basel Issue -2007, is a featured project for the America's for the Art's in Public Art 2007 Year in Review
and a 2007 National Terrazzo Awards Honoree.
I have had exceptional collaborative design team experience with a wide range of professional firms such
as; Wallace, Roberts and Todd (WRT), Duany Plater -Zybert (DPZ), Ed Dorrell Stone (EDSA), Zyscovich
Architects, PBS &J and Cesar Pelli & Associates.
My most relevant experience for the North County Regional Library (Expansion Project) has been the
creation of the Harrambe Room for the Broward County Library System. The Harrambe Room is a
specialty space located in the lobby of the Library. The room is used as a storytelling area and has become
a major tourist attraction in Broward County and a featured project for the Broward County Public Art and
Design Agency. Incorporated into the building program, the Harrambe Room is a fully integrated site -
specific public art commission. My inclusion on the design team during the preliminary design program
enabled me able to create the Harrambe Room as an additional building feature.
Design Approach
Public library facilities have become major venues for neighborhood cultural and social life. My design
approach would begin to initiate an environment that addresses the connection between home and
community. I envision a public art installation poetically bridging the context of the expanded home
environment: a familiar atmosphere of personal space but more communal and which promotes sharing and
exchange. The art commission will create, through materials, textures and primary colors, an open and
content rich public art commission where children and families share learning together and indeed, share
life through research, reading and new knowledge.
The new construction is viewed as an architecture design from which seamless public artworks emerge.
Some art components may take the form of interactive elements like oversized game boards, clocks of odd
configurations fabricated in durable permanent materials; built -in mosaic mural niches for storytelling and
a variety of child sized "hanging out" nooks. Educational elements may include historic timelines with
themes for science, geography and the arts playfully scattered throughout the new construction spaces.
Thank you.
Gary L. Moore
928 Mountain Street
Philadelphia, Pa. 19148
305.323.6923
garylmoore.com
Education
Whitney Museum of American Art, Independent Study Program, 1991 - 92
Norwich University, MFA, 1996
University of Miami, Sculpture, 1992
Selected Public Art Projects
2007 Yesterday's Tomorrow: a series of fiRhteen historical markers located at five locations
24 X 12" each
Digital print film transfer on rolled aluminum
Village of the Arts and Humanities, Philadelphia, Pa.
$65,000
A permanent sustainable outdoor sculptural installation, which re- envisions the traditional, cast bronze
historical markers as energetic, vibrantly colored African influenced sculptural assemblages, attached directly
to existing street utility poles. Created in collaboration with the Historic Fair Hill Quaker burial ground, Historic
Uptown Theater and other community based institutions.
2006 Pharaohs Dance Plaza
A fully integrated exterior piazza
6,000 sq ft ground mural rustic terrazzo in ten colors,
12ft circular stage with 2ft Height, fused and tempered glass, LED lighting, polished terrazzo, landscaping
design
Seven 2' diameter cast chrome themed medallions
482 sq. ft. of black bamboo,
Carnival Center for the Performing Arts, Miami Florida
Architect: Cesar Pelli & Associates
Miami Dade Art in Public Places
$745,000
Pharoahs Dance Plaza is a major entryway for the Carnival Center's Opera Ballet House. The Opera Ballet
House is one of the two buildings of which composes the Carnival Performing Arts Center. The Plaza's ground
mural, created in rustic terrazzo with deep tones of terra cotta and reds, is layered with an elaborate network
of metal strip designs. These designs generate a visual movement suggestive of imaginary wind patterns
seen during a desert sand storm. This detail enhances the narrative concept of the Pharoahs Dance Plaza's
theme of American jazz and caravan travel across the 12th Century Sahara desert.
Pharoahs Dance Plaza's terrazzo mural has eight cast chrome medallions embedded throughout tit's 6,000
sq. ft. area. The large shiny oval forms of the medallions create a counterpoint to the tactile rustic terrazzo.
Each of the medallions display a unique motif that relates to the intricate designs found on ancient coins. The
medallions are arranged as musical notations on an abstract field of color.
Pharoahs Dance Plaza features a polished terrazzo raised circular platform, knick -named "the turntable ". In
actuality, the raised platform serves as a stage for impromptu mini - concerts by performers engaged in
productions at the Center. This creates a lively exuberant atmosphere before and after performances. The
"turntable" has become a local attraction for it is free performances and a "must see" tourist attraction.
As articulated in the evening, Pharoahs Dance Plaza theatrical lighting design imparts a dramatic red blue and
yellow LED lighting system underneath the seat wall. Along the riser of the Turntable /stage are custom
designed and fitted fused glass panels in translucent tones of mellow yellows layered with opaque discs of
primary colors. The lighting feature here is similar to the seat wall not far away. Together the Turntable and
Seat wall's lighting scheme creates a colorfully lit pedestrian passageway inside the main area of Pharoahs
Dance Plaza.
One additional element of Pharoahs Dance Plaza is the towering wall of Black Bamboo located behind the
seat wall and buffers the Plaza from the busy street level valet parking area. As an interactive natural sound -
scape, the bamboo whistles, rustles and shimmers from breezes rolling off Biscayne Bay, located just two
blocks away. .
Seeds of Change
Rustic Terrazzo in eight colors, 12 "sq. Cast bronze medallions: 13 ea. of four designs, street banners: 36 ea.
of four designs which designate the historic district.
City of Delray Beach Florida Engineering Department and
Community Redevelopment Agency
Community workshops
$245,000
Conceptualized as a public art overlay to Delray Beaches' downtown district street and infrastructure
improvement project. Seeds of Change has become a major area attraction spurring development along a
redeployed commercial strip. Located in the historical district of downtown Delray Beach, Florida, this work
span six blocks of rustic terrazzo paving, colored cement with patterning, cast bronze medallions, Street
banners, and light pole cladding in materials specified by the artist. All design and content elements have a
strong reflection of the history and culture of the area site residents.
College Hill Diamond
Polished terrazzo floor in ten colors
College Hill Community Center, Tampa Florida
City of Tampa Art in Public Place, Community workshops
$33,000
The College Hill Community Center is a recently completed park's facility servicing an inner city rural
community with amenities such as a swimming pool, running track and active baseball field. The terrazzo
floor design, located in the lobby is a fully integrated public artwork. Historic Negro League Baseball teams
inspire the design of the flooring; sports activities abstract pop cultural images and intensive community
workshops.
Delray Beach Gateway Feature
Preliminary Design Phase
Architect: Post, Buckley, Schuh, Jimigan, (PBS &J) Fort Lauderdale, Florida
City of Delray Beach Fl. CRA
Conceptualized public art component consisting of two pedestrian plazas with vertical elements. The
Gateway serves as a major entryway for vehicular traffic exiting from an interstate highway. Collaborated with
City planners, Department of Transportation officials' architects and engineers in producing a conceptual plan.
Conceived of and conducted community workshops as a consensus - making tool.
2005 Lauderhill Promenade Design Arts Community Workshop
Architect: Ed Dorrell Stone & Associates, Ft. Lauderdale, FL
Conceptualized and produced an artistic children's "street signage" workshop. The workshop was a vital
component in developing a community consensus for new project development in the Lauder hill commercial
district.
2004 Master Plan for Mixed -Use Development, Truman Naval Facility
Key West Florida
Florida Atlantic University Center for Urban Redevelopment and Education,
Bahama Conch Land Trust,
As lead artist, I developed public art components for a community development agency seeking to redeploy a
once active U.S. Navy Facility. The scope of my involvement was to conceptualize within the Master plan an
artistic overlay, which creates context and content specific to the area, and reflect the culture of residents in
Key West. The Master Plan functioned as a primary document in the community development effective effort
to raise support and funding for the project.
Recently the development agency secured land and development rights to the Navel Facility primarily based
on the Master Plan for Mixed -Use Development for the Truman Navel Facility prepared by the team.
Afromatic
Baked enamel on water jet cut steel
1,400 sqft
Miami Dade Park and Recreation,
Miami Dade Art in Public Places
$160,000
Decorative security fencing surrounding a County Parks arts facility. There are 175 site specific designed
steel panels with baked enable attached to upper 1' section of the security fencing. The designs incorporate
landscape forms and abstract patterns which allude to the performing and visual arts.
2003 "Cut and Greet" Temporary Public Art Installation /Performance
hair salon chairs, paint, landscaping, various other materials
Delray Beach Cultural Loop,
Delray Beach Florida
A social sculpture where community residents received free haircuts and other grooming services, provided
free of charge from qualified professionals. I recreated, in an unused church house, a neighborhood hair salon
with bairber's chair, magazines, mirrors and other furnishings. Community residents were invited by way of
flyers and word of mouth to come and have grooming services provided. From hair braiding, manicures,
soda, chips and domino games the afternoon was spent relaxing and sharing stories.
This public art commission utilized community residents as the medium in providing an opportunity for social
interaction in an unexpected context.
Harrambe Room
Polished terrazzo in 6 colors, 640 square feet in diameter with 18 digital color prints on textured canvas,
sealed in plastic (6' Height X 4' Width)
Broward County Library System, Ft. Lauderdale, Florida
$120,000
The Harrambe Room is a fully integrated site - specific public artwork located in the newly constructed primary
research library. The Harrambe Room serves as the primary tourist attraction in a major specialty public
library facility. The Room features a storytelling area, wall murals representing the history and culture of the
community, and a natural acoustical sound -- scape.
Puzzle Walk
Rustic Terrazzo
Health Science Building, University of South Florida at Tampa, Florida
$38,000
Ninth Street Pedestrian Mall (1994 - 2003)
Cast bronze medallions, custom colored concrete brick pavers, rustic terrazzo
Miami Dade Art in Public Places, City of Miami
Architects: Wallace, Roberts & Todd
$650,000
The Ninth Street Pedestrian Mall was the first street improvement project in the city of Miami where a
multiplicity of government agencies collaborated to produce a major infrastructure improvement project in
down town Miami. As the lead artist for the project, I designed and installed 18,000 square feet of custom
colored concrete pavers and a 20,000 square foot pedestrian plaza fabricated in rustic terrazzo. Embedded in
the terrazzo, along the pedestrian plaza are seven cast bronze medallions. The medallions convey design and
text content symbolic of the historic significance of the neighborhood.
Recognized internationally, the Ninth Street Pedestrian Mall is a vital public artwork in Miami Dade County.
The success of the public art work at the Mall has initiated and supported the development of an urban core
with "Town Center" potential, and continues to serve as a standard in pedestrian plaza paving design.
The Ninth Street Pedestrian Mall has been recognized with design awards from the American Society of
Landscape Architects, National Endowment for the Arts: Design for Transportation Award, International
Downtown Association and the International Concrete Paving Institute, and is a featured project in Landscape
Architecture Magazine, January 1994.
2001 Miami Design District, Public Art Master plan, Miami, FL,
In collaboration with Duany Plater - Zybert, Coral Cables, FL and DACRA Companies, Miami Beach, FL
Miami Design District is an urban enclave of upscale designer showrooms, artist studios and restaurants. The
Public Art Master plan was created as a working manual that dictates the placement, content, scale and
programmatics of commissioning public art initiatives for the district. As a member of an artists team, my
recommendation facilitated the establishment of the Underpass Mural Program which currently commissions
artists to create site specific painted murals on areas where transit stops occur under highway over passes.
Currently, the Public Art Master Plan functions as a development guide in the Design District.
1998 Image Control: Temporary Billboard
Supported by the Public Art Fund, New York, this public art commission provided artists collaborations from
New York City and Miami Florida. As an invited artist I designed fabricated and installed two billboard
designs, repeated at seven locations in and around downtown Miami for three months.
CITY OF PALM BEACH GARDENS
ART IN PUBLIC PLACES ADVISORY BOARD
Agenda Cover Memorandum
Date Prepared: February 4, 2008
Meeting Date: February 19, 2008
Petition No. AIPP- 07 -12- 000017
Subject / Agenda Item:
Petition AIPP- 07 -12- 000017: Art in Public Places — Latitudes in the Gardens
Recommendation to City Council: A request by Mark Fuller, on behalf Hawkeye Central, LLC,
for approval of the public art for the Latitudes in the Gardens Mixed -Use Planned Community
Development (MXD/PCD), generally bounded by Interstate 95 and Central Boulevard to the
west, the future extension of Victoria Falls Boulevard to the north, the future extension of Elm
Avenue to the east, and the Paloma PUD to the south.
[ X ] Recommendation to APPROVE
] Recommendation to deny
Reviewed by:
Originating Dept.:
FINANCE: NA
AIPP Board Action:
Plannin M
Growth Mana ement:
[ ] Rec. approval
Project
Costs: $ NA
[ ] Rec. app. w/ conds.
Manager
Total
[ ] Rec. Denial
Je o n
Nina Nikolova
[ ] Continued to:
City Attorney:
Planning Specialist
$ NA
Current FY
Christine Tatum
Funding Source:
Development Compliance
Manager:
[ ]Operating
[X ] Other NA
Bahareh Wolfs, AICP
GrowtA Management
Budget Acct. #:
Advertised: N/A
Attachments:
strato
A :
Date:
. Artist's Resume
Paper:
• Artist's Statement
. Site Plan
Kara Irwin, AICP
• Proposed Art and
[X] Not Required
Pedestal Design
Options
Approved by:
City Manager:
• Budget Breakdown
Affected parties:
• Copy of Escrow
[ ] Notified
Letter
Ronald M. Ferris
[X] Not Required
[ ]None
v
Date Prepared: February 4, 2008
Meeting Date: February 19, 2008
Petition AIPP- 07 -12- 000017
BACKGROUND
On July 20, 2006 the City Council adopted Resolution 53, 2006, for the master site plan
approval of Parcel 31.04 MXD/PCD which consists of 50.58 acres. Concurrently with
the PCD master site plan, the City Council adopted Resolution 55, 2006, granting site
plan approval to the residential portion of the PCD within "Parcel C ", which is exempt
from the art requirement. Furthermore, through the adoption of Resolution 4, 2007, the
City Council granted site plan approval for the approximately 9.0 acre commercial area
consisting of "Parcel A" and "Parcel B" of the Parcel 31.04 MXD/PCD, a.k.a "Latitudes
in the Gardens." The approval allowed for 9,000 s.f. of restaurant use, 15,000 s.f. of
retail use, 38,000 s.f. of medical office use, and 14,866 s.f. of professional office use.
DISCUSSION
The artist, Mark Fuller, representing himself and the owner of the property, appeared
before the Art in Public Places Advisory Board for a workshop on December 18, 2007.
In accordance with Section 78- 261(d) of the Land Development Regulations entitled
Requirements for art or fee in lieu of art, all budgets for new construction of private and
public developments shall include one percent (1 %) of the total budget for vertical
construction as a fee for art in public places. The subject fee shall be utilized by the
developer for the provision of artwork on the project site, or the developer may choose to
contribute one percent (1 %) of the total vertical construction costs directly to the City for
the provision of art on public property.
Under the provisions of Section 78- 261(d)(1)a.l. of the City's Land Development
Regulations entitled Deposit of funds, prior to the issuance of a building permit the
petitioner is required to place $63,898.71 into an escrow account, which represents an
estimate of one (1 %) percent of the estimated total cost of vertical construction on site.
The budget for the proposed AIPP program is $75,000 (please see the attached project
budget breakdown).
PROPOSED ART IN PUBLIC PLACES
The artist (please see attached artist resume), is proposing a kinetic wind - driven
installation, entitled "The Sphere." It will be 14 feet in diameter, and will be placed on a
pedestal that will be 19.5 feet in diameter and 6 feet in height. The artist has designed
three options for the pedestal. The artist and owner are more partial to the pedestal
designs that incorporate a planter bed for annuals, and a 360 degree seating around the
base (please see attached images and site plan).
PROPOSED LOCATION FOR ART
The applicant is proposing one (1) location for the public art:
1. The sculpture is placed in the open courtyard area between Buildings 1 and 2.
2
s
Date Prepared: February 4, 2008
Meeting Date: February 19, 2008
Petition AIPP- 07 -12- 000017
The proposed location is consistent with Land Development Regulations Section 78 -262
as follows:
• Visibility: The proposed public art location takes the design of the site into
account, so that the public can receive the most enjoyment and benefit from the
art. The art is integrated into the site and is located in a pedestrian oriented area.
The art would also be visible to vehicular traffic which enters the site.
• Lighting: The proposed public art will be lit in an unobtrusive manner through
the use of up- lights that will be placed within the pedestal base. The artist will
provide further information at the AIPP meeting on February 19, 2008.
STAFF RECOMMENDATION
Staff is recommending approval of the subject petition with the following condition of
approval:
1. The Applicant shall submit digital photographs of the installed artwork within
sixty (60) days of completion. (Planning and Zoning)
3
L'
Art In Public Places
Lattitudes in the Gardens
MTFULLER
FUNCTIONAL ARTS
524 Palm Beach Lakes Blvd.
Palm Beach, FL 33401
561.707.4688
CITY OF PAID! 8 C H Girt,',I
PI.1"1fii LING & ONING Di ", 013108
�• About MTFuller
MTFuller is an environmental graphic designer and creator of art works for a wide variety of applications. Established in West
M T F U L L E R Palm Beach since 1986, Mark Fuller provides professional design, fabrication, and production services.
FUNCTIONAL ARTS
Primarily oriented towards designing identity elements to create a sense of place, Fuller's experience includes urban street
furniture such as seating elements, bollards, lighting fixtures, tree grates, telephone kiosks, and graphic images on sound
barriers along Interstate 95. His Art In Public Places installations have included kinetic constructions, compression- tension
cable structures, and static free - standing elements. His works have been referenced by a spokesperson for the National
Endowment For The Arts as "a good example of what public art should be ".
Experience with and accessability to high -tech fabrication methods and finishing technology allow him to effectively determine
appropriate production methods to accommodate budget, schedule, and function requirements. His projects often incorporate
diverse fabrication methods utilizing polymer -based mouldings, cast stone fabrications, specialized epoxy - polyester hybrid
coatings, and aero -space quality precision metal fabrications. Immediate access to state -of -the -art industrial lasers, CNC
computerized machining, and large format image reproduction has enhanced MTFuller's ability to streamlining the process from
concept to reality.
Fluent in digital technology, MTFuller utilizes an array of powerful Macintosh and PowerComputing platforms for pre - production
3D modeling and imaging. Expertise in programs such as Photoshop, Raydream, Lightwave, and POV -Ray / Persistance of
Vision enables photo - realistic monitoring of designs from conceptual design throughout the final design phases.
Professional Experience
Urban Design Studio, West Palm Beach, FL: Director of Graphics 1978 -80
Lance Wyman Ltd. New York, NY Senior Designer 1980 -86
MTFuller Functional Arts; West Palm Beach, FL: Owner 1986- present
Animates, Inc.; New York, NY Principal 1988 - present
Art In Public Places
Helter Shelter - Pinellas County Arts Council, Seminole, Florida (2007)
Last Pasture - Boynton Town Center, Boynton Beach, FL, (2007)
The Obelisk - The Sembler Company, Palm Beach Gardens, Florida (2006)
Stack145 - The Sembler Company, Palm Beach Gardens, Florida (2006)
Butterfly Grove - PGA Commons, Palm Beach Gardens, Florida (2005)
Track 2, 1 -9 - The Pinellas Trail; Pinellas County Arts Council, St. Petersburg, Florida (2004)
Tears - The V FC -9/11 Memorial, The City of Hoboken, New Jersey (2002)
Flock - The City of Mercer Island, Washington (2001)
Square Peg Round Hole - Interim Services Corporate Headquarters, Ft. Lauderdale, Florida (2000)
Tensegrity - The Children's Discovery Museum of the Desert, Palm Desert, California (1999)
Marlin Palms - The City of West Palm Beach, West Palm Beach, Florida (1995)
Fish Out Of Water - The City of West Palm Beach, West Palm Beach, Florida (1993)
Other Sample Project Clients
The State of New Jersey Department of Transportation.
The City of Calgary, Calgary, Alberta, Canada
The City of Toronto, Toronto, Ontario, Canada
The City of Detroit, Detroit, Michigan
The City of Trenton, Trenton, New Jersey
The City of Boynton Beach, Boynton Beach, Florida
The City of West Palm Beach, West Palm Beach, Florida
Museo Amparo, Mexico City, Mexico
U. S. Sugar Corporation, West Palm Beach, Florida
Downtown Development Authority of West Palm Beach
CoTran, Palm Beach County, Florida
Farr -Jewett & Associates, Washington, DC
Skidmore, Owings & Merril, New York, New York
American Musuem of Natural History, New York, New York
Historic Mercer Cemetary, Trenton, New Jersey
South Street Seaport Museum, New York, New York
Artist's Statement
MTFULLER This proposal "THE SPHERE" provides an outline for a kinetic wind - driven installation.
FUNCTIONAL ARTS
Conceptually placed atop a water - sheeting cylindrical series of steps, "THE SPHERE"
consists of multiple crescent - shaped fins which are aligned perpendicular to each other
at the centerline. A primary support yoke is deep anchored to the foundation and has a
360 degree movement on the X / Z axis (horizontal plane) via a simplicity bearing shaft
and collar. Secured to the upper -end of the support yoke, an additional simplicity bearing
and shaft collar is mounted to the outer crescent of the spherical fabrication assembly,
which will allow the fabrication body to rotate 360 degrees on the Y (vertical rotation) axis.
This combination of axial rotations combined with the opposing planes of the crescent fins
will allow the spherical assembly to direct itself into the breeze as it finds its path of least
rersistance to the prevailing breeze. Constant corrections to the direction of even the
slightest breeze provide viewers with a stimulating visual experience.
Conceived as having a silver metallic finish with a colored inside leading edge of the fins,
the theme of "THE SPHERE" is relative to the projects namesake of "Lattitudes ".
This installation will be engineered to meet hurricane codes as follows:
Wind Criteria: 140mph
Exposure "C"
FBC 2004
As an additional measure for safety under tropical storm conditions, "THE SPHERE" will
have adjustable tension restraint cables which will prevent rotation of the spherical assembly
on the Y axis (vertical rotation). The nature of forces upon the assembly will allow for
horizontal movement to head into the wind.
All aspects of the pedestal base will be provided by the project owner.
RESPONSE TO AIPP WORKSHOP REVIEW.•
The `sphere' design for the installation was previously met with approval,
however the AIPP committee requested that a design option for the base
element be presented.
I have re- designed the base, and hereby present one design; with a variation
to the top of the quadrant wall as a subtle option. This design is an excellent
improvement over the previous scheme as it now offers a planter bed for
annuals, as well as 360 degree seating around the base of the installation.
01C i F# 7 J
' `L - � � F-� .p ' / •_,tip`- � A� '�
, 17 'r �.~,! i��1 -T� � '413 •.� ..
r o 4r
Al� ►f � � ' � •: �
As
ot
T -_1.
ORIGINAL SUBMITTAL DESIGN
REVISED PEDESTAL DESIGN
OPTION 'A'
(Straight Quadrant Wall Tops)
REVISED PEDESTAL DESIGN
OPTION 'B'
(Curved Quadrant Wall Tops)
�vr
Shapiro /Portnoy Companies
January 31, 2008
City of Palm Beach Gardens
Planning and Zoning Division
Grown Management Department
10500 North Military Trail
Palm Beach Gardens, FL 3 34 10
Re: Latitudes in the Gardens
12400 & 12500 Central Blvd.
Palm Beach Gardens, FL 33414
To Whom It May Concern:
Please be advised that we have deternuned the vertical construction costs of Latitudes in
the Gardens using the standard Building Valuation Data Tables 1 and 2. The building is
classified as Group B Business, Type U3, with a construction cost of $83.13 per square
foot.
We estimate the total vertical construction cost to be $6,389,871.00 (i.e., 76,866 square
fcct times $83.13 per square foot.). We are submitting the minimum 1% of vertical
construction cost into an escrow account as per the City of Palm Beach Gardens
ordinance. The escrow amount is $63,898.71.
If you should have any questions, or require further information, do not hesitate to
contact us.
Cindy Smith -- _
Hawkeye Central,
UY O'cr PALM BCH CONS
FEB 12006
PLANNING & 70NING DIV
UTF111 1 FR
rvmu nwnnL nK v a
524 Palm Beach Lakes Blvd.
West Palm Beach, FL
33401
561.707.4688
f mtfuller @earthlink.net
Budget Schedule
AIPP - Sphere
AIPP Budget
Design
1 February 2008
laUAmdes at the Gardens
Logistics (professional fees, overhead, insurance)
Materials (metal, pc extruded sheet, hardware)
Materials Freight
Production Services (laser, CNC, hybrid laminations)
Assembly & Handling
Installation Services
10% Margin
75,000.00
15,000.00
5,575.00
15,500.00
1,000.00
17,300.00
10,375.00
2,750.00
7,500.00
CITY OF PALM BEACH GARDENS
ART IN PUBLIC PLACES ADVISORY BOARD
Agenda Cover Memorandum
Date Prepared: February 4, 2008
Meeting Date: February 19, 2008
Petition No. AIPP- 07 -12- 000018
Subject / Agenda Item:
Petition AIPP- 07 -05- 000015: Art in Public Places — Double Tree Hotel
Recommendation to City Council: A request by Marty Minor, on behalf of E &J Properties, LLC,
and THI IV PBG LLC, for approval of the public art for the Double Tree Planned Unit
Development (PUD), generally located in the northeast quadrant of the intersection of PGA
Boulevard and Military Trail, and west of Interstate I -95.
[ X ] Recommendation to APPROVE
[ ] Recommendation to deny
Reviewed by:
Originating Dept.:
FINANCE: NA
AIPP Board Action:
Plannin
Growth Management:
[ ] Rec. approval
Project
Manager __�&
Costs: $ NA
Total
[ ] Rec. app. w/ conds.
( ] Rec. Denial
Je on
Nina Nikolova
[ ] Continued to:
City Attorney:
Planning Specialist
$ NA
Current FY
Christine Tatum
Funding Source:
Development Compliance
Manager:
[ ]Operating
[X ] Other _NA_
Bahareh Wolfs, AICP
Gro Management
Attachments:
Ad strator:
Advertised: N/A
Budget Acct. #:
Date:
[ ] None
• Applicant Narrative
Paper:
Budget Breakdown
. Artist's Resume
Kara Irwin, AICP
• Site Plan
[X] Not Required
• Artist's Statement
• Triad Details
Approved by:
City Manager:
• Elevations with
Affected parties:
"Triads"
[ ] Notified
• Examples of Artist's
Ronald M. Ferris
[X] Not Required
work
• Initial Concepts
Date Prepared: February 4, 2008
Meeting Date: February 19, 2008
Petition AIPP- 07 -12- 000018
The proposed location is consistent with Land Development Regulations Section 78 -262
as follows:
• Visibility: The proposed public art location is visible to both internal and external
pedestrian and vehicular traffic.
• Lighting: The proposed public art will be tastefully lit through the use of up-
lights in order to prevent excessive glare and light trespass.
STAFF RECOMMENDATION
Staff is recommending approval of the subject petition with the following conditions of
approval:
1. The Applicant shall submit digital photographs of the installed artwork within
sixty (60) days of completion. (Planning and Zoning)
2. The Applicant shall install the art prior to the issuance of the certificate of
occupancy for the self - storage building. (Planning and Zoning)
3
K
C7
February 1, 2008
Ms. Nina Nikolova
Planning Specialist
Planning and Zoning Division
Growth Management Department
City of Palm Beach Gardens
10500 N. Military Trail
Palm Beach Gardens, Florida 33410
urban
Urban Design
Urban Planning
Land Planning
Landscape Architecture
RE: REQUEST FOR A RECOMMENDATION TO CITY COUNCIL FOR ART IN
PUBLIC PLACES FOR DOUBLETREE NORTH PUD
Dear Ms. Nikolova:
At the December 18, 2007 Art Advisory Committee meeting, we presented the proposed artwork
for Doubletree North Planned Unit Development, located east of Military Trail, west of Interstate
95 and north of PGA Boulevard.
The proposed artwork, "Triads," will be placed on the southern, southwestern and southeastern
elevations of the self - storage building currently under construction. The innovative artwork
consists of a series of individually- mounted equilateral reflective and also transparent triangles
which are mounted to the building. This installation will create a constantly- changing display of
color and color shadows against the building elevation. This changing color display is caused by
the use of materials on the artwork.
The artist, Mark Fuller of MTFULLER Functional Arts, is a well -know artist who has
installations within the City and throughout North America. Mr. Fuller, who is a resident of the
City, has recently completed installations in Pinellas County, Florida, and the South County
Civic Center in Delray Beach.
Full plans and descriptions of the proposed "Triad" artwork are attached for your review. Also,
attached is the artist's resume. As part of the building permit process for the City, the applicant,
E & J Properties, provided the City with a check for $88,500 for the Art in� l��j
The applicant, who also owns the subject site, hired Mr. Fuller for $89,250.bkd>�l4ie!'-
costs for the artwork is attached for your information.
At the Art Advisory Committee meeting, the Committee requested to see A
examples of the other concepts considered during the design process for P1 MI ING- -9, 7P!4,1wa l !!
the artwork. These design concepts are attached for your review. 477 S. Rosemary Avenue
Suite 225 - The Lofts at City Place
West Palm Beach, FL 33401
561.366.1100 561.366.1111 fax
www.UDSonline.com
LCC35
• We look forward to working with you in the provision of this artistic amenity. Should you have
any questions, please feel free to contact me, We are looking forward to being placed on the
February I 91 Art Advisory Committee meeting for this request. Thank you for your assistance.
Sincerely,
Urban Design Studio
Marty R.A. Minor, AICP
MTFULLER
• FUNCTIONAL ARTS
2625 Ravella Lane Marty Minor
Palm Beach Gardens, FL Urban Design Studio
33410 477 South Rosemary Avenue #225
West PalmBeach, FL 33401
e 561,70 .4688
�! mtfuller earthlink.net 561.366.1100
Budget Breakdown
AIPP
1 February 2008
Doubletree North
AIPP Budget
Design Fees
Logistics (professional fees, insurance, overhead)
Materials (aluminum, polycarbonates, dichroic coatings)
Materials Freight / Shipping
Production Services (laser, waterjet, solvent welding)
Assembly & Handling
Electrical & Lighting
Installation Services
10% Margin
89,250.00
15,425.00
6,760.00
20,200.00
2,150.00
18,200.00
9,400.00
3,600.00
4,600.00
8.925.00
Proposed Design For
Art In Public Places
Doubletree 2
0
CREATED BY:
WFULLER
FUNCTIONAL ARTS
•
About !!MTFuller
40 MTFuller Is an environmental graphic designer and creator of art works for a wide variety of applications. Established in West
7 P U L L f: F Palm Beach since 1986, Mark Fuller provides professional design, fabrication, and production services.
Fui +s:'fiONP'_
Primarily oriented towards designing Identity elements to create a sense of place, Fuller's experience includes urban street
furniture such as seating elements, bollards, lighting fixtures, tree grates, telephone kiosks, and graphic images on sound
barriers along Interstate 95. His Art In Pubiic Places installations have included kinetic constructions, compression- tension
cable structures, and static free - standing elements. His works have been referenced by a spokesperson for the National
Endowment For The Arts as "a good example of what public art should be ".
Experience with and accessability to high -tech fabrication methods and finishing technology allow him to effectively determine
appropriate production methods to accommodate budget, schedule, and function requirements. His projects often incorporate
diverse fabrication methods utilizing polymer -based mouldings, cast stone fabrications, specialized epoxy - polyester hybrid
coatings, and aero-space quality precision metal fabrications. Immediate access to state- of- the-art industrial lasers, CNC
computerized machining, and large format Image reproduction has enhanced MTFuller's ability to streamlining the process from
concept to reality.
Fluent in digital technology, MTFuller utilizes an array of powerful Macintosh and PowerComputing platforms for pre - production
3D modeling and imaging. Expertise In programs such as Photoshop, Raydream, Lightwave, and POV -Ray / Persistance of
Vision enables photo-realistic monitoring of designs from conceptual design throughout the final design phases.
arofessionai Experience
Urban Design Studio, West Palm Beach, FL:
Director of Graphics 1978-80
Lance Wyman Ltd. New York, NY
Senior Designer 1980 -86
MTFuller Functional Arts; West Palm Beach, FL:
Owner 1986- present
• Animates, Inc.; New York, NY
Principal 1988 - present
Art In Public Places
He/ter Shelter - Pinellas County Arts Council, Seminole, Florida (2007)
Last Pasture - Boynton Town Center, Boynton Beach, FL, (2007)
The Obelisk - The Sembler Company, Palm Beach Gardens, Florida (2006)
Stack145 - The Sembler Company, Palm Beach Gardens, Florida (2006)
Butterfly Grove - PGA Commons, Palm Beach Gardens, Florida (2005)
Track 2, 1 -9 - The Pinellas Trail; Pinellas County Arts Council, St. Petersburg, Florida (2004)
Tears - The WTC -9/11 Memorial, The City of Hoboken, New Jersey (2002)
Flock - The City of Mercer Island, Washington (2001)
Square Peg Round Hole - Interim Services Corporate Headquarters, Ft. Lauderdale, Florida (2000)
Tensegrity - The Children's Discovery Museum of the Desert, Palm Desert, California (1999)
Marlin Palms - The City of West Palm Beach, West Palm Beach, Florida (1995)
Fish Out Of Water - The City of West Palm Beach, West Palm Beach, Florida (1993)
Other Sample Project Clients
The State of New Jersey Department of Transportation.
The City of Calgary, Calgary, Alberta, Canada
The City of Toronto, Toronto, Ontario, Canada
The City of Detroit, Detroit, Michigan
The City of Trenton, Trenton, New Jersey
• The City of Boynton Beach, Boynton Beach, Florida
The City of West Palm Beach, West Palm Beach, Florida
Museo Amparo, Mexico City, Mexico
U. S. Sugar Corporation, West Palm Beach, Florida
Downtown Development Authority of West Palm Beach
CoTren, Palm Beach County, Florida
Far -Jewett & Associates, Washington, DC
Skidmore, Owings & Merril, New York, New York
American Musuem of Natural History, New York, New York
Historic Mercer Cemetary, Trenton, New Jersey
South Street Seaport Museum, New York, New York
Pr Artist's Statement
•MITFULLER
FUNCTIONAL ARTS My proposal consists of creating a series of individually mounted equilateral reflective -
yet transparent "Triad" elements that are mounted to selected upper -level building walls.
This installation at Doubletree 2 will create an ever - changing display of color and colored
shadows against the buidling facade. This change is possible through the use of a dichroic
coated film which is integrally laminated to the surfaces of the "Triads "; and the observers
specific viewpoint combined with the direction of the dominant light source.
Consisting of 3 composite acrylic vanes mounted to a metal baseplate, each vane on the
"Triad" will cast a colored shadow; the color of which will be determined by the angle of
the dominant light source as it passes through the dichroic coating.
The design of the "Triad" has been engineered to meet hurricane codes as follows:
Wind Criteria: 140mph
Exposure "C"
FBC 2004
Materials consist of bright finished .25" aluminum baseplate and mounting channels,
stainless steel mounting hardware, Acrylite Resist SGT" outer vane panels sandwiching
a .125" clear acrylic sheet laminated with a 3M dichroic radiant film.
• LIGHT SOURCE
•
STUDY MODEL OF "TRIADS" PHOTOGRAPHED IN SUNLIGHT
•
•
C
I �
�J
WALL SURFACE
i
25' ACR RESIST SG
1 25" ACR DICHROIC
COMPOSITE DETAIL
i I
I
II.5"
TYPICAL pRONT VIEW
.25" ALUMINUM BASEPLATE
.625" ACRYLIC SANDWICH
—.25 "ALUMINUM KEYED FLANGE
WALL SURFACE
MTFULLER
FUNCTIONAL ARTS
5"
TYPICAL BOTTOM VIEW
524 Palm Beach Lakes Blvd or 561.707 -4688 studio
West Palm Beach, FL 33401 or mtfuiler @earthlink.net
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